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In this series of new poems Gail Mazur takes stock-of the complexity of relationships between parents and children, the desires of the body as well as its frailties, the distinctions between memory and history, and the hope of art to capture these seemingly inscrutable realities. By turns mordant and passionate, narrative and meditative, Mazur's poems imply that life, with all of its losses, triumphs, and abrasive intimacies, is far richer and more elaborately metaphorical than poetry can aspire to be-and yet her poems do affectingly recreate this reality. These illuminating poems are the work of an acclaimed poet at the top of her form.
American poetry. --- American literature --- poetry, collection, literature, creative writing, relationships, family, parent and child, desire, passion, sexuality, memory, history, art, loss, grief, suffering, aging, illness, michelangelo, sistine chapel, connection, intimacy, community, identity, agency, meaning, purpose, nature, beach, dream, women, gender, love, togetherness.
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Entre le Moyen Âge et nous, la mémoire collective invite à modifier ses premières attaches. Les croyances, les discours et les marques de pouvoir se multiplient autour des reliques, des miracles et des églises. Décors et objets deviennent instables. Chaque lieu d’origine est topique : le désert brûlant est affecté à l’ascèse, mais un autre regard jugera la Thébaïde parfaite pour une vie de Robinson. La Table Ronde tournoie surtout pour alimenter des exploitations saugrenues tandis que le Graal traverse des terres et des paysages où le mystère s’approfondit. Et quand le vers épique de Fierabras investit la prose ou le théâtre, les coordonnées spatio-temporelles du pont de Mautrible doivent déménager. Les figures d’Alexandre, de Soundjata, d’Élisabeth de Hongrie, de Henri IV, de Parsifal ou de Merlin défilent sur le podium du temps avec plus ou moins fière allure. Selon les époques la renommée qui salue leur passage entonne louanges ou calomnies. L’honneur des lignages appartient au domaine de l’historiographie. Un exercice de légitimation permet à la Normandie d’exploiter le souvenir de Rollon. Perceval de Cagny défend les intérêts d’une famille ; la Cronica de Salimbene offre une vision franciscaine davantage personnalisée, tandis que, du « journal », Jean de Roye se fait une conception plus unie. Quant à l’ancienne poésie lyrique, elle investit encore l’oralité de plusieurs continents. À Toulouse une tenson alimente un « duel de tchatche » ; une autre, au Brésil, donne lieu à une bataille d’improvisation ; ou les équivoques et les prouesses formelles d’Arnaut Daniel vibrent à nouveau, grâce à Augusto de Campos, en version portugaise. Jamais le temps ne suspend son vol. L’heure est toujours propice, après la fondation, aux déplacements inopinés, aux reformulations, à la mouvance des codes et des discours tenus. Une seule chose est sûre, c’est que la memoria ne se laisse pas fixer.
Literature, Medieval --- Collective memory in literature --- Littérature médiévale --- Mémoire collective dans la littérature --- Themes, motives --- Thèmes, motifs --- Civilization, Medieval --- Collective memory --- Middle Ages in literature --- History --- History and criticism --- Littérature médiévale --- Mémoire collective --- Thèmes, motifs --- Dans la littérature --- Thèmes, motifs. --- Dans la littérature. --- Collective memory - History --- Literature, Medieval - History and criticism --- Literature (General) --- poésie --- Moyen Âge --- littérature --- mémoire collective
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In Holocaust Graphic Narratives, Victoria Aarons demonstrates the range and fluidity of this richly figured genre. Employing memory as her controlling trope, Aarons analyzes the work of the graphic novelists and illustrators, making clear how they extend the traumatic narrative of the Holocaust into the present and, in doing so, give voice to survival in the wake of unrecoverable loss. In recreating moments of traumatic rupture, dislocation, and disequilibrium, these graphic narratives contribute to the evolving field of Holocaust representation and establish a new canon of visual memory. The intergenerational dialogue established by Aarons’ reading of these narratives speaks to the on-going obligation to bear witness to the Holocaust. Examined together, these intergenerational works bridge the erosions created by time and distance. As a genre of witnessing, these graphic stories, in retracing the traumatic tracks of memory, inscribe the weight of history on generations that follow.
Holocaust, Jewish (1939-1945), in literature. --- Holocaust, Jewish (1939-1945) --- Graphic novels --- Literature, Modern --- Autobiography. --- Influence. --- History and criticism. --- Holocaust, graphic narratives, graphic novels, generational trauma, memoirs, genre, intergenerational transmission of trauma, memory, history, imagination, illustrations, graphic novelists, illustrators, comics, comic books, Jewish history, narrative, trauma, intergenerational, intergenerational dialogue, graphic stories, Holocaust literature, Jewish studies, trauma studies, Holocaust survivors, United States, Canada, France, Israel, popular culture, bearing witness, post-Holocaust testimony.
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If nationalism is the assertion of legitimacy for a nation and its effectiveness as a political entity, why do many nations emphasize images of their own defeat in understanding their history? Using Israel, Serbia, France, Greece and Ghana as examples, the author argues that this phenomenon exposes the ambivalence that lurks behind the passions nationalism evokes. Symbols of defeat glorify a nation's ancient past, while reenacting the destruction of that past as a necessary step in constructing a functioning modern society. As a result, these symbols often assume a foundational role in national mythology. Threats to such symbols are perceived as threats to the nation itself and consequently are met with desperation difficult for outsiders to understand.
Nationalism --- National characteristics --- Crises --- Memory --- Collective memory --- Political messianism --- History --- Psychological aspects --- Social aspects --- Messianism, Political --- Messianism --- Characteristics, National --- Identity, National --- Images, National --- National identity --- National images --- National psychology --- Psychology, National --- Anthropology --- Social psychology --- Ethnopsychology --- Exceptionalism --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Change --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Group identity --- History. --- Memory. --- Social Sciences --- Political Science --- Nationalism - History --- National characteristics - Memory --- Crises - Psychological aspects - History --- Memory - Social aspects - History --- Collective memory - History --- Political messianism - History
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By the 1920's, Abraham Lincoln had transcended the lingering controversies of the Civil War to become a secular saint, honored in North and South alike for his steadfast leadership in crisis. Throughout the Great Depression and World War II, Lincoln was invoked countless times as a reminder of America's strength and wisdom, a commanding ideal against which weary citizens could see their own hardships in perspective. But as Barry Schwartz reveals in Abraham Lincoln in the Post-Heroic Era, those years represent the apogee of Lincoln's prestige. The decades following World War II brought radical changes to American culture, changes that led to the diminishing of all heroes-Lincoln not least among them. As Schwartz explains, growing sympathy for the plight of racial minorities, disenchantment with the American state, the lessening of patriotism in the wake of the Vietnam War, and an intensifying celebration of diversity, all contributed to a culture in which neither Lincoln nor any single person could be a heroic symbol for all Americans. Paradoxically, however, the very culture that made Lincoln an object of indifference, questioning, criticism, and even ridicule was a culture of unprecedented beneficence and inclusion, where racial, ethnic, and religious groups treated one another more fairly and justly than ever before. Thus, as the prestige of the Great Emancipator shrank, his legacy of equality continued to flourish. Drawing on a stunning range of sources-including films, cartoons, advertisements, surveys, shrine visitations, public commemorations, and more-Schwartz documents the decline of Lincoln's public standing, asking throughout whether there is any path back from this post-heroic era. Can a new generation of Americans embrace again their epic past, including great leaders whom they know to be flawed? As the 2009 Lincoln Bicentennial approaches, readers will discover here a stirring reminder that Lincoln, as a man, still has much to say to us-about our past, our present, and our possible futures.
Presidents --- Multiculturalism --- Lincoln, Abraham, --- Linkŭln, Abrakham, --- Linkolʹn, Avraam, --- Linkūln, Ibrāhīm, --- Linkan, ʼAbrehām, --- Lincoln, A. --- Lin-kʻen, --- Linken, --- Lin, Kʻen, --- Lingkʻŏn, --- Lincoln, Abe, --- Liṅkan, Ēbrāhaṃ, --- Liṅkan, Abrahāṃ, --- לינקאלין, --- לינקאלן, אייברעהעם, --- לינקולן, אברהם --- 林肯, --- Liṅkana, Ābrāhama, --- Public opinion. --- Influence. --- United States --- History --- lincoln, memory, history, sociology, leadership, presidency, assassination, martyr, civil war, controversy, heroism, reputation, race, slavery, racism, inclusion, symbolism, patriotism, national identity, nonfiction, politics, multiculturalism, depression, prestige, equality, greatness, diversity, emancipation, commemoration, shrine, heritage tourism, advertisements, film, cartoons, popular culture.
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Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by the original, this new edition devotes much more attention to the role of trained memory in composition, whether of literature, music, architecture, or manuscript books. The new edition will reignite the debate on memory in medieval studies and, like the first, will be essential reading for scholars of history, music, the arts and literature, as well as those interested in issues of orality and literacy (anthropology), in the working and design of memory (both neuropsychology and artificial memory), and in the disciplines of meditation (religion).
Civilization --- Civilization, Medieval --- History, Medieval. --- Memory --- Memory. --- history. --- Psychological aspects. --- History. --- Memory (Philosophy) --- Mémoire (Philosophie) --- Civilization, medieval --- Mémoire (Philosophie) --- 159.953 --- 930.85:02 --- 930.86.01 --- Retention (Psychology) --- Intellect --- Psychology --- Thought and thinking --- Comprehension --- Executive functions (Neuropsychology) --- Mnemonics --- Perseveration (Psychology) --- Reproduction (Psychology) --- Medieval civilization --- Middle Ages --- Chivalry --- Renaissance --- 159.953 Geheugen. Herinnering --- Geheugen. Herinnering --- 930.85:02 Cultuurgeschiedenis. Kultuurgeschiedenis-:-Bibliotheekwezen --- Cultuurgeschiedenis. Kultuurgeschiedenis-:-Bibliotheekwezen --- 930.86.01 Mentaliteitsgeschiedenis:--Middeleeuwen --- Mentaliteitsgeschiedenis:--Middeleeuwen --- Psychological aspects --- History --- History of civilization --- History of Europe --- anno 500-1499 --- Learning and scholarship --- Mémoire --- Civilisation médiévale --- Savoir et érudition --- Histoire --- Aspect psychologique --- Memory - History --- Civilization, medieval - Psychological aspects --- Mémoire --- Mémoire collective --- Littérature médiévale --- Littérature et histoire --- Civilisation médiévale --- Moyen-Âge --- Dans la littérature
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Critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. Draws on literary theory, visual studies, and cultural history to ask why and how Canadian cartoonists have become so prominent in the international market for comic books based on real life experiences.
Comic books, strips, etc. --- Biographical comic books, strips, etc. --- Graphic novels --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- History and criticism. --- Canada --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kanada (Dominion) --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Καναδάς --- Канада --- קאנאדע --- קנדה --- كندا --- کانادا --- カナダ --- 加拿大 --- 캐나다 --- Lower Canada --- Upper Canada --- Kaineḍā --- Manhua (Comic books) --- Manhwa (Comic books) --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- life writing, alternative comics, auto/biography, Canada, identity, gender, sexuality, the body, popular culture, nationalism, memory, history, childhood, coming of age.
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