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"Focusing on the works of Edith Wharton and her contemporaries, Melanie Dawson discusses representations of modern American identities past early youth in twentieth-century literature. Dawson sets Wharton's work at the center of a vital debate about the contested privileges associated with age in contemporary culture"--
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An exciting archive came to auction in 2009: the papers and personal effects of Anna Catherine Bahlmann (1849-1916), a governess and companion to several prominent American families. Among the collection were one hundred thirty-five letters from her most famous pupil, Edith Newbold Jones, later the great American novelist Edith Wharton. Remarkably, until now, just three letters from Wharton's childhood and early adulthood were thought to survive. Bahlmann, who would become Wharton's literary secretary and confidant, emerges in the letters as a seminal influence, closely guiding her precocious young student's readings, translations, and personal writing. Taken together, these letters, written over the course of forty-two years, provide a deeply affecting portrait of mutual loyalty and influence between two women from different social classes.This correspondence reveals Wharton's maturing sensibility and vocation, and includes details of her life that will challenge long-held assumptions about her formative years. Wharton scholar Irene Goldman-Price provides a rich introduction to My Dear Governess that restores Bahlmann to her central place in Wharton's life.
Authors, American --- Wharton, Edith, --- Bahlmann, Anna Catherine, --- Bahlmann, A. C.,
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This work reassesses American elitisms of the late nineteenth and early twentieth century. It argues that Henry Adams, Henry James and Edith Wharton articulated their political thought in response to the liberalism that reigned in Boston and, more specifically, at Harvard University, showing how each of these authors interrogated that liberalism's arguments for education, democracy and the political duties of the cultivated elite. Coit shows that the works of these authors contributed to a realist critique of a liberal New England idealism that fed into the narrative about 'the genteel tradition', which shaped the study of US literature during the twentieth century.
Liberalism --- History --- Wharton, Edith, --- James, Henry, --- Adams, Henry,
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In Edith Wharton's works, references to architecture, interior decoration, painting, sculpture, and fashion abound. As these essays demonstrate, art and objects are for Wharton evidence of cultural belief and reflect the values, assumptions, and customs of the burgeoning consumer culture in which she lived and about which she wrote. Furthermore, her meditations about issues of architecture, design, and decoration serve as important commentaries on her vision of the literary arts. In The Decoration of Houses she notes that furniture and bric-à-brac are often crowded into a room in order to com
American literature. --- Material culture in literature. --- Wharton, Edith, 1862-1937 -- Criticism and interpretation. --- Material culture in literature --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation.
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Edith Wharton (1862- 1937), who lived nearly half of her life during the cinema age when she published many of her well-known works, acknowledged that she disliked the movies, characterizing them as an enemy of the imagination. Yet her fiction often referenced film and popular Hollywood culture, and she even sold the rights to several of her novels to Hollywood studios. Edith Wharton on Film explores these seeming contradictions and examines the relationships among Wharton' s writings, the popular culture in which she published them, and the sub
Visual perception in literature. --- American fiction --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Knowledge --- Film adaptations. --- Criticism and interpretation. --- Art.
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Edith Wharton was one of America's most popular and prolific writers, becoming the first woman to win the Pulitzer Prize for Fiction in 1921. In a publishing career spanning seven decades, Wharton lived and wrote through a period of tremendous social, cultural and historical change. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights.
Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Arts and Humanities --- Literature
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'Edith Wharton and Cosmopolitanism' explores Edith Wharton's relation to the concept of cosmopolitanism, as it extended toward her politics, her aesthetics, and her vision of cultural differences. Essays explore Wharton's cosmopolitan ideas and ideals, influences such as American art historian Charles Eliot Norton; her attitudes toward transatlanticism and globalization; and her art-historical discoveries in Europe.
Women intellectuals --- Cosmopolitanism. --- Authors, American --- Intellectuals --- Political science --- Internationalism --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith,
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In August 1937 a small group of Edith Wharton's intimate friends gathered to pay their last respects at her funeral in France. Among that small group of people was her friend for many years, Lawrence 'Johnnie' Johnston, the creator of two famous gardens, at Hidcote Manor, Gloucestershire, in England and Serre de la Madone, Menton, on the Cote d'Azur in the south of France. Wharton and Johnston shared not only a love of nature and gardens but also a shared experience of life. Both were private people who had had very similar childhoods, experiencing the loss of their fathers at an early age. Ye
Women authors, American --- American women authors --- Wharton, Edith, --- Johnston, Lawrence Waterbury, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Homes and haunts. --- Hidcote Manor Garden (England)
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""Edith Wharton, Willa Cather, and the Place of Culture," the first comparative study of Wharton and Cather in thirty years, combines biographical, historical, and literary analyses with approaches focused on place and on aesthetics to reveal the profound similarities in their theories of fiction, their understanding of human nature, and their concerns about American culture. Employing the dual meanings of both "place" (as location and as status) and "culture" (as general culture and "high" culture), Julie Olin-Ammentorp offers a new view of the resonances between these two authors and their works, focusing on their shared concern about the culture of place and the place of culture in the United States"--
Literature and society --- Place (Philosophy) in literature. --- Culture in literature. --- History --- Cather, Willa, --- Wharton, Edith, --- Criticism and interpretation.
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Art and literature --- Visual perception in literature. --- History --- Wharton, Edith, --- Jones, Edith Newbold --- Olivieri, David, --- Wharton, Edith Newbold Jones, --- Уортон, Эдит, --- Gouorton, Intith, --- Criticism and interpretation. --- Knowledge --- Wharton, Edith Newbold --- Criticism and interpretation --- Art --- United States --- 20th century --- Visual perception in literature
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