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Odysseus as a model of wisdom in Greek and Roman philosophy.
Odysseus (Greek mythology) in literature. --- Odyssée (Mythologie grecque) dans la littérature --- Homer. --- Odyssée (Mythologie grecque) dans la littérature --- Odysseus, --- Odaiséas, --- Odisej, --- Odiseja, --- Odisėjas, --- Odisejs, --- Odiseo, --- Odiseu, --- Odissea, --- Odisseas, --- Odisseu, --- Odisseus, --- Odissey, --- Odusseus, --- Odüsszeusz, --- Odyseusz, --- Odyssevs, --- Odyseus, --- Odysews, --- Ódysseifur, --- Oliseus, --- Olisseus, --- Oylixeus, --- Olytteus, --- Ulises, --- Ulisse, --- Ulissi, --- Ulixes, --- Ulysse, --- Ulysses, --- Utuze, --- Οδυσσέας, --- Ὀδυσσεύς, --- Ὀλισεύς, --- Ὀλισσεύς, --- Ὀλυττεύς, --- Οὐλιξεύς, --- אודיסאוס, --- オデュッセウス, --- 奥德修斯, --- 오디세우스, --- أوديسيوس, --- Адысей, --- Одисеј, --- Одисей, --- Одіссей, --- Одиссей, --- In literature.
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The core of this book is an investigation of the treatment of the recognition motif in the Greek novels. It also includes forays into the Roman novels, early Jewish and Christian narratives, and an overview of a sample of early modern European texts, which have been influenced by the ancient novel in their recognition scenes.
Greek fiction --- Latin fiction --- Recognition in literature. --- History and criticism.
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In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.
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Sleep was viewed as a boon by the ancient Greeks: sweet, soft, honeyed, balmy, care-loosening, as the Iliad has it. But neither was sleep straightforward, nor safe. It could be interrupted, often by a dream. It could be the site of dramatic intervention by a god or goddess. It might mark the transition in a narrative relationship, as when Penelope for the first time in weeks slumbers happily through Odysseus' vengeful slaughter of her suitors. Silvia Montiglio's imaginative and comprehensive study of the topic illuminates the various ways writers in antiquity used sleep to deal with major aspects of plot and character development. The author shows that sleeplessness, too, carries great weight in classical literature. Doom hangs by a thread as Agamemnon - in Iphigenia in Aulis - paces, restless and sleepless, while around him everyone else dozes on. Exploring recurring tropes of somnolence and wakefulness in the Iliad, the Odyssey, Athenian drama, the Argonautica and ancient novels by Xenophon, Chariton, Heliodorus and Achilles Tatius, this is a unique contribution to better understandings of ancient Greek writing.
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"Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton."--
Hero (Greek mythology) --- Leander (Greek mythology) --- Hero and Leander --- Leander --- Hero --- Civilization, Modern --- Mythology, Greek --- Greek influences. --- Influence. --- Hero, --- Leander, --- Hero (Greek mythological character) --- Leander (Greek mythological character) --- Heroes --- History. --- Mythology.
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Classical fiction --- Philosophy in literature --- Philosophy, Ancient --- History and criticism
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