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Didactics of the arts --- art appreciation --- audiences --- fotografie --- verzamelingen --- kunstopvoeding
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Art --- private collections --- Germany --- Austria --- Switzerland --- 7.074 --- collecties --- Duitsland --- kunst --- Oostenrijk --- verzamelingen --- Zwitserland --- private collections [object groupings]
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"This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840-1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century-promoted by philanthropist Katherine Seney Simpson and performer Loïe Fuller-to important museum acquisitions of the 1920s and 1930s. From there, it traverses the 1950s, when Rodin's reputation flagged, through to the artist's revival and recognition in the 1980s. Rodin's promoters include a dynamic cast of characters, each of whom played a crucial role in cementing his status. The book traces this story through approximately 50 sculptures and 20 drawings that cover Rodin's most iconic subjects and themes. They demonstrate his dexterity across media-his virtuosity in plaster, terracotta, bronze, and marble-as well as his expressive, colorful drawings, some of them relatively unknown, sparking new appreciation for his work and delight for readers"--
Art --- Collectors and collecting --- Rodin, Auguste, --- Appreciation --- Sculpture --- drawings [visual works] --- sculpture [visual works] --- human figures [visual works] --- Rodin, Auguste --- United States --- verzamelingen. --- Rodin, Auguste. --- Verenigde Staten. --- Frankrijk. --- collecting, United States --- United States of America --- verzamelingen --- Verenigde Staten --- Frankrijk --- mythologische figuren. --- de Vos, Paul. --- Neptunus.
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Museology --- Art --- Philosophy --- anno 1900-1999 --- kunst --- verzamelingen --- collecties --- musea --- archieven --- archivering --- museologie --- 069 --- Art museums --- Art museums. --- Philosophy. --- museology --- collection development --- art theory --- MAD-faculty 15 --- kunst en filosofie
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Drawing --- drawing [image-making] --- Christian, Abraham David --- anno 1900-1999 --- Germany --- Christian, Abraham David. --- verzamelingen --- privécollecties --- schilderkunst --- tekeningen --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Hamme.
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kunst --- Nederland --- verzamelingen --- collecties --- tentoonstellingen --- musea --- museologie --- Centraal Museum Utrecht --- Museum techniques. --- Art museums --- Educational aspects. --- Social aspects. --- Philosophy. --- museology --- Museology --- art museums [institutions] --- 069.6 --- Kunsttheorie ; de idee van het museum --- Museologie ; organisatie en management van musea --- publiekswerking
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À l'origine de Collections préhistoriques, il y a mon obsession pour la collection et la circulation des objets. Le support de départ est un livre sur la préhistoire algérienne qui fut volé en mai 1968 à la bibliothèque de Jussieu, puis acheté sur eBay : publié quatre ans avant l'indépendance de l'Algérie, il montre des pierres et des objets collectés et répertoriés par des militaires et des prêtres.00Collections préhistoriques associe images érotiques, images relatives à la préhistoire et objets collectionnés sur eBay - postulant que les formes façonnées par la main de l'homme sont inspirées par les formes qui le constituent et la manière dont son corps fonctionne. À la manière du chasseur-cueilleur, les différents fragments, objets, et photographies sont assemblés de manière intuitive ou dans une volonté d'établir des connexions. Une tension nait entre une volonté d'organiser - de trouver du sens - et une volonté de recréer de la confusion, du chaos.
kunst --- fotografie --- verzamelingen --- collecties --- collages --- Frankrijk --- eenentwintigste eeuw --- Henrot Camille --- 7.071 HENROT --- Henrot, Camille --- Art --- drawings [visual works] --- art [fine art] --- photography [process] --- artists' books [books] --- eroticism --- prehistoric --- art [discipline]
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Begleitend zur gleichnamigen Ausstellung im Kunstmuseum Bern zeichnet Picasso und die Schweiz zum ersten Mal die Wirkung von Person, Werk und Mythos Pablo Picassos auf Schweizer Sammler, Händler und Museen nach. Mochten auch Zufälle und Zeitumstände das ihre beigetragen haben, so waren Schweizer Persönlichkeiten von Anfang an wesentlich am Aufstieg Picassos zum exemplarischen Künstler der 20. Jahrhunderts beteiligt. Der Katalog zeigt die schönsten und bedeutendsten Werke des Meisters in öffentlichen und privaten Sammlungen und enthält Essays von führenden Kuratoren, Kunsthändlern und Kunsthistorikern am Rezeption Picassos in der Schweiz.
Drawing --- Painting --- painting [image-making] --- Art --- private collections --- Picasso, Pablo --- anno 1900-1999 --- France --- Switzerland --- Zwitserland --- verzamelingen --- -Appreciation --- -Drawing --- -Picasso, Pablo --- prints [visual works] --- Criticism and interpretation --- Exhibitions --- Picasso, Pablo, --- Bīkāsū, Bāblū, --- Luyisi Bikasuo, Babuluo, --- Luzi Bikasuo, Babuluo, --- Pikaso, Pablo, --- Pikaso, Paburo, --- Pikasso, Pablo, --- Ruiz, Pablo, --- Ruiz Picasso, Pablo, --- Ruiz y Picasso, Pablo, --- Ruys, Pablo, --- Ruys Picasso, Pablo, --- פיקאסו --- פיקאסו, פאבלו, --- פיקאסו, פבלו --- ピカソパブロ, --- Bijiasuo, --- Appreciation --- Bīkāsū, Bāblū --- Luyisi Bikasuo, Babuluo --- Luzi Bikasuo, Babuluo --- Pikaso, Pablo --- Pikaso, Paburo --- Pikasso, Pablo --- Ruiz, Pablo --- Ruiz Picasso, Pablo --- Ruys, Pablo --- Ruys Picasso, Pablo --- ピカソパブロ --- Bijiasuo --- verzamelingen. --- Picasso, Pablo. --- Zwitserland. --- private collections [object groupings]
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Islam --- Art --- decorative arts [discipline] --- Islamic [culture or style] --- anno 1800-1999 --- anno 2000-2099 --- Europe --- influence --- Islamitische kunst. --- orientalisme. --- verzamelingen. --- Goupil, Adolphe. --- Moser, Henri. --- Osthaus, Karl Ernst. --- Gulbenkian, Calouste. --- Fortuny y Marsal, Mariano. --- Matisse, Henri. --- Kandinsky, Wassily. --- Münter, Gabriele. --- Klee, Paul. --- Reiniger, Lotte. --- 1851. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- Europa. --- Islamitische kunst --- orientalisme --- verzamelingen --- Goupil, Adolphe --- Moser, Henri --- Osthaus, Karl Ernst --- Gulbenkian, Calouste --- Fortuny y Marsal, Mariano --- Matisse, Henri --- Kandinsky, Wassily --- Münter, Gabriele --- Klee, Paul --- Reiniger, Lotte --- 1851 --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Europa
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"The increasing trend towards collaborations between practising artists and museum curators has in some cases involved the rehanging of existing collections or redesigning of gallery spaces. In this way the probing instinct of the creative mind counterbalances the sense of permanence and order associated with the museum in a constructive dialogue involving elements of the past, present and future."--BOOK JACKET.
museology --- Museology --- Art --- kunst --- musea --- museologie --- collecties --- verzamelingen --- 069 --- Artists and museums --- Art, Modern --- Installations (Art) --- Museums --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Museums and artists --- Art museums --- Exhibition techniques --- Philosophy --- Display techniques
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