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Book
Music, politics, and violence
Authors: ---
ISBN: 0819573396 9780819573391 9780819573377 9780819573384 9780819573391 081957337X 0819573388 Year: 2012 Publisher: Middletown, Conn. : Wesleyan University Press,

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Abstract

An in-depth consideration of the relationship between music and violence


Book
Sing to victory!
Author:
ISBN: 1618118404 9781618118394 1618118390 9781618118400 Year: 2018 Publisher: Boston

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A woman wearing a ballgown singing in the snow for returning ski troops; a technician's tears ruining a master recording of a new wartime song; fresh recruits spontaneously standing and doffing their caps to a new song, thereby creating the new wartime anthem. This well researched, multi-faceted book depicts the relationship between song and society during World War II in the USSR. Chapter topics range from the creation and distribution of the songs to how the public received and shaped them. The body of song that came out of that era created a true cultural legacy which reflected both the hearts of the individuals fighting as well as the narrative of the party and state in bringing the nation to victory.


Book
The musical legacy of wartime France
Author:
ISBN: 9780520275300 0520275306 9780520955271 0520955277 1299677401 Year: 2013 Publisher: Berkeley

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For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy's efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen's Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Duruflé's Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky's Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell--in textbooks, program notes, liner notes, historical monographs, and biographies--about music, France, and World War II [Publisher description].

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