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Book
New data visualizations on the Mechelen export industry and artist migration patterns
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Year: 2015

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Book
The Routledge companion to digital humanities and art history
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ISBN: 9781138585584 9780429505188 0429505183 9780429999130 0429999135 9780429999123 0429999127 9780429999147 0429999143 1138585580 9781032336398 1032336390 Year: 2020 Publisher: New York, NY Routledge

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"The Routledge Companion to Digital Humanities and Art History offers a broad survey of cutting-edge intersections between digital technologies and the study of art history, museum practices, and cultural heritage. The volume focuses not only on new computational tools that have been developed for the study of artworks and their histories, but also debates the disciplinary opportunities and challenges that have emerged in response to the use of digital resources and methodologies. Chapters cover a wide range of technical and conceptual themes that define the current state of the field and outline strategies for future development. This book offers a timely perspective on trans-disciplinary developments that are reshaping art historical research, conservation, and teaching. This book will be of interest to scholars in art history, historical theory, method and historiography, and research methods in education"--


Book
Datasets en motiefontlening in diervoorstellingen
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Year: 2017

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Book
Introduction to controlled vocabularies : terminology for art, architecture, and other cultural works
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ISBN: 9781606060186 160606018X Year: 2010 Publisher: Los Angeles, Calif. Getty Research Institute


Book
The Value of Taste : Auction Prices and the Evolution of taste in Dutch and Flemish Golden Age Painting, 1642-2011.
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ISBN: 9781909400481 1909400483 Year: 2017 Publisher: London : Harvey Miller Publishers,

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Taste is a well known but largely underestimated phenomenon. Yet it is one of the factors that has shaped our knowledge and view of art. Why is Rembrandt van Rijn today considered to be one of the greatest painters in European art while Gerard de Lairesse, Rembrandt's younger contemporary and one of the best-selling painters of his day, is now forgotten? This book is a systematic and quantitative study of taste. More specifically it focuses on the painters of the seventeenth-century Low Countries and follows the changes in consumer evaluation of them from the seventeenth century up to 2008. Proceeding from the same starting point as Gerald Reitlinger in his monumental The Economics of Taste, it uses the prices paintings have fetched at auction as a basis for tracing trends in the taste of the art-buying public. Whereas Reitlinger's approach was rather intuitive, this study develops a sound methodological basis for researching taste and auction prices. It is not only quantitative methods and properties of auction prices that require a specific approach: in historical research quantitative data and analyses are only reliable when they can also be tested against qualitative or historical sources. Based on a statistical analysis, various "universal" painters, such as Rubens and Rembrandt, are defined. In addition, however, specific genres such as landscape, portrait, history painting, and so on are analysed. In the case of eighty-three painters there is sufficient information to allow the profiling of individual price trends. But other quantitative data drawn from the examination of collections or catalogues raisonnés prove an additional source of information when compared with auction prices. This book shows what big data and statistics can mean to our understanding of art.

Keywords

taste [aesthetics] --- Art auctions --- Painting, Flemish --- Painting, Netherlandish --- Data processing --- Prices --- golden age [mythology] --- Painting --- History --- prices --- art market --- auctions --- Netherlands --- Flanders --- 7.078 --- 351.852 --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- economische geschiedenis --- genres --- kunsthandel --- veilingen --- Bakhuizen, Ludolf --- Berchem, Nicolaes Pietersz --- Brouwer, Adriaen --- Brueghel, Jan (de Oude) --- Brueghel, Pieter (de Jonge) --- Craesbeeck, Joos van --- De Lairesse, Gérard --- Dou, Gerrit --- Jordaens, Jacob --- Laer, Pieter van --- Miel, Jan --- Mieris, Frans van (de Oude) --- Ostade, Adriaen van --- Palamedesz., Palamedes (I) --- Rembrandt van Rijn --- Rijckaert, David (III) --- Rubens, Peter Paul --- Snayers, Peter --- Teniers, David (II) --- Van Dyck, Anthony --- Van Poelenburgh, Cornelis --- Wouwerman, Philips --- 17de eeuw --- Noordelijke Nederlanden --- Vlaanderen --- Zuidelijke Nederlanden --- van Dyck, Anthony --- van Poelenburgh, Cornelis --- de Lairesse, Gérard --- van Craesbeeck, Joos --- van Ostade, Adriaen --- van Mieris, Frans (de Oude) --- Rembrandt --- Brueghel, Jan I --- Brueghel, Pieter II --- kunsthandel. --- economische geschiedenis. --- veilingen. --- genres. --- Rubens, Peter Paul. --- Rembrandt. --- van Dyck, Anthony. --- Teniers, David II. --- Bakhuizen, Ludolf. --- Berchem, Nicolaes. --- Wouwerman, Philips. --- van Poelenburgh, Cornelis. --- Brueghel, Jan I. --- Jordaens, Jacob. --- de Lairesse, Gérard. --- Brouwer, Adriaen. --- van Craesbeeck, Joos. --- Brueghel, Pieter II. --- Rijckaert, David (III). --- van Ostade, Adriaen. --- Dou, Gerrit. --- van Mieris, Frans (de Oude). --- Snayers, Peter. --- Palamedesz., Palamedes (I). --- Laer, Pieter van. --- Miel, Jan. --- 17de eeuw. --- Noordelijke Nederlanden. --- Vlaanderen. --- Zuidelijke Nederlanden. --- auctions [sales events] --- Hollandse school --- receptiegeschiedenis --- Vlaamse school --- schilderkunst, Nederlanden --- Teniers, David II --- Berchem, Nicolaes --- Dou, Gerard --- Dou, Gerard. --- surrealisme. --- Magritte, René. --- België.

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