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History --- Aesthetics of art --- Aesthetics --- -Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- History. --- -History --- art theory --- Radio broadcasting Aesthetics

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In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a kind of knowledge available only to experts in the respective fields. With contributions by historians of art and historians of science, and with geographic coverage focusing on the Low Countries and their multiple connections to different parts of the world, this volume reframes recent scholarship on what the editors term 'cultures of knowledge and discernment' in the early modern period. The collection is innovative in its focus on investigating types of knowledge linked to what was then called the 'science' (scientia) of art, to artistic expertise and connoisseurship, and to 'secrets of art and nature.'

art [fine art] --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- knowledge --- technical art history --- Arts, European --- Aesthetics --- European arts --- History. --- History of civilization --- History --- Radio broadcasting Aesthetics --- art [discipline] --- kunst en wetenschap

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Aesthetics --- Aesthetics. --- Representation (Philosophy) --- Mimesis in literature. --- Esthétique --- Représentation (Philosophie) --- Mimésis dans la littérature --- mimesis --- kunsttheorie --- esthetica --- voorstelling --- representatie --- fictie --- figuratie --- 7.01 --- 82.01 --- Mimesis in literature --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture --- Philosophy --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Esthetica --- Psychology --- 82.01 Esthetica --- Representation (Philosophy). --- Esthétique --- Représentation (Philosophie) --- Mimésis dans la littérature --- philosophy of art --- Radio broadcasting Aesthetics

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Looking for lines" describes the search that started in the eighteenth century by art historians, critics and esthetical philosophers after the role and use of lines in art and art history. In this search for the line the misunderstanding came to light that the current ideas held of the use and function of the line did not correspond with the approaches in the past. As for instance that the status of an art work must be measured by the qualities of its compostion by the abstract use of line and colour. The author treats the role and influences of this way of thinking on the role of esthetical judgements in the past three centuries, with special attention to mannerism.

Aesthetics of art --- maniërisme --- oude meesters --- kunsttheorie --- Wölfflin, Heinrich --- Shearman, John --- De Piles, Roger --- Reynolds, Joshua --- Burckhardt, Jacob Christoph --- Kugler, Franz --- Raphaël --- Mengs, Anton Raphael --- Mancini, Giulio --- Turnbull, George --- Richardson, Jonathan (I) --- Hildebrand, Adolf von --- Fiedler, Conrad --- Riegl, Alois --- Hart, Emma --- Mannerism (Art) --- Art --- Aesthetics --- Philosophy --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Art and philosophy --- Psychology --- Analysis, interpretation, appreciation --- Radio broadcasting Aesthetics --- maniërisme. --- oude meesters. --- kunsttheorie. --- Wölfflin, Heinrich. --- Shearman, John. --- De Piles, Roger. --- Reynolds, Joshua. --- Burckhardt, Jacob Christoph. --- Kugler, Franz. --- Rafaël. --- Mengs, Anton Raphael. --- Mancini, Giulio. --- Turnbull, George. --- Richardson, Jonathan (I). --- Hildebrand, Adolf von. --- Fiedler, Conrad. --- Riegl, Alois. --- Hart, Emma. --- Rafaël

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"A critical translation of Rene Brimo's 1938 French study of eighteenth- and nineteenth-century patronage and art collecting in the United States"--Provided by publisher.

Aesthetics. --- Art museums --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Collectors and collecting --- History. --- Psychology --- aesthetics --- collecting --- art museums [buildings] --- United States --- Art, Primitive --- Radio broadcasting Aesthetics --- America. --- Brimo. --- Haltman. --- United States. --- art history. --- art. --- united states. --- us. --- usa. --- ”European art market”. --- ”art collecting”. --- ”biographical study”. --- ”patronage”. --- collecting, United States --- United States of America