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Die vollständig aktualisierte und erweiterte Neuauflage des etablierten Werks bietet Informationsspezialistinnen und -spezialisten aus allen Sparten einen umfassenden Überblick über die Entwicklungen und die Typologie wissenschaftlicher Informationsressourcen. Darauf aufbauend werden rund 430 Informationsressourcen, die für die allgemeine und fachspezifische Informationsrecherche von besonderer Bedeutung sind, in ihren Inhalten und Funktionalitäten sowie ihrer Bedeutung vorgestellt. Klassische bibliothekarische Ressourcentypen wie Bibliothekskataloge, Bibliographien, Nachschlagewerke und Portale für Fachinformationen werden dabei ebenso berücksichtigt wie Forschungsdatenverzeichnisse, Patent- und Normdatenbanken, Angebote zu Statistiken, Open-Access- und Open-Educational-Resources-Publikationen sowie Datenbanken zu Zeitungen, Bildern, Filmen und Audiomaterialien. Die Verbindung von einführender Typologie und konkreter Vorstellung zentraler Ressourcen sorgt dafür, dass das hier vermittelte Grundwissen unmittelbar in der beruflichen Praxis einsetzbar ist.
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Libraries strive to provide access to rights-protected content in a manner that protects both the content creator and the privacy of the user. Digital Rights Management (DRM) encompasses a variety of technologies and strategies utilized by content owners and managers to limit access to and the use of rights-protected content. Librarians need to understand DRM to effectively enable users to access and use rights-protected digital content while at the same time protecting the privacy of the user. Edited by two librarians who also hold law degrees, this is a best practices guide for front-line li
Copyright --- Electronic information resources. --- Electronic information resources
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Dieser bewährte Band bietet Informationsspezialisten eine aktualisierte Einführung in den Umgang mit Informationsressourcen. Nach der Darstellung von theoretischen Grundlagen werden ca. 500 allgemeine und fachspezifische Informationsressourcen ausgewählt und deren Inhalte, Funktionen und Bedeutung beschrieben. Neu hinzugekommen sind Abschnitte über Discovery Services, Forschungsdatenbanken und Fachinformationsdienste für die Wissenschaft. So wird Grundwissen zu Informationsressourcen vermittelt, das direkt in der Praxis eingesetzt werden kann. Margrit Lauber-Reymann M.A. studierte Bibliothekswesen und später Amerikanistik, Ethnologie und Soziologie. Als Bibliothekarin arbeitete sie bis 1992 in der Universitätsbibliothek München, danach wechselte sie zur Bayerischen Staatsbibliothek und unterrichtete an der Bibliotheksakademie Bayern. 2005 übernahm sie als Hochschullehrerin am Fachbereich Archiv- und Bibliothekswesen der Hochschule für den öffentlichen Dienst in Bayern die Fächer Formalerschließung und Informationsressourcen. Nach ihrem Ausscheiden aus dem Amt lehrt sie dort weiterhin als Dozentin für Informationsressourcen. This well-established work offers information specialists an updated introduction to working with information resources. Along with theoretical principles, there are approx. 400 selected general and specialized information resources with descriptions of their content, functions, and importance. A chapter on research data has been newly added. The handbook imparts basic knowledge on information resources that is directly applicable to practice.
Information resources. --- Electronic information sources. --- information resources.
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This volume presents papers from the fourth biennial Information Systems Foundation Workshop, held at The Australian National University in Canberra from 2-3 October, 2008. The focus of the workshop was, as for the others in the series, the foundations of Information Systems as an academic discipline. The emphasis in this workshop was on the movement known as 'Design Science' and its importance in practical disciplines such as Information Systems. The chapters in the volume provide a critical examination of current design science ideas, with the role of human creativity given special mention. The philosophical underpinnings of design science thinking are also examined. Practically, the volume shows how the design science approach can be used in academic research that leads to artefacts that add value for individuals, organizations and society.
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"What are photographs 'doing' in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they 'fine art' or 'archival', but on what might be termed 'non-collections': the huge number of photographs that are integral to the workings of museums yet 'invisible', existing outside the structures of 'the collection'. These photographs, however, raise complex and ambiguous questions about the ways in which such accumulations of photographs create the values, hierarchies, histories and knowledge-systems, through multiple, folded and overlapping layers that might be described as the museum's ecosystem. These photographic dynamics are studied through the prism of the Victoria and Albert Museum, London, an institution with over 150 years' engagement with photography's multifaceted uses and existences in the museum. The book differs from more usual approaches to museum studies in that it presents not only formal essays but short 'auto-ethnographic' interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work. As such this book offers an extensive and unique range of accounts of what photographs 'do' in museums, expanding the critical discourse of both photography and museums".--UCL Press.
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