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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Hauptbeschreibung Dass Männer zu allen Zeiten nicht nur Verstand, sondern auch Gefühle haben, ist an sich betrachtet eine schlichte Tatsache. Der die kulturelle Moderne dominierende bürgerliche Geschlechterdiskurs, wie er sich im 19. Jahrhundert formiert hat, behindert jedoch bis heute eine selbstverständliche Auseinandersetzung mit den Formen und Figurationen emotionaler Männlichkeit und mit männlichen Emotionen, indem er polarisierend Männlichkeit mit Rationalität und Weiblichkeit mit Emotionalität konnotiert. Die Beiträge des Bandes arbeiten einer dichotomisierenden Codierung von Geschlecht
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Emotions --- Emotions in literature. --- Sociological aspects.
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French literature --- Emotions in literature. --- History and criticism.
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This volume, prompted by the publication in 1999 of Moya Longstaffe's remarkable study, Metamorphoses of Passion and the Heroic in French Literature: Corneille, Stendhal, Claudel, further investigates and analyses the multiple appearances of Passion and Heroism in literature. It pursues the exploration of these themes in a variety of cultures (English, French, German, Spanish), genres, and critical approaches. In addition, the chronological span represented is extremely wide. Contributions range from La Fontaine, Molie`re and Voltaire to Rimbaud and Camus; from Baudelaire to Beckett; from Wagner to Goytisolo. This very diversity gives necessary context, providing scope for reflection and analysis. Although passion seems timeless, can heroism have any real meaning - apart from an individual and existential one - in our postmodern age? Has a notion at the centre of European culture for so many centuries really disappeared from our intellectual and cultural universe? This volume will be of interest to all students of literature, whatever their critical or linguistic allegiance, since it focuses on the varying manifestations of two vital ingredients of all societies and cultures.
Heroes in literature --- Emotions in literature --- Longstaffe, Moya --- Courage in literature. --- Heroes in literature. --- Emotions in literature.
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"British Romanticism and the Literature of Human Interest investigates the generic structures of Romantic literature and the negotiation of the status of literature in the period in relation to a new media landscape. This book explores the self-theorization of Romantic literature and argues for its value to contemporary literary criticism" --
English literature --- Romanticism --- Emotions in literature --- Empathy in literature --- History and criticism --- E-books --- Emotions in literature. --- Empathy in literature. --- History and criticism.
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What makes us laugh and cry, sometimes at the same time? How do these two primal, seemingly discrete and non-verbal modes of expression intersect in everyday life and ritual, and what range of emotions do they evoke? How may they be voiced, shaped and coloured in literature and liturgy, art and music?
Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears. With a focus on the tragic, the comic and the tragicomic dimensions of laughter and tears in art, literature and performance, as well as on their emotional, socio-cultural and religious significance, it breaks new ground in the study of ancient and Byzantine affectivity.
Emotions in music. --- Emotions in art. --- Emotions in literature. --- Greek literature --- History and criticism. --- Music
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The author applies to Athenian culture and literature insights on the contexts, conscious and subconscious motivations, subjective manifestations, and indicative behaviours of envy, jealousy, and related emotions, derived from modern (post-1950) philosophical, psychological, psychoanalytical, sociological, and anthropological scholarship. This enables an exploration of both the explicit theorization and evaluation of envy and jealousy in ancient Greek texts, and also the more oblique ways in which they find expression across a variety of genres - in particular philosophy, oratory, comedy and tragedy.
Greek literature --- Emotions in literature. --- Envy in literature. --- Jealousy in literature. --- History and criticism.
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