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From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of situationist thought, particularly as they applied to the form of the modern city.
Architecture --- Avant-garde (Aesthetics) --- City planning. --- Art, Architecture & Applied Arts --- Aesthetics --- Modernism (Art) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Cities and towns --- City planning --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Philosophy. --- History --- Philosophy --- Design and construction --- Government policy --- Management --- Internationale situationniste --- Mouvement international pour un Bauhaus imaginiste --- I.S. (Internationale situationniste) --- Internazionale situazionista --- Situationist International --- SI (Situationist International) --- S.I. --- Situationistische Internationale --- Katastasiakē Diethnēs --- Kansainväliset Situationistit --- Internacional situacionista --- Situat︠s︡ionistskiĭ internat︠s︡ional --- Ситуационистский интернационал --- Influence. --- Internationaal Situationisme --- Situationisme --- Situationist International (SI) --- 72.036 --- 72.03 --- 711.4 --- 72.01 --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Stedenbouw --- Stedenbouw (theorie) --- Architectuurtheorie --- International situationniste --- Internationale Situationniste
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#SBIB:316.334.5U20 --- #SBIB:35H411 --- Sociologie van stad (buurt, wijk, community, stadsvernieuwing) --- Beleidscyclus: voorbereiding (inclusief planning) --- Stedenbouw ; denken over --- Stedenbouw ; architectuur ; 2de h. 20ste eeuw ; non-plan --- Architectuur en anarchie --- Architectuur ; 20ste eeuw ; R. Buckminster Fuller --- Architectuur ; Africa ; Indonesië ; de zelf-bouwer --- Stedenbouw. Ruimtelijke ordening ; denken over de stedenbouw --- Architecture, Modern --- Architecture --- City planning --- Urbanisme --- Citizen participation --- Participation des citoyens --- 711.4(A) --- Citizen participation.
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The first book-length critical and historical account of an ultramodern architectural movement of the 1960s that advocated "living equipment" instead of buildings.
ARCHITECTURE --- History / General --- Architecture --- Avant-garde (Aesthetics) --- Archigram --- Aesthetics --- Modernism (Art) --- History --- Archigram (Group) --- Criticism and interpretation. --- Histoire --- Avant-garde (esthétique) --- Avant-garde (esthétique)
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Green, William --- Self, Colin --- Lacey, Bruce --- Hamilton, Richard --- anno 1960-1969 --- edited by Chris Stephens and Katharine Stout ; with essays by Barry Curtis, David Alan Melllor, Simon Sadler and Andrew Wilson ; contributions by Lizzie Carey-Thomas, Hymie Dunn, Adrian Glew [et al.] --- kunst --- twintigste eeuw --- schilderkunst --- beeldhouwkunst --- grafiek --- pop art --- Green William --- Groot-Brittannië --- Self Colin --- fotografie --- St Martins School of Art --- kunstonderwijs --- Londen --- London --- Lacey Bruce --- architectuur --- Hamilton Richard --- 7.038 --- Arts --- Art, English --- Popular culture in art
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community art --- hippies --- utopias --- Architecture --- Art --- Applied arts. Arts and crafts --- anno 1960-1969 --- anno 1970-1979 --- kunst --- twintigste eeuw --- San Francisco --- utopie --- modernisme --- 7.038 --- Raggi Franco --- Henrichs Marshall --- Miller Larry --- Stein Maurice --- ONYX --- Williams Ron --- Rainy Woodson --- Martin Tony --- Zamp Kelp Günter --- Kallweit Richard --- Richert Clark --- USCO --- Stern Gerd --- Isaacs Ken --- Verenigde Staten --- cybernetica --- computerkunst --- Californië --- Fuller Richard Buckminster --- Haus-Rucker-Co --- kunsttheorie --- underground --- kunst en politiek --- sixties --- seventies --- 7.038(03) --- 72.038 --- 766.038 --- Beeldende kunst ; 20ste eeuw ; 1960-1970 ; Hippie Modernisme --- Beeldende kunst en architectuur ; maatschappijkritiek --- Performances --- Alternatieve architectuur --- Anti-design --- Kunst en anarchie --- Sixties architectuur en kunst --- Subcultuur ; tegencultuur ; protest in de kunst --- Architectuur en kunst ; utopische ; visionaire --- Psychedelische kunst --- Underground kunst en architectuur --- Tentoonstellingscatalogi ; Minneapolis ; Walker Art Center --- Kunstgeschiedenis ; 1950 - 2000 ; encyclopedieën --- Architectuurgeschiedenis ; 1950 - 2000 --- Gebruiksgrafiek ; 1950 - 2000 --- Exhibitions --- Modernism (Art) --- Arts, Modern --- Counterculture --- Arts and society --- Arts and society. --- Arts, Modern. --- Counterculture. --- Modernism (Art). --- History --- 20th century --- 1900-1999. --- Exhibitions. --- social criticism
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