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Painting --- Christian religion --- Iconography --- anno 1700-1799 --- anno 1800-1899 --- Europe --- Christian art and symbolism --- Romanticism in art --- Painting, European --- Christian art and symbolism - Europe - Modern period, 1500 --- -Romanticism in art - Europe --- Painting, European - 19th century

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Art --- anno 1800-1899 --- Great Britain --- Romanticism in art --- -Idealism in art --- Naturalism in art --- Realism in art --- -Romanticism in art --- romantiek --- Romantic [modern European styles] --- Groot-Brittannië --- -Romanticism (Art) --- Romanticism (Art) --- Idealism in art --- romantiek. --- Groot-Brittannië.

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Art styles --- Painting --- anno 1800-1899 --- Germany --- Romanticism in art --- Painting, German --- Romantisme dans l'art --- Peinture allemande

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Ce catalogue rassemble une sélection de portraits d'Achille Devéria, Henri Decaisne, Claude-Marie Dubufe, Camille Roqueplan et d'autres peintres représentatifs de la peinture des Salons et du goût pictural du XIXe siècle. Ils évoquent la vie contemporaine de l'époque.

Painting --- anno 1800-1899 --- France --- Portrait painting --- Romanticism in art --- Painting, European --- Peinture de portraits --- Romantisme dans l'art --- Peinture européenne --- Peinture européenne

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A renowned scholar’s reflections on the romantic period, its disparate participants, and our unacknowledged debt to them With his usual wit and élan, esteemed historian Peter Gay enters the contentious, long-standing debates over the romantic period. Here, in this concise and inviting volume, he reformulates the definition of romanticism and provides a fresh account of the immense achievements of romantic writers and artists in all media. Gay’s scope is wide, his insights sharp. He takes on the recurring questions about how to interpret romantic figures and their works. Who qualifies to be a romantic? What ties together romantic figures who practice in different countries, employ different media, even live in different centuries? How is modernism indebted to romanticism, if at all? Guiding readers through the history of the romantic movement across Britain, France, Germany, and Switzerland, Gay argues that the best way to conceptualize romanticism is to accept its complicated nature and acknowledge that there is no “single basket” to contain it. Gay conceives of romantics in “families,” whose individual members share fundamental values but retain unique qualities. He concludes by demonstrating that romanticism extends well into the twentieth century, where its deep and lasting impact may be measured in the work of writers such as T. S. Eliot and Virginia Woolf.

Romanticism in art. --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- Aesthetics of art --- Art styles --- anno 1800-1899 --- anno 1900-1999