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Music --- double basses --- 78.44.1.2 --- Muziekgeschiedenis --- Instrumenten --- Basso continuo --- Contrabas
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78.44.5.2 IT --- 78.44.1.2 --- Instrumenten --- Instrumentenbouw --- Instrumentenleer --- Iconografie --- Strijkers --- Contrabas --- Italië --- Cremona
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Performance practice (Music) --- 18th century --- 19th century --- Musical accompaniment --- Violoncello --- Performance --- Violoncello music --- Interpretation (Phrasing, dynamics, etc.) --- History and criticism --- 78.44.1.2 --- Instrumenten --- Instrumentenleer --- Speeltechnieken --- Versieringen --- Basso continuo --- Begeleidingspraktijk --- Barok --- Pre-klassiek --- Klassieke muziek --- Romantiek --- 19e eeuw --- Cello --- Uitvoeringspraktijk --- 18e eeuw
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Cello music --- Chamber music --- Orchestral music --- 921 --- Orchestra music --- Instrumental music --- Consort music --- Consorts (Music) --- Vocal chamber music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Violoncello music --- Recorded accompaniments (Cello) --- Repertoria - catalogi (bezetting) --- 78.44.1.2 --- 78.07 --- Bibliografieën --- Repertoire --- Adressen --- Uitgeverijen --- 20e eeuw --- Cello
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History of Belgium and Luxembourg --- Didactics of the arts --- violoncellists --- Technical, artistic and vocational education --- Musicians --- Conservatoires de musique --- Conservatoria --- Conservatories of music --- Music conservatories --- Music schools --- Violoncello --- Instruction and study --- Platel, Nicolas Joseph --- Servais, Adrien-François --- Servais, Joseph --- Demunck, François --- Jacobs, Edouard --- Exhibitions --- 78.44.1.2 --- 786.22 --- Cellisten --- Componisten--België--biografieënverzamelingen --- Componisten--België--biografieënverzamelingen --- Cello --- België --- 19e eeuw --- 20e eeuw --- Servais, François --- Jacobs, Jacques-Edouard
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