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"This study offers a rhetorical analysis of how the young T. S. Eliot created a new voice and targeted a modern audience in the poems of his youthful notebook, published in 1996 as Inventions of the March Hare. By following Eliot's artistic development and intellectual maturation, the author explores, by chronological steps, how a young man who writes uninspired doggerel transformed himself-in twenty months-into the author of "The Love Song of J. Alfred Prufrock."" Introduction: The Apprentice Alone in His Workshop: The Inventions Notebook -- Indebted and Well-Bred: Literary Models and Authority in the Juvenilia -- The Notebook, Begun: The Clash of Laforgue and Baudelaire in the Poems of November 1909 -- Clearing the Throat: The Poems of Early 1910 -- Raising the Voice: The Sequence Poems of Fall 1910 -- Trembling with Pathos: The Paris Poems of Late 1910 and Early 1911 -- The Short and Surprisingly Private Life of King Bolo: The Bawdy Poems and Their Audiences -- "Prufrock," Abandoned: How the Poem Was Written, How It Was Received, and How It Works -- Mumbling the Denouement: The Last and Undated Poems of the Notebook, Late 1911-1915 -- Appendix: Chronology of Eliot's Work: 1899-1915.
Technique. --- Eliot, T. S. --- Criticism and interpretation.
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One of the twentieth century s most powerfuland controversialworks, "The Waste Land "was" "published in the desolate wake of the First World War. This definitive edition of T. S. Eliot s masterpiece presents a new and authoritative version of the poem, along with all the essays Eliot wrote as he was composing "The Waste Land," " "seven of them never before published in book form. The volume is enriched with period photographs and a London map of locations mentioned in the poem.Featured in the book are Lawrence Rainey s groundbreaking account of how "The Waste Land "came" "to be composed; a history of the reactions of admirers and critics; and full annotations to the poem and Eliot s essays. The edition transforms our understanding of one of the greatest modernist writers and the magnificent poem that became a landmark in literary history."
Eliot, T.S. --- Poetry (Poetic Works By One Author) --- Poetry
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The essays in this new collection, all by outstanding experts in the field of modern literature, provide a different and more complex sense of Eliot's place in literary history. The eight essays are: "The Waste Land Fifty Years After," by A. Walton Litz; "The Urban Apocalypse," by Hugh Kenner; "The First Waste Land:' by Richard Ellmann;" The Waste Land: Paris 1922," by Helen Gardner; "New Modes of Characterization in The Waste Land," by Robert Langbaum; "Precipitating Eliot," by Robert M. Adams; "Fear in the Way: The Design of Eliot's Drama," by Michael Goldman; and "Anglican Eliot," by Donald Davie.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Christianity and the arts. --- Eliot, T. S. --- Michelangelo Buonarroti,
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Claes argues that The Waste Land by T.S. Eliot is actually indicative of infertility in his marriage. While also cracking several riddles that Eliot put into the poem, this book provides ample evidence that the work is auto-biographical in nature. Claes provides line-by-line analysis of the poem, and the introduction presents six interpretive keys facilitating a systematic decoding. Textual arrangement, thematic recurrence, metaphorical syncretism, mythical method, allegorical representation, and inter-textual reference may help the reader to penetrate the multiple mysteries of the poem.
Eliot, T. S. (Thomas Stearns), 1888-1965. Waste land. --- English --- Languages & Literatures --- American Literature --- Eliot, T. S.
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The essays in this new collection, all by outstanding experts in the field of modern literature, provide a different and more complex sense of Eliot's place in literary history. The eight essays are: "The Waste Land Fifty Years After," by A. Walton Litz; "The Urban Apocalypse," by Hugh Kenner; "The First Waste Land:' by Richard Ellmann;" The Waste Land: Paris 1922," by Helen Gardner; "New Modes of Characterization in The Waste Land," by Robert Langbaum; "Precipitating Eliot," by Robert M. Adams; "Fear in the Way: The Design of Eliot's Drama," by Michael Goldman; and "Anglican Eliot," by Donald Davie.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Phenomenology. --- Beckett, Samuel, --- Kafka, Franz, --- Mann, Thomas, --- Woolf, Virginia, --- Eliot, T. S. --- Fin de partie (Beckett, Samuel) --- Tod in Venedig (Mann, Thomas) --- Waste land (Eliot, T. S.)
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Presenting work from scholars of various ranks and locations—including Canada, Romania, Taiwan, Bosnia-Herzegovina, the UK, and the USA—this volume offers critical perspectives on what is often considered the most important poem of literary modernism: T. S. Eliot’s The Waste Land . The essays explore such topics as Eliot’s use of sources, his poem’s form, his influences, and his alleged misogyny. Building off contemporary work on Eliot and his poem, these essays illustrate the continued importance of The Waste Land in our understanding of the last century. This book should be of interest to students and scholars of modernism and modernist poetry.
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By thoroughly examining T. S. Eliot and Ezra Pound collected and uncollected writings, James Longenbach presents their understandings of the philosophical idea of history and analyzes the strategies of historical interpretation they discussed in their critical prose and embodied in their poems including history."Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Modernism (Literature) --- Historical poetry, American --- American poetry --- American historical poetry --- History and criticism. --- Pound, Ezra, --- Eliot, T. S. --- Knowledge --- History.
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