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Botanical gardens --- Botanical garden curating --- Botanical garden curatorial practice --- Botanical garden curatorship --- Curatorship --- Curatorship. --- ZV Cybertaxonomy
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Ethnographic Experiments with Artists, Designers and Boundary Objects invites the reader to reflect on the skills of collaboration and experimentation in fieldwork and in gallery curation.
Art museums --- Curatorship. --- Art curating --- Art curatorial practice --- Art curatorship --- Curatorship --- Art and anthropology.
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For more than two centuries museums have preserved art, artifacts, and natural specimens, engaged and educated the public, and provided resources for research in areas from art history to zoology. Inside the Lost Museum explains the work of museums--collecting, preserving, displaying, and using collections--by considering their remarkable history. Museums make choices about what's worth saving. Inside the Lost Museum explores those choices, and the processes--from donation to purchase to expedition--that shape collections. Once collected, museum objects are numbered, cataloged, and conserved, and sometimes deaccessioned--processes that have their own hows and whys. Museums display art and artifact in many ways, from dioramas and period rooms to paintings on white walls and visual storage. Inside the Lost Museums reveals the meanings of those choices, and the ways that they have changed and continue to change, shaped by new technologies and ideologies. It also argues for the value of museum collections for research, teaching, and community-building. Woven through Inside the Lost Museum is the story of the Jenks Museum of Brown University, a nineteenth-century museum of natural history, anthropology and "curiosities" that disappeared a century ago. The Jenks Museum's history, and a recent effort to re-imagine that museum as art, science and history, serves as a framework for understanding museums' long record of usefulness and service. Inside the Lost Museum considers the lessons museum history holds for museums today and tomorrow.--Provided by publisher.
Museum techniques --- Curatorship --- Jenks Museum of Natural History and Anthropology. --- Museum techniques. --- Curatorship.
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Artists as art museum curators. --- Curatorship. --- Art --- Exhibition techniques.
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Recent decades have witnessed concerns over representation, inclusion, and social justice move from the margins to the centre of museum practice. While a growing number of institutions seek to reflect the diversity of their communities in exhibition-making, gaps remain in understanding applied approaches and practices. This book presents the inclusion of new voices and perspectives into the museum via 'inclusive curating,' a facilitated process empowering a wide demographic of people to become curators. Grounded in a case study, this book offers guidance in putting inclusive curating into action alongside a range of practical resources and key debates. Curating is often considered an exclusive job for a privileged few. But, by breaking it down using methods demonstrated throughout this book, not only does curating become more usable for more people, it also contributes to understanding the process and practices by which our cultural spaces can become democratized.
Art museums --- Art, Modern --- Curatorship. --- Collectors and collecting.
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Executing Pracitces brings together artists, curators, programmers, theorists and heavy internet browsers, all of whose practices make a critical intervention into the broad concept of execution. It draws attention to their political strategies, asking: who and what is involved with those practices, and for whom or what are these practices performed, and how? From the contestable politics of emoji modifier mechanisms and micro-temporalities of computational processes to genomic exploitation and the curating of digital content, the chapters account for gendered, racialized, spatial, violent, erotic, artistic and other embedded forms of execution. Together they highlight a range of ways in which execution emerges and how it participates within networked forms of liveliness.
Art and computers. --- Curatorship --- Data curation. --- Political aspects.
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Collections Care and Stewardship: Innovative Approaches for Museums considers best practices and innovations related to documenting collections with regard to movement and safe handling of items for transport, display, photography, and treatment; collections storage; and information-sharing within and beyond the museum.
Museums --- Antiquities --- Art objects --- Manuscripts --- Collection management. --- Collection and preservation. --- Curatorship. --- Educational aspects.
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Many ambitious and experimental game forms don't fit into the digital download or retail distribution channels that support so-called "traditional" video games. Instead, these games are supported by a new global movement in video game curation. This special edition of the Video Game Art Reader features an international collaboration of video game professionals working together to create a resource for game exhibition organization, design, and curation. Professionals, artists, and others who organize and curate video game exhibitions and events act within a rhizomatic network of methods, missions, and goals. They establish organizations like galleries, collectives, and non-profits. Methods of sharing video games as critical cultural phenomena continue to evolve and expand. Conceived during the first meeting of GAIA (Game Arts International Assembly), the Game Art Curators Kit documents and shares the collective experience of an international network of video game curators and organizers. Sharing practical tips on everything from accessibility to preservation, the book also serves as a guide to support a new global movement in video game curation.
Curatorship --- Museums --- Acquisitions (Libraries) --- Archives --- Video games in art --- Video games --- Acquisitions --- Exhibitions
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Computer. Automation --- informatica --- computer science --- museology --- museumkunde --- Museology --- Museums --- Virtual museums --- Digital media --- Data processing --- Technological innovations --- Curatorship --- Philosophy --- Museums - Data processing --- Museums - Technological innovations --- Museums - Curatorship --- Museums - Philosophy
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Archival Film Curatorship is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age. A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive's hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.
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