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"This companion is the first global, comprehensive text to explicate, theorize and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions-the museum, the art market-are not only products of colonial legacies, but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice-racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women's, gender, and sexuality studies"--Provided by publisher.

Sociology of the family. Sociology of sexuality --- Art --- History of civilization --- vrouwelijke kunstenaar --- vrouwengeschiedenis --- women [female humans] --- Europe --- Femmes artistes --- Sexisme dans le milieu artistique. --- Vie artistique --- Sociologie. --- Women artists --- Women architects --- Women authors --- Vrouwen in de kunst --- Congressen

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Painting --- painting [image-making] --- power --- feminine --- Renaissance --- women [female humans]

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History of civilization --- saints --- virgins --- witches --- women [female humans] --- anno 1400-1499 --- anno 1500-1599

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Art --- altars and altar components --- monasteries [built complexes] --- women [female humans] --- anno 1200-1499 --- anno 1500-1599

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Les sept essais de la célèbre historienne Caroline Walker Bynum illustrent son argument selon lequel les historiens doivent écrire de manière "comique", conscients des artifices, des risques et des lacunes de l’histoire. Explorant un large éventail de textes médiévaux, les essais montrent comment les femmes ont réussi à s'approprier les symboles sociaux dominants d'une manière qui les révise et les atténue, permettant ainsi à leurs propres voix créatives et religieuses d'émerger. Pris ensemble, ils fournissent un modèle de prise en compte du genre dans l’étude des textes médiévaux et offrent une nouvelle interprétation du rôle de l’ascèse et du mysticisme dans le christianisme. Dans les trois premiers essais, Bynum se concentre sur les problèmes méthodologiques inhérents à l'écriture de l'histoire. Elle montre que la prise en compte des textes médiévaux écrits par les femmes et des rituels qui les attirent sape les approches de trois figures intellectuelles du XXe siècle - Victor Turner, Max Weber et Leo Steinberg - et montre comment d'autres disciplines peuvent enrichir la recherche historique. Ces considérations méthodologiques sont ensuite utilisées dans les trois prochains essais pour examiner le genre proprement dit. Tout en décrivant les voix littéraires "expérimentales" des femmes médiévales, Bynum souligne la corporalité de la piété féminine et se concentre à la fois sur la construction culturelle et la physionomie insondable du corps lui-même. Elle examine également comment les actes et les attitudes des hommes ont affecté la construction culturelle de catégories telles que "femme", "hérétique" et "sainte" et montre que l'étude du genre est l'étude de la manière dont les rôles et les possibilités sont conceptualisés par les deux femmes. et les hommes. Dans le dernier essai, Bynum explique comment les discussions médiévales sur la résurrection physique et l'obsession des détails matériels enrichissent les débats modernes sur les questions d'identité et de survie.

Christian spirituality --- anno 500-1499 --- -De mens. Theologische antropologie --- Human body --- Sex role --- Women in Christianity --- Women --- Religious aspects --- Christianity --- History of doctrines --- History. --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Body, Human --- Human beings --- Body image --- Human anatomy --- Human physiology --- Mind and body --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Femininity --- History --- Middle Ages, 600-1500 --- Addresses, essays, lectures --- Body, Human - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500. --- Sex role - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500. --- Women (Christian theology) - History of doctrines - Middle Ages, 600-1500. --- Women in Christianity - History. --- 233 --- De mens. Theologische antropologie --- Moyen-âge --- Femme --- Féminisme --- Corps humain, thème --- Religion catholique --- Sexualité --- Middle Ages, 500-1500 --- Moyen Âge --- Body, Human - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500 --- Sex role - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500 --- Women - Religious aspects - Christianity - History of doctrines - Middle Ages, 600-1500 --- Women in Christianity - History --- Mystique féminine --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- GENDER --- WOMEN --- WOMEN IN CHRISTIANITY --- CORPS HUMAIN --- ROLE SELON LE SEXE --- HISTORY OF DOCTRINES --- ASPECT RELIGIEUX