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V. De Prins
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Year: 1847 Publisher: Bruxelles [s.n.]

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Keywords

De Prins, V. --- Iconografie --- België


Book
Les organa à deux voix pour la messe ( de l' Assomption au Commun des Saints ) du manuscrit de Florence, Biblioteca Medica-Laurenziana, Plut. 29.1
Authors: --- ---
ISBN: 2878550048 Year: 2002 Publisher: Monaco L' Oiseau-Lyre : Musica Gallica


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Copies d'articles, affiches et photographies de professeurs de la section jazz du CrB
Publisher: [S.l.] : [s.n.],

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Bedreigde klanken II : een nieuwe toekomst voor het Vlaams muzikaal erfgoed ?
Authors: ---
ISBN: 9068531549 9789068531541 Year: 2002 Publisher: Leuven: Alamire,


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Gegeven den sangeren : meerstemmige muziek bij de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch in de zestiende eeuw
Author:
ISBN: 9070706555 Year: 2002 Publisher: 's-Hertogenbosch Adr.Heinen uitgevers


Book
L'oeuvre en filigrane : une étude philologique des manuscrits de musique pour clavier à Rome au XVIIe siècle
Authors: ---
ISBN: 9788822258816 Year: 2009 Volume: 116 Publisher: Firenze Olschki


Book
Les organa à deux voix pour la messe (de Noël à la fête de Saint-Pierre et Saint-Paul) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1 / édition établie par Mark Everist
Author:
ISBN: 2878550005 287855003X 9782878550009 9782878550030 Year: 2001 Volume: 3 Publisher: Monaco: Éd. de l'Oiseau-lyre,


Book
Les organa et les clausules à deux voix du manuscrit de Wolfenbüttel, Herzog August Bibliothek, Cod. Guelf. 628 Helmst
Authors: --- --- --- ---
ISBN: 2878550080 Year: 2009 Publisher: Monaco L' Oiseau-Lyre : Musica Gallica


Book
Les organa à deux voix du manuscrit de Wolfenbüttel, Hertzog August Bibliothek, Cod. Guelf. 1099 Helmst
Authors: --- ---
ISBN: 2878550064 2878550072 Year: 1996 Publisher: Monaco L' Oiseau-Lyre : Musica Gallica

The Summa Musice : a thirteenth-century manual for singers
Author:
ISBN: 0521404207 052103602X 0511597266 0511879148 Year: 1991 Publisher: Cambridge : Cambridge university press,

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How did medieval musicians learn to perform? How did they compose? What was their sense of the history and purpose of music? The Summa musice, a treatise on practical music from c.1200, sheds light on all these questions. It is a manual for young singers who are learning Gregorian chant for the first time, and provides a compact but comprehensive introduction to notation, performance and composition, written in a mixture of Latin prose and verse. More than that, however, it is also an introduction to medieval culture: what educated people believed to be worth knowing about music, how they reasoned when they discussed musical questions, the nature of musical thought and how it was expressed. Christopher Page's 1991 book provides an edition of the Latin text taken from the only surviving original copy, together with an English translation. Both texts are copiously annotated and introduced by an authoritative and illuminating editorial commentary.

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