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Idomeneo, by common consent Mozart's greatest opera seria, is a rich synthesis of the dramatic potentialities of Italian opera seria, French tragédie lyrique, and recent German opera. It was composed for the finest orchestra in Germany and some excellent singers. Mozart's relish of the challenge and his problems with some performers and the bureaucracy are uniquely documented in his letters home and these form the basis of a vivid account of the genesis of the opera. A detailed synopsis relates the musical and dramatic action of the opera. Further chapters trace the historical development of its subject matter 'from myth to libretto' and chart the opera's performance history, including a description of Richard Strauss's 1931 reworking. Later chapters consider the opera's general structure and the musical forms, and analyse passages of particular interest.
Mozart, Wolfgang Amadeus, --- Danchet, Antoine, --- Opera's --- Analyses
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Music --- Arts, Medieval. --- Musique --- Arts médiévaux --- Busnois, Antoine, --- Criticism and interpretation. --- Critique et interprétation --- Busnoys, Antoine --- Busnois, Antoine --- -Busnois, Antoine --- -Busnoys, Antonius --- Bunoys, Antoine --- de Busnes, Antoine --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Criticism and interpretation --- Medieval music --- Music, Medieval --- Music, Renaissance --- Renaissance music --- Bunoys, Antoine, --- Busne, Anthoine de, --- Busne, Antoine de, --- Busnes, Antoine de, --- Busnois, Anthoine, --- Busnoys, Antoine, --- De Busne, Anthoine, --- De Busnes, Antoine, --- 15th century --- Muziekgeschiedenis --- Muziekwetenschappen --- Thematische catalogi --- Middeleeuwen --- Renaissance --- 15e eeuw --- Lage Landen --- Zuidelijke Nederlanden --- Vlaanderen --- Boergondië --- Nederlanden --- Frankrijk
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Koninklijk Conservatorium Brussel --- 183X --- Habaneck, François-Antoine --- Reicha, Antoine --- Baillot, Pierre (1771-1842) --- Herold, Ferdinand (1791-1833) --- Halévy --- Fétis --- Mengal --- Lafont, Charles Philippe --- 19e eeuw
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Muziekgeschiedenis --- Muziekwetenschappen --- Bibliografieën --- Middeleeuwen --- Renaissance --- Gregoriaans --- Polyfonie --- Wallonië --- Luik --- Auda, Antoine (1879-1964) --- België
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Brieven --- Antoine, Georges (1892-1918) --- Université de Liège --- Faculté de Philosophie et Lettres
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