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This publication and exhibition it accompanies take a fresh look at the arte povera movement rarely associated with photographic and filmic media. They invite the viewer to "reverse the eye" through this unprecedented view of the artistic movement by also placing it in the social and political context of the time in Italy. The result of extensive research in artists' studios and private and public collections, the book reveals the extraordinary richness of a period when Italian artists were among the most important interpreters of the transformation of visual languages. This publication is structured around four themes: body, experience, image and theater. It presents more than 300 works by major figures of arte povera, including Giovanni Anselmo, Alighiero Boetti, Luigi Ghirri, Jannis Kounellis, Piero Manzoni, Mario Merz, Giuseppe Penone, Michelangelo Pistoletto... It also offers a visual immersion in the political and cultural context of the time with portfolios (printed on colored paper) dedicated to cinema, theater, political events, happenings and press extracts presenting the major socio-cultural issues of the time. Several texts shed light on the visual corpus at the end of the book: an essay by Giuliano Sergio on this period of Italian artistic effervescence in the 1960s and 1970s in a context of media development, a text by Elena Volpato on video art, followed by a detailed chronology of the movement as well as biographical notices of the artists. The title “Reversing the eye” is a reference to the eponymous work by Giuseppe Penone, Rovesciare i propri occhi, which appears in the book and exhibition. This book accompanies the exhibition presented jointly at the Jeu de Paume and LE BAL from October 2022 followed by the Triennale Milano in 2023, curated by Quentin Bajac, director of the Jeu de Paume, Diane Dufour, director of LE BAL, and Giuliano Sergio, independent curator, with the complicity of Lorenza Bravetta, curator at the Triennale Milano.
kunst --- twintigste eeuw --- Italië --- arte povera --- performances --- fotografie --- film --- 7.036 --- Penone, Giuseppe (°1947, Garessio, Cuneo, Italië) --- Boetti, Alighiero 1940-1994 (°Turijn, Italië) --- Fabro, Luciano 1936-2007 (°Turijn, Italië) --- Kounellis, Jannis 1936-2017 (°Piraeus, Griekenland). Leefde en werkte in Italië --- Merz, Mario 1925-2003 (°Milaan, Italië) --- Pistoletto, Michelangelo °1933 (°Biella, Italië) --- Manzoni, Piero --- Fotografie; Italië ; arte povera --- Kunst ; vanaf 1960 ; Arte Povera --- Arte Povera --- 7.038(450) --- 77.038(450) --- Kunstgeschiedenis ; 1950 - 2000; Italië --- Fotografie ; 1950 - 2000 ; Italië --- Art --- body art [visual works, performance] --- photography [process] --- video art --- political art --- images [object genre] --- bodies [animal components] --- theater [performing arts genre] --- performances (kunst) --- anno 1960-1969 --- anno 1970-1979
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sculpting --- Sculpture --- Lupo, Ilaria --- kunst --- eenentwintigste eeuw --- openbare ruimte --- kunst en openbare ruimte --- Italië --- Libanon --- India --- België --- Antwerpen --- Lipo Ilaria --- beeldhouwkunst --- 7.071 LUPO
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Painting --- Art --- Graphic arts --- graphic arts --- Sculpture --- art [fine art] --- Art styles --- painting [image-making] --- Futurist --- sculpting --- Depero, Fortunato --- Marchi, Virgilio --- Boccioni, Umberto --- Romani, Romolo --- Soffici, Ardengo --- Dottori, Gherardo --- Benedetta --- Sant'Elia, Antonio --- Cangiullo, Francesco --- Marinetti, Filippo Tommaso --- Chiattone, Mario --- Bonzagni, Aroldo --- Prampolini, Enrico --- Baldessari, Roberto Marcello Iras --- Carrà, Carlo --- Severini, Gino --- Sironi, Mario --- Zatkowa, Rougena --- Balla, Giacomo --- Russolo, Luigi --- anno 1910-1919 --- anno 1900-1909 --- Italy --- futurisme --- anno 1920-1929 --- Catalogues d'expositions --- Futurisme --- Histoire de l'art --- Kunstgeschiedenis --- Tentoonstellingscatalogi --- Futuristisch. --- Futurisme. --- Kunststijlen. --- Tentoonstellingscatalogus. --- Italie --- 1909 - 1926 --- 20ste eeuw --- Italië --- Italie. --- Marinetti, Benedetta Cappa --- 1909 - 1926. --- 20ste eeuw. --- Italië. --- art [discipline] --- geschiedenis --- topografie --- Gent. --- Hoogstraat.
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Palermo Atlas charts a territory at the epicentre of key transformations of our time. More than a city, Palermo is a node in an expanded geography of flows – of people, capital, goods, data, species. Although historically Arab-Norman, the Sicilian capital has been reshaped by recent migrations and now counts Tamil, Somali and Nigerian identities as part of a complex anatomy. Its markets and architecture, nature and ecosystem, harbours and maritime routes, make it a laboratory for cross-pollination and an incubator of global conditions. At the same time, Palermo’s controversial modern history has left indelible traces – physical, emotional, political – and a unique legacy of civic experimentation. This study, commissioned by Manifesta 12 and undertaken by the Office for Metropolitan Architecture, represents an alternative model for pre-biennial exploration, and is based on an omnivorous collection of stories gathered on the ground, of people, places, events and possibilities. With forewords by mayor of Palermo Leoluca Orlando and director of Manifesta Hedwig Fijen, it brings together the views of local observers such as Letizia Battaglia, Franco Maresco and Giorgio Vasta, along with critical texts by Marina Otero, Nora Akawi and Giuseppe Barbera, to ask whether Palermo might serve as prototype for the world to come.
Khun, Thomas --- Art --- Art, Modern --- 711.4 --- Palermo --- Stedenbouw --- Manifesta. --- Exhibitions --- 71(450) --- Stedenbouw ; Italië ; Palermo --- Manifesta --- Stedenbouw. Ruimtelijke ordening ; Italië --- anthropology --- ecology --- climate --- migration [function] --- urbanization --- religions [belief systems, cultures] --- architecture [object genre] --- Sociology, Urban --- City planning --- Sociologie urbaine --- Urbanisme --- Office for Metropolitan Architecture.
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Entretiens et essais de Catherine Grenier, Germano Celant, Jole de Sanna, Tommaso Trini, Margit Rowell... Artiste italien né en 1936, il développe depuis 1963 une œuvre riche et complexe, singulière au sein du mouvement italien de l'arte povera dont il fut proche, comme au sein de la création internationale. Dès ses premières oeuvres, il place la relation de l'individu au réel au premier plan de l'expérience esthétique. L'oeuvre se décline en ensembles, qui sont autant d'interrogations sur l'iconographie, la tautologie, la couleur, la lumière, le nu... Au coeur de cette recherche de type philologique sur la sculpture, Luciano Fabro inventorie les modes de mise en oeuvre, depuis les pratiques artisanales jusqu'aux techniques traditionnelles du "beau métier", en passant par la manipulation expérimentale des matériaux. Richement illustré, ce catalogue rend compte de la diversité et de la richesse de l'œuvre de Fabro à travers un choix de texte critiques et d'écrits de l'artiste. Il s'attache, plus particulièrement, à présenter l'ensemble des "Habitats" : "lieux de l'art" qui nous offrent une expérience toujours rééditée du moment éphémère et précieux de la jouissance esthétique. (extrait de http://www.amazon.fr/Luciano-Fabro-national-création-industrielle/dp/2858508917)
sculpting --- performance art --- Sculpture --- installations [visual works] --- Arte Povera --- Art styles --- art [fine art] --- Art --- Fabro, Luciano --- anno 1900-1999 --- anno 1960-1969 --- anno 1970-1979 --- Italy --- Installation-art --- Luciano Fabro °1936 (°Turijn, Italië) --- Arte Povera ; Luciano Fabro ; gesprekken met --- 7.038 --- 7.07 --- (069) --- Luciano Fabro (° 1936, Turijn, Italië) --- Kunst ; 1963-1996 ; Arte Povera ; Luciano Fabro --- Intermedia ; installaties ; environments --- Tentoonstellingscatalogi ; Parijs ; Centre Georges Pompidou --- comm. de l'exp. Catherine Grenier --- kunst --- twintigste eeuw --- beeldhouwkunst --- installaties --- Fabro Luciano --- Italië --- arte povera --- 7.071 FABRO --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- art [discipline]
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Gianni Pettena (born 1940, Bolzano, Italy) was a central figure in research regarding the boundary between architecture and art in the later 1960s—a movement Germano Celant dubbed “radical architecture.” Together with the Florentine groups Archizoom, Superstudio, and UFO, and Turinese groups like the Gruppo Strum, Pettena helped expand and redefine the limits of what could be described as architecture, making a fundamental contribution to the ferment that animated, at an international level, city planning debates in those years.Independently of his fellow radicals in Florence, Pettena took an anarchic and ironic attitude toward authority, whether exercised in politics, progress, or planning. Through an extraordinary variety of means, including installation, performance, photography, video, and design, he has remained “on strike out of his love of architecture” for more than fifty years. Rather than practice the discipline, he has chosen to challenge it through the language of art, critical and expository writing, and the medium of teaching. Within a practice filled with implications, attention to a respectful relationship with nature and its resources has been a constant characteristic of his work, and remains a crucial lesson in the context of the current environmental crisis.
Art and architecture --- Radical architecture --- History --- Pettena, Gianni, --- 72.07 --- Pettena, Gianni --- Radicale architectuur --- Radical Architecture --- Architecture and art --- Architecture --- Architecten. Stedenbouwkundigen A - Z --- Pettena, Gianni. --- Architecture, Modern --- Pettena, Gianni °1940 (°Bolzano/Bozen, Italië) --- Art --- outdoor sculpture --- installations [visual works] --- urban planning --- performance art --- monumental sculpture --- Radical architecture. --- Art and architecture. --- Architects as artists. --- Architecture radicale --- Art et architecture --- Architectes artistes --- 72 PETTENA --- 72.036 <45> --- 72.039 --- 72.039 Hedendaagse architectuur. Bouwkunst sinds 1960 --- Hedendaagse architectuur. Bouwkunst sinds 1960 --- 72.036 <45> Moderne bouwkunst. Architectuur van de 20e eeuw--Italië --- Moderne bouwkunst. Architectuur van de 20e eeuw--Italië
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Is there such a thing as "Impressionist sculpture"? Since 1881 when Edgar Degas presented 'Little Dancer Aged Fourteen' at the Sixth Impressionist Exhibition in Paris, the term has existed along with the discourse around it. This book is dedicated to the extensive examination of the question of what it would mean to translate the characteristics of Impressionist painting, such as light, color, ephemerality, and immateriality into sculpture. The book features a selection of artists including Edgar Degas, Auguste Rodin, and Medardo Rosso, and examines the artistic processes that traverse genres in which one medium is enhanced by others.
Art styles --- Sculpture --- sculpture [visual works] --- Impressionist [style] --- Troubetzkoy, Pavel Petrovitsj --- Rosso, Medardo --- Degas, Edgar --- Rodin, Auguste --- Bugatti, Rembrandt --- impressionisme --- beeldhouwkunst --- Ottin, August-Louis-Marie --- Gauguin, Paul --- Troubetzkoy, Paolo --- Bazzaro, Ernesto --- 19de eeuw --- 20ste eeuw --- Bugatti, Rembrandt 1884-1916 (°Milaan, Italië) --- Troubetzkoy, Paolo 1866-1938 (°Verbania, Italië) --- Rodin, Auguste 1840-1917 (°Parijs, Frankrijk) --- Rosso, Medardo 1858-1928 (°Turijn, Italië) --- Degas, Hilaire Germain Edgar 1834-1917 (°Parijs, Frankrijk) --- Impressionisme --- Beeldhouwkunst ; 19de eeuw ; 1ste helft 20ste eeuw --- 73.036.2 --- 73.037 --- Beeldhouwkunst ; impressionnisme ; luminisme --- Beeldhouwkunst ; 1900 - 1950 --- impressionisme. --- sculptuur. --- Ottin, August-Louis-Marie. --- Gauguin, Paul. --- Degas, Edgar. --- Rosso, Medardo. --- Rodin, Auguste. --- Troubetzkoy, Paolo. --- Bazzaro, Ernesto. --- Bugatti, Rembrandt. --- 19de eeuw. --- 20ste eeuw. --- sculptuur
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sculpting --- Sculpture --- installations [visual works] --- motion pictures [visual works] --- art [fine art] --- multimedia works --- Photography --- Art --- mirrors --- Pistoletto, Michelangelo --- anno 1900-1999 --- Italy --- Pistoletto Michelangelo --- Fotografie --- twintigste eeuw --- kunst --- arte povera --- Italië --- 77.071 PISTOLETTO --- art [discipline]
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wereld --- textile materials --- science --- Iconography --- Boetti, Alighiero --- Afghanistan --- kunst --- Italië --- Alighiero e Boetti --- Boetti Alighiero --- cartografie --- 7.071 ALIGHIERO --- Exhibitions --- science [modern discipline] --- national maps --- drawings [visual works] --- restoration [process] --- staged photographs --- fiber art --- political art
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"Bringing together five decades of painting, sculpture, and installations from the celebrated Italian artist Marisa Merz, this monograph accompanies a major US retrospective of her work"--
Drawing --- Sculpture --- Painting --- sculpture [visual works] --- drawings [visual works] --- easel paintings [paintings by form] --- Merz, Marisa --- kunst --- Merz Marisa --- arte povera --- Italië --- twintigste eeuw --- eenentwintigste eeuw --- Exhibitions --- paintings [visual works]
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