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In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
Art, Yoruba --- Art and society --- Creative ability in technology --- Technical creativity --- Technology --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art, Yoruba (African people) --- Yoruba art --- History. --- Political aspects. --- Social aspects --- Ife (Nigeria) --- Ile-Ife (Nigeria) --- Antiquities. --- Civilization.
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The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.
Art, Yoruba. --- Yoruba language. --- Philosophy, Yoruba. --- Language and languages in art. --- Philosophy, Yoruba (African people) --- Yoruba philosophy --- Aku language --- Eyo language --- Nago language --- Yariba language --- Kwa languages --- Art, Yoruba (African people) --- Yoruba art
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Winner of the 2012 Melville J. Herskovits award (African Studies Association) Throughout southwestern Nigeria, Yoruba men and women create objects called aale to protect their properties-farms, gardens, market goods, firewood-from the ravages of thieves. Aale are objects of such unassuming appearance that a non-Yoruba viewer might not register their important presence in the Yoruba visual landscape: a dried seedpod tied with palm fronds to the trunk of a fruit tree, a burnt corncob suspended on a wire, an old shoe tied with a rag to a worn-out broom and broken comb, a ripe red pepper pierced with a single broom straw and set atop a pile of eggs. Consequently, aale have rarely been discussed in print, and then only as peripheral elements in studies devoted to other issues. Yet aale are in no way peripheral to Yoruba culture or aesthetics. In Vigilant Things, David T. Doris argues that aale are keys to understanding how images function in Yoruba social and cultural life. The humble, often degraded objects that comprise aale reveal as eloquently as any canonical artwork the channels of power that underlie the surfaces of the visible. Aale are warnings, intended to trigger the work of conscience. Aale objects symbolically threaten suffering as the consequence of transgression-the suffering of disease, loss, barrenness, paralysis, accident, madness, fruitless labor, or death-and as such are often the useless residues of things that were once positively valued: empty snail shells, shards of pottery, fragments of rusted iron, and the like. If these objects share "suffering" and "uselessness" as constitutive elements, it is because they already have been made to suffer and become useless. Aale offer would-be thieves an opportunity to recognize themselves in advance of their actions and to avoid the thievery that would make the "useless" people.
Yoruba (African people) --- Philosophy, Yoruba. --- Art, Yoruba. --- Yariba (African people) --- Yooba (African people) --- Yorubas --- Ethnology --- Philosophy, Yoruba (African people) --- Yoruba philosophy --- Art, Yoruba (African people) --- Yoruba art --- Social life and customs. --- Communication. --- Material culture. --- Yorouba (Peuple d'Afrique) --- Art yorouba --- Philosophie Yorouba --- Material culture --- Communication --- Culture matérielle --- Moeurs et coutumes --- Social conditions.
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This wide-ranging collection investigates the father/son dynamic in post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex patterns of identification, disavowal, and displacement in films by such diverse directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov, and Bekmambetov. Several chapters focus on the difficulties of fulfilling the paternal function, while others show how vertical and horizontal male bonds are repeatedly strained by the.
Culture and globalization --- Cultural property --- Art, Yoruba --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art, Yoruba (African people) --- Yoruba art --- Globalization and culture --- Globalization --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Protection --- Social aspects --- Motion pictures --- Fathers and sons in motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism --- Fathers and sons in motion pictures --- Motion pictures -- Russia (Federation) -- History -- 20th century --- Film --- Music, Dance, Drama & Film --- E-books --- African diaspora --- Black diaspora --- Diaspora, African --- Human geography --- Africans --- Transatlantic slave trade --- Study and teaching (Higher) --- Migrations --- Sociology of the family. Sociology of sexuality --- Russia --- Diasporas --- Africains --- Étude et enseignement (supérieur) --- À l'étranger --- Étude et enseignement (supérieur) --- À l'étranger
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