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Ozu, Yasujiro --- J6839 --- Japan: Media arts and entertainment -- cinema --- Ozu, Yasujiro, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎
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Considered by many film critics and scholars as a master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. With fifteen never before published chapters in English by contributors from North America, Europe, and Japan, Reorienting Ozu explores the Japanese director's oeuvre and his lasting impact on global art cinema. Exploring major theoretical frameworks that characterize Ozu studies, chapters consider the various cultural factors that influenced the director's cinematic output, such as the anxiety of middleclass Japan in the 1930s, the censorship imposed by the US-occupation after World War II, and women's rights in Ozu's late work such as Tokyo Twilight (1957). Ultimately, chapters illuminate Ozu's influence on the directors of Japan and beyond. With the recent restoration and re-release of Ozu's early and late films, this volume provides an opportunity to examine not only the auteur's major works but also the relationshipsboth cultural and aestheticthat are forged among directors across the world.
Ozu, Yasujirō, --- Criticism and interpretation. --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- J6839 --- J2284.80 --- Japan: Media arts and entertainment -- cinema --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- 小津, 安二郎
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This book offers a new interpretation of Ozu Yasujiro's career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu's depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence.
Motion pictures --- Cinéma --- Ozu, Yasujiro, --- Motion picture producers and directors --- Ozu, Yasujirō, --- Criticism and interpretation. --- Réalisateurs de cinéma --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- Réalisateurs de cinéma
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Over the last two decades, Yasujiro Ozu has won international recognition as a major filmmaker. Combining biographical information with discussions of the films' aesthetic strategies and cultural significance, David Bordwell questions the popular image of Ozu as the traditional Japanese artisan and examines the aesthetic nature and functions of his cinema.
Motion pictures --- Aesthetics. --- Ozu, Yasujiro --- Ozu, Yasujirō, --- -#SBIB:309H1323 --- #SBIB:309H1323 --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Aesthetics --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Ozu, Yasujirō, --- Ozuyasu, --- 小津安二郎, --- Criticism and interpretation. --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- CDL --- 791.471 OZU --- Japanese cinema films --- Directing --- Ozu, Yasujirō, 1903-1963 - Critical studies --- OZU, YASUJIRO (1903-1963) --- FILMOGRAPHIE
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Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.
#SBIB:309H1327 --- #SBIB:309H1323 --- #SBIB:309H520 --- #SBIB:AANKOOP --- Films met een amusementsfunctie en/of esthetische functie: script --- Films met een amusementsfunctie en/of esthetische functie: auteurs --- Audiovisuele communicatie: algemene werken --- 791.471 OZU --- CDL --- Tōkyō monogatari (Motion picture) --- Ozu, Yasujiro, --- Ozuyasu, --- 小津安二郎, --- Criticism and interpretation. --- 小津 安二郎, --- おづ やすじろう, --- オヅ ヤスジロウ, --- Одзу, Ясудзиро, --- Odzu, I︠A︡sudziro, --- Komiya, Shūtarō, --- Maki, James --- Schwartz, Ernst, --- 小津, 安二郎 --- Ozu, Yasujiro --- Ozu, Yasujirō, --- Viaggio a Tokyo (Motion picture) --- Tokyo story (Motion picture) --- Voyage à Tôkyô (Motion picture)
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