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Thomas De Quincey est connu pour deux textes qui n’ont, en apparence, rien en commun : les Confessions d’un mangeur d’opium anglais, clé de voûte d’un récit autobiographique morcelé, ont longtemps été lues comme l’œuvre d’un romantique mineur, dans l’ombre du poète William Wordsworth ; tandis que « L’assassinat, considéré comme l’un des Beaux-Arts » cultive la provocation et la fantaisie. Les deux cependant expriment toutes les nuances de l’ironie : De Quincey se confronte aux grands auteurs et proclame son statut d’écrivain mineur pour mieux le dépasser. Rassembler dans un même regard ces deux textes nous permet de rétablir la cohérence d’une œuvre complexe et contradictoire, mais finalement unie, encore et toujours, autour du portrait de l’Anglais mangeur d’opium. Céline Lochot présente ici De Quincey comme mêlant l’ironie dans une démarche de séduction et de définition de soi dans le romantisme. Cette mise en contexte romantique de l’ironie, a priori plutôt paradoxale, enrichit considérablement le propos et souligne la modernité de De Quincey.
Literature, British Isles --- Poetry --- Literature (General) --- XIXe siècle --- De Quincey --- ironie --- autobiographie --- sarcasme --- sublime --- confessions --- pathos --- bathos --- gothique
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"Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions"--
Greek drama (Tragedy) --- Pathos in literature. --- Sympathy in literature. --- Fear in literature. --- Emotions (Philosophy) --- Aesthetics, Ancient. --- Philosophy --- History and criticism. --- History. --- Aeschylus. --- Sophocles. --- Euripides. --- Arts and Humanities --- History
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Intervening in the multidisciplinary debate on emotion, Tropes of Transport offers a fresh analysis of Hegel's work that becomes an important resource for Pahl's cutting-edge theory of emotionality. If it is usually assumed that the sincerity of emotions and the force of affects depend on their immediacy, Pahl explores to what extent mediation--and therefore a certain degree of manipulation but also of sympathy--is constitutive of emotionality. Hegel serves as a particularly helpful interlocutor not only because he offers a sophisticated analysis of mediation, but also because, rather than locating emotion in the heart, he introduces impersonal tropes of transport, such as trembling, release, and shattering.
Emotions (Philosophy) --- Phenomenology and literature --- Literature --- Philosophy --- Hegel, Georg Wilhelm Friedrich, --- Phenomenology and literature. --- Consciousness --- Emotion --- Georg Wilhelm Friedrich Hegel --- Pathos --- Phenomenology (philosophy) --- Protagonist
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Iraq War, 2003-2011 --- Pathos --- Prisoners of war in art --- Prisoners of war --- Suffering in art --- Torture in art --- Atrocities --- Abuse of --- Abu Ghraib Prison.
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Diese Studie widmet sich dem Tragischen im europäischen Tanztheater, dessen Evokation in einem Spannungsfeld von inszenatorischen Techniken, Konzeptionen, Verfahren und Momenten der Unterbrechung, der Aussetzung, der Störung und des Unbestimmbaren durch ek-statische Körperlichkeit erfolgt. An seiner ereignisgenerierenden Struktur und Funktion lassen sich formale und wirkungsästhetische Ordnungen erkennen, die mit neuen Konstellationen von Fiktion und Chorischem, Abwesenheit und Anwesenheit einhergehen. Aus dieser Perspektive geht das Tragische von der Darstellung einer schauderhaften Ungeheuerlichkeit an der Grenze des Vorstellbaren durch den im mehrfachen Sinne bewegten Körper aus; doch wie genau wird Ambivalentes, Doppeldeutiges und Paradoxes über Pathosfiguren und -figurationen in Szene gesetzt, sodass das Tragische erscheinen kann? This study is dedicated to the notion of the tragic in European dance theatre, the evocation of which takes place in a field of tension constituted by staging techniques as well as by conceptions, procedures and moments of interruption, of suspension, of disturbance and of an indeterminability effected by ec-static corporeality. It is possible to recognise in the event-generating structure and function of the tragic formal principles and an aesthetics of effect coupled to new constellations of the fictional and the choric, absence and presence. From the perspective of dance studies, the tragic emerges from the representation by means of the moving and moved body of a gruesome monstrosity at the limits of what is imaginable; but how exactly does the mise-en-scène of the ambivalent, ambiguous and paradoxical through figures and figurations of pathos function to make the tragic appear?
Tragic, The --- Dance --- Emotions in dance. --- Gesture in dance. --- History. --- Themes, motives. --- Tragic --- Staging --- Pathos --- Effect --- Tanztheater --- Figur --- chorische Formationen --- Tragisch --- Inszenierung --- Affektdarstellungen --- Antike --- Ästhetik --- Gestik --- Jean Georges Noverre --- Mimesis
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Linguistic Emotivity explores expressive and emotive meanings in Japanese from the perspective of the Place of Negotiation theory. The Place of Negotiation theory provides a framework for understanding how linguistic signs function in the place of communication (in cognitive, emotive, and interactional places). The theory finds the indexicality of a sign fundamental and views meanings as being negotiated among interactants who share not only information but, more significantly, feelings.Using analytical tools recognized in conversation and discourse analyses, the book analyzes emotive topics (vocatives, emotive nominals, quotative topics, etc.) and emotive comments (da and ja-nai, interrogatives, stylistic shifts, etc.) in contemporary Japanese discourse. It argues for the importance of emotivity in Japanese, in the context of the Japanese culture of pathos. Linguistic Emotivity challenges the traditional view of language that privileges logos, form, information, and abstraction, and instead, it proposes a philosophical shift toward pathos, expression, emotion, and linguistic event/action.
Emotive (Linguistics) --- Grammar, Comparative and general --- Japanese language --- Language and culture --- Pathos. --- Functional sentence perspective (Grammar) --- Predicate and subject (Grammar) --- Subject and predicate (Grammar) --- Theme and rheme --- Topic and comment (Grammar) --- Focus (Linguistics) --- Affective meaning (Linguistics) --- Emotive meaning (Linguistics) --- Semantics --- Connotation (Linguistics) --- Emotions --- Suffering --- Sympathy --- Topic and comment. --- Discourse analysis. --- Subject and predicate --- Syntax --- Pathos --- J5200 --- J5280 --- Topic and comment --- Discourse analysis --- Japan: Language -- grammar --- Japan: Language -- grammar -- semantics and rhetoric --- Affective and dynamic functions --- Pragmatics --- Sociolinguistics --- Psycholinguistics --- Emotive (Linguistics). --- Linguistics --- Philology --- Culture
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Wie nahe stehen sich die jüdische Gedankenwelt und die Ideen Sören Kierkegaards? In einer dialogischen Konstellation findet die geistige Wahlverwandtschaft darauf eine Antwort. Richard Blättel nimmt dazu drei alttestamentarische Erzählungen mit existenzieller Färbung in den Blick: den Sündenfall, die Opferung Isaaks und Hiob. Sowohl Kierkegaard als auch die jüdischen Denker haben sich mit den biblischen Narrativen befasst, wobei das Motiv der Wiederholung zum Brennpunkt wird. Zwischen Schöpfung und Offenbarung kreist das erzählende Denken, das sich von der traditionellen Denkgeschichte des Abendlandes abgrenzt. Dabei entsteht philosophisches Pathos als eine Form leidenschaftlichen Denkens.
Religionsphilosophie; Hermeneutik; Sören Kierkegaard; Pathos; Wiederholung; Sündenfall; Isaak; Hiob; Judentum; Philosophiegeschichte; Deutsche Philosophiegeschichte; Jüdische Studien; Kulturwissenschaft; Philosophie; Philosophy of Religion; Hermeneutics; Repetition; Fall of Man; Isaac; Job; Judaism; History of Philosophy; German History of Philosophy; Jewish Studies; Cultural Studies; Philosophy --- Cultural Studies. --- Fall of Man. --- German History of Philosophy. --- Hermeneutics. --- History of Philosophy. --- Isaac. --- Jewish Studies. --- Job. --- Judaism. --- Pathos. --- Philosophy. --- Repetition. --- Sören Kierkegaard.
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Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.
Comparative literature --- Aesthetics of art --- Drama --- Psychological study of literature --- Thematology --- anno 1200-1499 --- Drama, Medieval --- Liturgical drama --- Theater --- Pathos in literature --- Christian art and symbolism --- History and criticism --- History --- Technique --- Pathos in literature. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Drama, Liturgical --- Liturgical dramas --- Bible plays --- Liturgy and drama --- Opera --- Mysteries and miracle-plays --- Dramaturgy --- Authorship --- Playwriting --- History and criticism. --- Technique. --- Drama, Medieval - History and criticism --- Liturgical drama - Europe - History and criticism --- Theater - Europe - History - Medieval, 500-1500 --- Christian art and symbolism - Medieval, 500-1500 --- Drama - Technique
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Ist es heute üblich, das gesamte Spektrum menschlicher Tätigkeiten als das genuine Gegenstandsfeld der Kulturwissenschaften anzusehen, so wird damit der ganze Bereich des »pathos« im Sinne von Widerfahrnis, Leidenschaft und Passivität vernachlässigt. Entgegen dieser üblichen Privilegierung der Handlungs- und Herstellungskategorien will der Band mit dem Pathischen dasjenige ins Blickfeld rücken, das nicht nur jede Tätigkeit in unterschiedlicher Weise begleitet, sondern auch Anstoß und Ermöglichungsgrund jeglicher menschlichen Praxis darstellt.
Emotions. --- Pathos in literature. --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Aesthetics. --- Cultural Studies. --- Cultural Theory. --- Interculturalism. --- Philosophy of Culture. --- Psychoanalysis. --- Kultur; Repräsentation; Ästhetik; Interkulturalität; Psychoanalyse; Kulturtheorie; Kulturphilosophie; Kulturwissenschaft; Culture; Aesthetics; Interculturalism; Psychoanalysis; Cultural Theory; Philosophy of Culture; Cultural Studies
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Dossier : Comment se définissent et se construisent les émotions en Grèce ancienne ? Comment sont elles instrumentalisées ? Différents types d’émotions (la douleur, l’amour, la jalousie, le dégoût, la haine, la colère, etc.), leur valeur, leur place et leurs fonctions sont analysés. Les auteurs se demandent si et en quoi, pour les Anciens, leur perception, leur description et leur compréhension, ainsi que leur pratique diffèrent des nôtres. Varia : Les articles proposés ensuite abordent des documents et des thématiques variés : ainsi l'archéologie des concours dits panhelléniques au début du ve siècle avant notre ère, la représentation de l'espace dans la céramique grecque et la signification des « grands yeux » dessinés sur certains vases, la scientia sexualis à partir du corpus Peri aphrodisiôn, et les rapports énigmatiques de Cornelius de Pauw avec la justice athénienne.
Classics --- History --- emotion --- affective history --- Homer --- Plato --- fear --- erôs --- envy --- etiology --- agathoi --- tragedy --- hatred --- pathos --- persona --- anger --- hubris --- epinikia --- identity --- heroic cult --- grief --- gynaikonitis («women’s quarter») --- aphrodisia --- émotion --- sensibilité --- Platon --- Homère --- peur --- jalousie --- funérailles --- patrios nomos --- Sophocle --- tragédie --- héroïsme --- Eschyle --- colère --- concours --- épinicie --- logos --- identités --- étiologie --- to daimonion --- regard --- gynécée --- médecine --- historiographie
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