Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Une signalétique bien conçue, c'est-à-dire inventive tout en étant respectueuse des règles de l'art, représente un vecteur discret mais fort de la communication d'un site, d'un monument, d'un musée ou d'une exposition. Elle désigne, nomme, classe et structure, par la mobilisation d'indications spécifiques, les différents éléments de l'offre, qu'ils soient d'ordre cognitif ou esthétique ou qu'ils relèvent du confort et des services associés à la visite. Mais une signalétique homogène, bien conçue et mise en place dans des emplacements judicieusement choisis, devient dans les faits un système cohérent qui structure et organise les parcours. Sa trame continue et homogène devient, ni plus ni moins, qu'un mode d'aménagement graphique de l'espace. Qu'il s'agisse des repères directionnels ou de dispositifs de signalétique conceptuelle, cet ouvrage propose, dans une première et deuxième parties, les premiers éléments publiés en langue française d'une théorie communicationnelle de ce système essentiel. Une troisième partie, plus pratique, rappelle quelles sont les étapes de conception et de mise en place d'une signalétique dans un équipement culturel. Cet ouvrage s'adresse, d'une part, aux professionnels qui mettent en place de nouveaux aménagements ou dirigent des équipements patrimoniaux et culturels dans lesquels visiteurs et usagers se perdent et s'égarent à longueur de temps, et d'autre part, aux chercheurs ou aux étudiants qui analysent les modalités de reconnaissance par les différentes catégories de public des monuments, des musées, des expositions, ainsi que des centres et des parcours d'interprétation.

Corporate image --- Arts facilities --- Entreprises --- Equipements culturels --- Signals and signaling --- Image --- Signaux et signalisation --- Arts facilities - Museum exhibits - Handbooks, manuals, etc --- Musées --- Signalisation --- 037 --- Signalisation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The current economic climate, coupled with an all embracing desire for museums to be respondent to 'the market' make a proper grounding in management essential. The 'bottom line' is one of the most powerful measures of management performance. Museums and galleries invariably have a neutral bottom line, they are not set up to make a profit and many of them are constrained by governmental accounting rules and charity legislation. Managing these organisations is difficult and this book tackles the issues that make it easier. Managing the Museum examines the highly sophisticated princ

Business management --- Museology --- Museums --- Art museums --- Management --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Galleries and museums --- Arts facilities --- Public institutions --- Cabinets of curiosities

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art museums --- -Art --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- History --- -Galleries and museums --- -History --- -Art museums --- Galleries and museums

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography's accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography's status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.

Art museums --- Photography, Artistic --- Photography museums --- Photography --- Art museums. --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Galleries and museums --- Museology --- photography [process] --- fotografiegeschiedenis --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art museums --- Art patronage --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Finance --- Management --- Galleries and museums --- United States --- Art museums - United States - Management. --- Art museums - United States - Finance.