Listing 1 - 10 of 14 | << page >> |
Sort by
|
Choose an application
Charles H. Hayward --- meubelkunst --- Groot-Brittannië --- antiek --- vervalsingen --- 749.03 --- 749.02
Choose an application
56880
Painting --- Expertising. --- Radiography. --- research [function] --- easel paintings [paintings by form] --- Peintures. Expertises. --- Schilderijen. Expertisen. --- 730.3 --- kunstvervalsingen --- vervalsingen --- 75.072 --- 75.061 --- conservatie --- expertise --- restauratie --- schilderkunst --- schildertechniek --- Schilderkunst ; expertise ; onderzoekingsmethoden --- 5 --- 72.02:5 --- #C9201 --- 5 Wiskunde. Natuurwetenschappen --- Wiskunde. Natuurwetenschappen --- 75.061 Vervalsingen van schilderijen --- Vervalsingen van schilderijen --- Radiography --- 72.02:5 Bouwtechniek: methoden en materialen-:-Wiskunde. Natuurwetenschappen --- Bouwtechniek: methoden en materialen-:-Wiskunde. Natuurwetenschappen --- Expertising --- Schilderkunst ; vervalsingen ; imitaties --- Schilderijen --- Onderzoeksmethoden --- Authenticiteit --- Schilderij --- Onderzoeksmethode --- 730 --- kunstexpertise --- schilder- en tekenkunst --- peinture et dessin --- kunst --- Schilderkunst
Choose an application
Conservation. Restoration --- Painting --- Peinture --- Schilderkunst --- schilderkunst --- vervalsingen --- restauratie --- conservatie --- expertise --- 75.061 --- analysis --- technical art history --- Attribution. --- Expertising. --- Forgeries. --- Radiography. --- Expertise. --- Faux. --- Radiographie.
Choose an application
D. Kraaijpoel --- kunst --- kunstenaars --- kunsttheorie --- vervalsingen --- kunstmarkt --- 7.01 --- Beeldende kunstenaar ; beroep ; vak ; bedrijf --- Kunsttheorie ; conflict kunstenaar en vrije markt ; beroep --- Kunstbeschouwing --- 7.017 --- Kunst ; optische effecten, perspectief, illusie --- art criticism --- kunstbeschouwing --- Artists
Choose an application
restauratie (kunst) --- Painting --- Conservation. Restoration --- forgeries [derivative objects] --- Art --- restoration [process] --- Eyck, van, Jan --- Christus, Petrus I --- Veken, van der, Jef --- Eyck, van, Hubert --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- Vlaamse Primitieven --- restauratie --- Veken, Joseph van der --- 625.1 Schilderkunst --- 581 Monumentenbescherming, cultureel erfgoed --- 75.025 --- 75.061 --- 75 <493> "14" --- Schilderkunst; restauratie Vlaamse Primitieven --- Tentoonstellingscatalogi ; Brugge ; Groeningemuseum --- Schilderkunst: schade; voorzorg; onderhoud; conservatie; restauratie --- Vervalsingen van schilderijen --- Schilderkunst--België--?"14" --- Schilderkunst ; restauratie, conservatie --- Exhibitions --- 75 <493> "14" Schilderkunst--België--?"14" --- 75.061 Vervalsingen van schilderijen --- 75.025 Schilderkunst: schade; voorzorg; onderhoud; conservatie; restauratie --- Early Netherlandish --- Van der Veken, Jef --- Vlaamse primitieven --- Vlaamse primitieven. --- restauratie. --- Veken, Joseph van der. --- iconografie. --- symbolisme. --- Dood.
Choose an application
"The sleepy North Macedonian town of Veles put itself on the world map as the epicenter of fake news production during the 2016 US election. Tech-savvy local youth created hundreds of clickbait websites posing as American news portals, making quick cash as the sites were spread to millions of people via social media algorithms. International media crews flocked to Veles to report on this unlikely hub of disinformation, and I followed suit. During my travels I discovered that Veles is also the name of a shapeshifting, Slavic bear- god known for spreading chaos, mischief and lies. The myth of Veles is also told in a purported ancient manuscript, which after having fooled people for decades, is now considered a forgery. Using these stories as a backdrop, I created The Book of Veles; a 2021 photobook which was widely praised by the documentary photography community, until a mysterious social media profile named Chloe Miskin eventually revealed it as something very different from what it appeared to be. The Book of Veles is both a reckoning with my own history as a classical photojournalist as well as an experiment to see where technology might lead photography in the immediate future. The work is a quagmire of fake photo reportages, AI generated material, avatars and Facebook trolls, with which I aimed to probe our ability to spot synthetic images." --Jonas Bendiksen
Fake news --- Elections --- Literary forgeries and mystifications --- fotografie --- documentaire fotografie --- portretfotografie --- eenentwintigste eeuw --- fotografie en propaganda --- massamedia --- 77.071 BENDIKSEN --- Frauds, Literary --- Literary frauds --- Literary hoaxes --- Literary mystifications --- Mystifications, Literary --- Authorship --- Errors and blunders, Literary --- Forgery --- Hoaxes --- Literary curiosa --- Anonyms and pseudonyms --- Imaginary books and libraries --- Pasticcio --- Election fraud --- Election law --- News, Fake --- Disinformation --- Journalism --- Corrupt practices --- Criminal provisions --- Bendiksen, Jonas --- 001.95 --- 7.061 --- 7.061 Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- Etische aspecten van de kunst: vervalsingen; imitaties; plagiaat; namaak --- 001.95 Wetenschappelijk bedrog en mystificatie --- Wetenschappelijk bedrog en mystificatie
Choose an application
"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website
photography [process] --- Photography --- Photographie --- Trick photography --- Photography, Handworked --- Effets spéciaux --- Special effects --- fotografie --- twintigste eeuw --- speciale effecten --- fotografische techniek --- beeldmanipulatie --- vervalsingen --- collages --- fotomontage --- 77.05 --- 778 --- 001.95 --- Fotografie--Bijzondere toepassingen --- Wetenschappelijk bedrog en mystificatie --- Exhibitions --- 001.95 Wetenschappelijk bedrog en mystificatie --- 778 Fotografie--Bijzondere toepassingen --- Photographic amusements --- Photography, Trick --- Handworked photography --- Altered prints --- Art and photography --- Drawing --- Effets spéciaux. --- Effets spéciaux.
Choose an application
kunst --- Afrika --- Congo --- etnografie --- collecties --- verzamelingen --- Schelfout Joseph --- vervalsingen --- Bembe --- Boyo --- Dengese --- Hemba --- Kuba --- Kumu --- Kwese --- Lega --- Lengola --- Luba --- Lulua --- Lwalwa --- Mangbetu --- Ngbaka --- Ngata --- Pende --- Salampasu --- Songye --- Tabwa --- Tchokwe --- Tetela --- Yaka --- Zula --- Veys Danny --- fotografie --- Van Goidsenhoven Jan --- 7.031.2 --- Exhibitions --- Sculpture [Congolese (Democratic Republik) ] --- Catalogs --- Masks --- Africa [Central ]
Choose an application
Kitsch --- Popular culture --- Culture populaire --- -Popular culture --- #SBIB:309H040 --- Aesthetics --- Populaire cultuur algemeen --- United States --- Popular culture. --- Verenigde Staten ; cultuurgeschiedenis --- Cultuurgeschiedenis ; over smaak --- Beeldende kunst en populaire cultuur ; 20ste eeuw --- Architectuur en populaire beeldmedia --- Thema's in de kunst ; kunsttheorie ; kitsch --- 7.061 --- Kunst ; vraagstukken betreffende kunst ; vervalsingen ; wijzigingen ; imitaties
Choose an application
What is real? What is true? Picturing Figures and Faces' collects theoretical essays and artists' studies, published between 1988 and 2019, devoted to the artistic representation of the human figure. They deal with the portrait and the death mask, the body and suffering, and with Egon Schiele, René Magritte, Balthus, On Kawara, Paul De Vylder, Jan Vercruysse, Bill Viola, Anthony Gormley, Jan Fabre, Berlinde De Bruyckere, Dirk Braeckman and Elly Strik. The texts are richly illustrated, the book is designed by Antoon De Vylder. Bart Verschaffel is a philosopher and professor at Ghent University. Also in 2021 he will publish 'What Artistry can do. Essays on Art and Beauty' by Edinburgh UP.
Art criticism. --- Art --- Philosophy. --- 7.041 --- 7.01 --- 7.061 --- Beeldende kunst ; relatie fictie - realiteit --- Thema's in de kunst ; portretten --- Iconografie ; de mens, portretten --- Kunst ; theorie, filosofie, esthetica --- Kunst ; vraagstukken betreffende kunst ; vervalsingen ; wijzigingen ; imitaties --- Iconography --- essays --- iconography --- human figures [visual works] --- views [visual works] --- death masks --- portraits
Listing 1 - 10 of 14 | << page >> |
Sort by
|