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Allan Sekula has devoted his artistic and documentary oeuvre to researching and recording the world of labor and its transformation in the face of the global economy. From early performances enacted as part of the California anti-war movement to his latest work, Black Tide, which documents the Prestige oil tanker disaster on the Gallic coast of Spain, this volume presents a comprehensive overview of Sekula's visual work and texts. In addition to a retrospective look at his artistic and documentary projects, Performance Under Working Conditions will collect Sekula's important theoretical writings on photography, including texts from Photography Against the Grain, now out of print.
Herausgegeben von = Edited by Sabine Breitwieser --- fotografie --- Sekula Allan --- twintigste eeuw --- documentaire --- documentaire fotografie --- fotografie en politiek --- kunst en politiek --- 77.071 SEKULA --- 77 SEKULA, ALLAN --- 77 SEKULA, ALLAN Fotografie--SEKULA, ALLAN --- Fotografie--SEKULA, ALLAN --- performance artists --- photographers --- Sekula, Allan
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What is the place of Critical Realism today, given the fact that both realism and commitment in art have become highly problematic notions since at least several decades? Realism in the first place appears to be relegated to the museum of pre-modern styles and devices, safely locked-up in the toolbox of 19th-Century art history. Secondly, in our cool, postmodern times, the place for commitment has become highly confuse. The naïve confusion between Critical Realism and notions like Social(ist) Realism or Political Correctness has complexified that situation. The ambition of this volume is to position Critical Realism as clearly as possible in the current art scene. This book makes a strong plea for a critically engaged art, as it can be encountered in a most exemplary way in the work of Allan Sekula. Sekula’s oeuvre features a number of characteristics whose combination makes it unique: his iconography rediscovers and reinvents the theme of labor and his photos, on the verge between art and documentary – thus creating a kind of proto-documentary, reflect on the possibilities for the visual arts today to deliver an ‘act of criticism’. Internationally known as one of the most prominent artists engaged in this debate, Sekula’s research methods allow us to discuss the ways art can be critical about contemporary social questions without succumbing into a plain or overtly partial political statement.
Art styles --- Sekula, Allan --- anno 1900-1999 --- Sekula, Allan, --- Academic collection --- 77.01 --- 77 SEKULA, ALLAN --- Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--SEKULA, ALLAN --- 77 SEKULA, ALLAN Fotografie--SEKULA, ALLAN --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Photographic criticism. --- Photography, Artistic. --- Realism in art. --- kunst --- Sekula Allan --- eenentwintigste eeuw --- twintigste eeuw --- 77.071 SEKULA --- 77.044 --- documentaire fotografie --- arbeid --- kritisch realisme --- Verenigde Staten --- kunst en politiek --- realisme --- fotografie --- Realism (Art) --- Idealism in art --- Naturalism in art --- Romanticism in art --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography criticism --- Criticism --- Aesthetics --- Photographic criticism --- Photography, Artistic --- Realism in art --- Sekula, Allan. --- Criticism and interpretation --- art criticism --- maatschappijkritiek --- Sekula, Allan, - 1951-2013
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Contemporary [style of art] --- Zobernig, Heimo --- Hollein, Hans --- Kriesche, Richard --- Krystufek, Elke --- Pichler, Walter --- Rockenschaub, Gerwald --- Walde, Martin --- Gironcoli, Bruno --- Haacke, Hans --- Ganahl, Rainer --- Kubelka, Friedl --- Margreiter, Dorit --- Poledna, Mathias --- Pumhösl, Florian --- Schuster, Michael --- West, Franz --- Rühm, Gerhard --- Export, Valie --- Graham, Dan --- Kelly, Mary --- Eichhorn, Maria --- Fraser, Andrea --- Rosler, Martha --- Caramelle, Ernst --- Genzken, Isa --- Weibel, Peter --- Farocki, Harun --- Bechtold, Gottfried --- Piper, Adrian --- Lavier, Bertrand --- Iveković, Sanja --- Sekula, Allan --- Matta-Clark, Gordon --- Generali Foundation [Vienna] --- kunst --- collecties --- verzamelingen --- Generali foundation --- twintigste eeuw --- Bechtold Gottfried --- Brunner Norbert --- Schuster Michael --- Caramelle Ernst --- Eichhorn Maria --- Export Valie --- Weibel Peter --- video --- videokunst --- Farocki Harun --- Fraser Andrea --- Ganahl Rainer --- Genzken Isa --- Gironcoli Bruno --- Graham Dan --- Haacke Hans --- Hollein Hans --- Ivekovic Sanja --- Kelly Mary --- Kriesche Richard --- Krystufek Elke --- Kubelka Friedl --- Lavier Bernard --- Margreiter / Poledna / Pumhösi --- Doujak / Küng --- Margreiter Dorit --- Matta-Clark Gordon --- Pichler Walter --- Piper Adrian --- Poledna Mathias --- Pumhösi Florian --- Rockenschaub Gerwald --- Rosler Martha --- Rühm Gerhard --- Sekula Allan --- Walde Martin --- West Franz --- Zobernig Heimo --- 7.074
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hedendaagse kunst --- art theory --- kunstbeschouwing --- Art --- art criticism --- fonds [collections] --- kunstenaarsgeschriften --- Aesthetics of art --- art [fine art] --- Contemporary [style of art] --- Boltanski, Christian --- Warhol, Andy --- Sekula, Allan --- Hiller, Susan --- Kabakov, Ilija Iosefovich --- Broodthaers, Marcel --- Raad, Walid --- Hirschhorn, Thomas --- Raqs Media Collective [New Delhi] --- anno 2000-2009 --- anno 1900-1999 --- Archives. --- Art archives. --- Archival resources. --- Museums --- Collection management. --- kunst --- archivering --- archieven --- Agamben Giorgio --- The Atlas Group --- Ra'ad Walid --- Benjamin Walter --- Boltanski Christian --- Broodthaers Marcel --- Buchloh Benjamin H.D. --- Cummings Neil --- Lewandowska Marysia --- Derrida Jacques --- Dittborn Eugenio --- Foster Hal --- Foucault Michel --- Freud Sigmund --- Green Renée --- Hiller Susan --- Hirschhorn Thomas --- Kabakov Ilya --- Kujundzic Dragan --- Levin Patricia --- Perreault Jeanne --- Merewether Charles --- Moeglin-Delcroix Anne --- Raqs media collective --- Ricoeur Paul --- Salloum Jayce --- Sekula Allan --- Spivak Gayatri Chakravorty --- subREAL --- Dan Cãlin --- Kiraly Josif --- Tupitsyn Margarita --- Warhol Andy --- Zaatari Akram --- kunsttheorie --- twintigste eeuw --- 7.01 --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; over archieven ; kunstarchieven --- Museologie ; collectiebeheer ; archivering --- Buchloh Benjamin H.D --- Archival resources --- Archives --- Art archives --- Collection management in museums --- Collections management in museums --- Museum collection management --- Museum collections management --- Museum techniques --- Museum storage facilities --- Documents --- Manuscript depositories --- Manuscript repositories --- Manuscripts --- Documentation --- History --- Information services --- Records --- Cartularies --- Charters --- Diplomatics --- Public records --- Information resources --- Collection management --- Collections management --- Depositories --- Repositories --- Kunstesthetica --- Kunst --- kunstkritiek --- archieven [collecties] --- artists' statements --- Museums - Collection management --- art [discipline]
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Contents:##- The unfixed photograph / Matthew S. Witkovsky##- Across the universe / Mark Godfrey##- Uninteresting pictures: photography and fact at the end of the 1960s / Joshua Shannon##- Hazarded into the blue: John Baldessari and photography in the early 1970s / Robin Kelsey##- Rona Barrett's Hollywood / Allen Ruppersberg##- Art is the copy of art: Italian photography in and after arte povera / Giuliano Sergio##- Reconfiguring representation: mechanical reproduction and the human figure in conceptual art / Anne Rorimer.
artistieke fotografie --- photography [process] --- Conceptual --- Photography --- conceptuele kunst --- Conceptual art --- Photography, Artistic --- Art and photography --- kunst --- fotografie --- kunst en fotografie --- concept art --- kunstenaarsboeken --- artists' books --- Verenigde Staten --- twintigste eeuw --- Ruscha Ed --- LeWitt Sol --- Bochner Mel --- Dibbets Jan --- Snow Michael --- Wallace Ian --- Nauman Bruce --- Paolini Giulio --- Broodthaers Marcel --- Baldessari John --- van Elk Ger --- Acconci Vito --- Heizer Michael --- Matta-Clark Gordon --- Burgin Victor --- Rosler Martha --- Huebler Douglas --- Sekula Allan --- Kawara On --- Shore Stephen --- Antin Eleanor --- Boetti Alighiero --- Attalai Gabor --- Smithson Robert --- Baumgarten Lothar --- Winogrand Garry --- Celmins Vija --- Klein William --- Clemente Francesco --- Ader Bas Jan --- Maurer Dora --- Polke Sigmar --- Sikora Rudolf --- Kiefer Anselm --- Barry Robert --- Denes Agnes --- Kosuth Joseph --- Anselmo Giovanni --- Becher Bernd & Hilla --- Wall Jeff --- Baxter Iain --- N.E. Thing Co. --- Klein Yves --- Ruppersberg Allen --- Manzoni Piero --- Prini Emilio --- Vaccari Francesco --- Mulas Ugo --- Zorio Gilberto --- Oppenheim Dennis --- Wegman William --- Conrad Tony --- Boltanski Christian --- Wilson Martha Story --- Feldmann Hans-Peter --- Anderson Laurie --- Messager Annette --- Gilbert & George --- Piper Adrian --- Graham Dan --- Salvo --- Mangione Salvatore --- Penone Giuseppe --- Export Valie --- Dimitrijevic Braco --- Nemetschek Peter --- Haacke Hans --- 7.038 --- Exhibitions --- History --- N.E. Thing Co --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Arte Povera --- conceptual artists --- LeWitt, Sol --- Penone, Giuseppe --- Ruscha, Ed --- Acconci, Vito --- Bochner, Mel --- Nauman, Bruce --- Baldessari, John --- anno 1960-1969 --- anno 1970-1979 --- Conceptual art - Exhibitions --- Photography, Artistic - Exhibitions --- Art and photography - Exhibitions
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ecological art --- art [fine art] --- ecology --- human behavior --- Nature --- Art --- Human ecology. Social biology --- influence --- Art [Ecologie dans l' ] --- Art [Ecology in ] --- Art and society --- Art et société --- Ecologie dans l'art --- Ecologie in de kunst --- Ecology in art --- Kunst [Ecologie in de ] --- Kunst en maatschappij --- Maatschappij en kunst --- Society and art --- Société et art --- Heylen, Lodewijk --- Torres, José Luis --- Reyers, Zeger --- Ballengée, Brandon --- Jansen, Theo --- Everaert, Jeroen --- Meijman, Sjef --- Fiennes, Sophie --- Copers, Leo --- Sailstorfer, Michael --- HeHe --- Vanfleteren, Stephan --- Moore, Matthew --- Taylor, Jason deCaires --- Gentils, Frans --- Eynde, Vanden, Maarten --- Brooks, David --- Faithfull, Simon --- Zhang Huan --- Lee, Jae Rhim --- Fontcuberta, Joan --- Cooper, Chloe --- Balkin, Amy --- Deleu, Luc --- Ackroyd, Heather --- Peitersen, Rune --- Pinsky, Michael --- Leroi, Olivier --- Chapman, Dinos --- Smithson, Robert --- Cohen, Revital --- Chapman, Jake --- Delvoye, Wim --- De Cordier, Louis --- Spohler, Henrik --- Ouedraogo, Nyaba Léon --- Buggenhout, Peter --- Charrière, Julian --- Simpson, Buster --- Harvey, Dan --- Westphal, Uli --- Miller, Kathryn --- Kowalski, Kacper --- Paterson, Katie --- Sonfist, Alan --- Verdonck, Kris --- Dion, Mark --- Cai Guo Qiang --- Dongen, van Teresa --- Balen, van, Tuur --- Floc'h, Nicolas --- Kronental, Laurent --- Thwaites, Thomas --- Acord, James L. --- Smets, Melle --- Burden, Chris --- Auger Loizeau --- Hoeydonck, van, Paul --- Officina Corpuscoli --- Yao Lu --- Yoldas, Pinar --- Bernier, Pascal --- Jonsson, Cecilia --- Meindertsma, Christien --- Sekula, Allan --- Provost, Nicolas --- Center for PostNatural History [Pittsburgh, Pa] --- Ant Farm --- Dunne & Raby --- Flatbread Society [Oslo] --- Kultivator --- Art [Modern ] --- 21st century --- Menselijke ecologie. Sociale biologie --- Kunst --- kunst --- ecologie --- menselijk gedrag --- invloed --- natuur --- ecologische kunst --- Montalti, Maurizio --- Cordier, De, Louis --- art [discipline]
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The book is divided into seven sections-Portrait, Landscape, Narrative, Object, Fashion, Document, and City-that explore the diverse subjects, styles, and methods of the leading practitioners. Introductions to each section outline the genres and consider why photographers are attracted to certain themes, and how issues like memory, time, objectivity, politics, identity, and the everyday are tied to their approaches. Each photographer's work is accompanied by Susan Bright's commentaries and by quotations from the artist.
Art and photography --- Photographers --- Photography, Artistic --- stadsfotografie --- Starkey Hannah --- Sterfeld Joel --- stillevenfotografie --- stillevens --- Streuli Beat --- Struth Thomas --- Sugimoto Hiroshi --- Sultan Larry --- Taylor-Wood Sam --- Tillmans Wolfgang --- twintigste eeuw --- Van Lamsweerde Inez --- van Meene Hellen --- Vivier Camille --- Wang Qingsong --- Wearing Gillian --- Welling James --- Wentworth Richard --- Wurm Erwin --- 77.039 --- AES&F --- Aitken Doug --- Apostol Alexander --- Barbieri Olivio --- Barney Tina --- Barth Uta --- Basilico Gabriele --- Blees Luxemburg Rut --- Bolofo Koto --- Broomberg Adam --- Brotherus Elina --- Bustamante Jean-Marc --- Calle Sophie --- Chanarin Oliver --- Crewdson Gregory --- Day Corinne --- Dean Tacita --- Delahaye Luc --- Demand Thomas --- de Villiers Jonathan --- Dicorcia Philip-Lorca --- Dijkstra Rineke --- documentaire fotografie --- eenentwintigste eeuw --- Fosso Samuel --- fotografie --- Goldin Nan --- Gough Kate E --- Graham Paul --- Grannan Katy --- Gursky Andreas --- Hanzlova Jitka --- Hao Hong --- Hatakeyama Naoya --- Henson Bill --- Höfer Candida --- Holdsworth Dan --- Hugo Pieter --- Jones Sarah --- Knight Nick --- kunst --- kunst en fotografie --- Kurland Justine --- landschap --- landschapsfotografie --- Laviada Alejandra --- Lee Nikki S --- Leonard Zoe --- Letinsky Laura --- Lockhart Sharon --- Manchot Melanie --- Matadin Vinoodh --- McDean Craig --- Meiselas Susan --- Mert and Marcus --- Mikhailov Boris --- Misrach Richard --- modefotografie --- Moffatt Tracey --- Moos Julie --- Moulène Jean-Luc --- Mthethwa Zwelethu --- Muniz Vik --- narratologie --- Niedermayr Walter --- Nieweg Simone --- Orozco Gabriel --- portret --- portretfotografie --- Quinlan Eileen --- Renaldi Richard --- Ruff Thomas --- Sassen Viviane --- Schorr Collier --- Sekula Allan --- Serralongue Bruno --- Sherman Cindy --- Sorrenti Mario --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Artists --- Photography and art --- Aesthetics --- artistieke fotografie --- anno 2000-2009
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Les cinq plateformes soulèvent un certain nombre de questionnements dans le domaine de l'art contemporain : "Démocratie non réalisée", "Expérimentations avec vérité", "Créolité et créolisation", "Sous siège : quatre cités africaines : Freetown, Johannesburg, Kinshasa, Lagos", "Passages à travers la construction d'une exposition". Ce catalogue reprend également les écrits des artistes en regard des projets proposés. Un appendice de 50 pages reprend les biographies des artistes.
Art --- Contemporary [style of art] --- hedendaagse kunst --- anno 1900-1999 --- anno 2000-2099 --- Arts, Modern --- Art, Modern --- Arts --- Exhibitions. --- Expositions --- Documenta --- Kassel ; Documenta XI ; curator Okwui Enwezor --- Kunsttentoonstellingen ; internationale --- Beeldende kunst ; 1980-2002 ; Documenta XI (2002) --- 7.038 --- (069) --- Okwui Enwezor, Carlos Basualdo, Jean Fisher [et al.] --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- video --- videokunst --- fotografie --- installaties --- Documenta 11 --- Enwezor Okwui --- Adeagbo Georges --- Agarwal Ravi --- Ahtila Eija-Liisa --- Akerman Chantal --- Ancelovici Gaston A --- Armaly Fareed --- Ashkin Michael --- Asymptote --- Ataman Kutlug --- Atlas Group --- Bargmann Julie --- Levy Stacy --- Barrio Artur --- Becher Bernd --- Becher Hilla --- Bhimji Zarina --- Black Audio Film Collective --- Bock John --- Bonk Ecke --- Bruly Bouabré Frédéric --- Bourgeois Louise --- Braila Pavel --- Brouwn Stanley --- Bruguera Tania --- Camnitzer Luis --- Coleman James --- Constant --- Niewenhuys Constant --- Darboven Hanne --- Deacon Destiny --- Douglas Stan --- Edefalk Cecilia --- Eggleston William --- Eichhorn Maria --- Ennadre Touhami --- Evans Cerith Wyn --- Feng Mengbo --- Feyzdjou Chohreh --- Friedman Yona --- Gaba Meschac --- Gabellone Giuseppe --- Garaicoa Carlos --- Geers Kendell --- Genzken Isa --- Geys Jef --- Goldblatt David --- Golub Leon --- Gonzalez-Foerster Dominique --- Green Renée --- Grippo Victor --- Groupe Amos --- Haaning Jens --- Hatoum Mona --- Hirschhorn Thomas --- Höfer Candida --- Horsfield Craigie --- Huit Facettes --- Huyghe Pierre --- Igloolik Isuma Productions --- Ivekovic Sanja --- Jaar Alfredo --- Jonas Joan --- Julien Isaac --- Kanwar Amar --- Kawara On --- Kentridge William --- Van der Keuken Johan --- Kingelez Bodys Isek --- Kinmont Ben --- Kopystiansky Igor --- Kopystiansky Svetlana --- Kozaric Ivan --- Kuluncic Andreja --- Ligon Glenn --- Lum Ken --- Manders Mark --- Marcaccio Fabian --- McQueen Steve --- Meireles Cildo --- Mekas Jonas --- Messager Annette --- Miyamoto Ryuji --- Mofokeng Santu --- Multiplicity --- Muñoz Juan --- Neshat Shirin --- Orozco Gabriel --- Osifuye Olumuyiwa Olamide --- Ottinger Ulrike --- Watts Outtara --- Park Fiction --- Pernice Manfred --- Pettibon Raymond --- Piper Adrian --- Ponger Lisl --- Portabella Pere --- Raqs Media Collective --- Riera Alejandra --- Petrescu Doina --- Roth Dieter --- Salcedo Doris --- Samadian Seifollah --- Saussier Gilles --- kunst en politiek --- Sekula Allan --- Shonibare Yinka --- Siekmann Andreas --- Simparch --- Simpson Lorna --- Sivan Eyal --- Small David --- Tan Fiona --- Tayou Pascale Marthine --- Teno Jean-Marie --- Trinh T. Minh-Ha --- Tsunamii.Net --- Tuerlinckx Joëlle --- Tuymans Luc --- Urbonas Nomeda --- Urbonas Gediminas --- Wall Jeff --- Ward Nari --- Fudong Yang --- politiek --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- 700.4 --- conceptuele kunst --- kunst ; 20e eeuw --- beeldende kunst, musea - tentoonstellingen --- Art contemporain --- Manifestation artistique --- Kassel --- paintings [visual works] --- prints [visual works] --- sculpture [visual works] --- installations [visual works] --- photography [process] --- video art --- performance art --- Höfer, Candida --- Riera, Alejandra --- Ataman, Kutlug --- Mekas, Jonas --- Geers, Kendell --- Shonibare, Yinka --- Eggleston, William --- Coleman, James --- Gaba, Meschac --- McQueen, Steve --- Tayou, Pascale Marthine --- Friedman, Yona --- Adéagbo, Georges --- Agarwal, Ravi --- Tuymans, Luc --- Ancelovici, Gaston André --- Ashkin, Michael --- Bargmann, Julie --- Barrio, Arthur --- Bonk, Ecke --- Braila, Pavel --- Bruguera, Tania --- Camnitzer, Luis --- Deacon, Destiny --- Edefalk, Cecilia --- Ennadre, Touhami --- Feyzdjou, Chohreh --- Manders, Mark --- Gabellone, Giuseppe --- Garaicoa, Carlos --- Bourgeois, Louise --- Haaning, Jens --- Geys, Jef --- Julien, Isaac --- Kanwar, Amar --- Kinmont, Ben --- Kopystiansky, Igor --- Kulunčić, Andreja --- Levy, Stacy --- Akerman, Chantal --- Marcaccio, Fabián --- Masharawi, Rashid --- Miyamoto, Ryuji --- Osifuye, Muyiwa --- Petrescu, Doina --- Ponger, Lisl --- Portabella, Pere --- Raad, Walid --- Samadian, Seifollah --- Saussier, Gilles --- Siekmann, Andreas --- Sivan, Eyal --- Small, David --- Teno, Jean-Marie --- Kawara, On --- Tsunamii.net --- Urbonas, Nomeda --- Keuken, van der, Johan --- Roth, Dieter --- Goldblatt, David --- Mofokeng, Santu --- Ward, Nari --- Watts, Ouattara --- Yang Fudong --- Tuerlinckx, Joëlle --- Hatoum, Mona --- Pettibon, Raymond --- Brouwn, Stanley --- Wall, Jeff --- Jonas, Joan --- Douglas, Stan --- Kentridge, William --- Meireles, Cildo --- Salcedo, Doris --- Messager, Annette --- Bhimji, Zarina --- Eichhorn, Maria --- Green, Renée --- Hirschhorn, Thomas --- Kingelez, Bodys Isek --- Muñoz, Juan --- Tan, Fiona --- Ahtila, Eija-Liisa --- Bock, John --- Bruly Bouabré, Frédéric --- Pernice, Manfred --- Neshat, Shirin --- Orozco, Gabriel --- Huyghe, Pierre --- Armaly, Fareed --- Becher, Bernd und Hilla --- Darboven, Hanne --- Genzken, Isa --- Golub, Leon Albert --- Grippo, Victor --- Kožarić, Ivan --- Ligon, Glenn --- Trinh T. Minh-ha --- Ken Lum --- Evans, Cerith Wyn --- Gonzalez-Foerster, Dominique --- Jaar, Alfredo --- Simpson, Lorna --- Piper, Adrian --- Iveković, Sanja --- Sekula, Allan --- Ottinger, Ulrike --- Horsfield, Craigie --- Park Fiction [Hamburg] --- Le Groupe Amos [Kinshasa] --- Multiplicity [Milan] --- Raqs Media Collective [New Delhi] --- D.I.R.T. Studio
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Premier ouvrage de grande ampleur consacré à l'art de Los Angeles, ce livre retrace l'histoire d'une scène culturelle et artistique exceptionnelle qui reste largement à découvrir. Un florilège d'images d'archives et de reproductions d'oeuvres, de textes critiques et d'interviews d'artistes, nous introduit à un art nourri de la complexité de cette "ville-monde". Une ville qui a vu se développer une scène artistique originale, où s'entremêlaient les mouvements underground, la culture populaire californienne, les expressions communautaires, et l'univers de ces fabriques de rêves que sont Hollywood et Disneyland. Des essais synthétiques remettent en perspective cette période riche et protéiforme, révélant une scène alternative qui fascine aujourd'hui les créateurs du monde entier et bouleverse notre appréhension de l'art contemporain américain. (Quatrième de couverture)
moderne kunst --- Modern [styles and periods] --- History of civilization --- cultuurgeschiedenis --- Los Angeles --- Art contemporain --- Histoire de l'art --- Mouvement artistique --- Cinéma --- Histoire de l'architecture --- Histoire de l'urbanisme --- Photographie --- Années 1940 --- Années 1950 --- Années 1960 --- Années 1970 --- Années 1980 --- Californie --- Los angeles --- sous la direction de Catherine Grenier --- kunst --- Verenigde Staten --- twintigste eeuw --- Ader Bas Jan --- Alexander Peter --- Altoon John --- Anger Kenneth --- Antin Eleanor --- Arnold Steven --- Arnoldi Charles --- ASCO --- Gamboa Harry Jr. --- Herron Willy --- Beeldende kunst en cultuur ; Los Angeles ; 1955-1985 --- Tentoonstellingscatalogi ; Parijs ; Centre G. Pompidou --- Valdez Patssi --- Gronk --- Kunst in steden ; Los Angeles --- Asher Michael --- Steden ; kunst ; cultuur ; literatuur ; Los Angeles --- 7.038 --- Baldessari John --- Bell Larry --- (069) --- Bengston Billy Al --- Berman Wallace --- Borofsky Jonathan --- Buchanan Nancy --- Burden Chris --- Buren Daniel --- Celmins Vija --- Chicago Judy --- de Cointet Guy --- Divola John --- Duncan John --- Fisher Morgan --- Fiskin Judy --- Foulkes Llyn --- Francis Sam --- Goldstein Jack --- Goode Joe --- Hammons David --- Heinecken Robert --- Herms George --- Hockney David --- Huebler Douglas --- Irwin Robert --- Kaprow Allan --- Kauffman Craig --- Kelley Mike --- Kienholz Edward --- Knight John --- Lamelas David --- McCarthy Paul --- McCollum Allan --- McLaughlin John --- McMillen Michael C. --- Mogul Susan --- Moses Edward --- Mullican Matt --- Nauman Bruce --- Nordman Maria --- O'Neill Pat --- Outterbridge John --- Pettibon Raymond --- Pittmann Lari --- Price Kenneth --- Prina Stephen --- Ray Charles --- Rosenthal Rachel --- Rubins Nancy --- Ruppersberg Allen --- Ruscha Edward --- Saar Betye --- Schapiro Miriam --- Sekula Allan --- Shaw Jim --- Shelton Peter --- Smith Alexis --- Smith Barbara T. --- Teske Edmund --- Therrien Robert --- Turrell James --- Vallance Jeffrey --- Viola Bill --- Williams Robert --- Yonemoto Bruce --- Yonemoto Norman --- Kunstgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Modern [style or period] --- Los Angeles [California] --- Art --- Varda, Agnès --- Shaw, Jim --- Altman, Robert --- Voulkos, Peter --- Bengston, Billy Al --- Buren, Daniel --- Hockney, David --- Lacy, Suzanne --- Bass, Saul --- Kienholz, Edward --- Welling, James --- Oldenburg, Claes --- Antin, Eleanor --- Irwin, Robert --- Gamboa, Harry --- L.A.Fine Arts Squad --- Los Four --- Alexander, Peter --- Altoon, John --- Alward, Daniel --- Andersen, Thom --- Arnold, Steven --- Arnoldi, Charles --- Baca, Judith F. --- Bereal, Ed --- Berlant, Tony --- Berman, Wallace --- Beydler, Gary --- Bob & Bob --- Bojórquez, Chaz --- Boorman, John --- Bell, Larry --- Brittin, Charles --- Buchanan, Nancy --- Corman, Roger --- Cointet, de, Guy --- DeLap, Tony --- Divola, John --- Duane, Hildegard --- Duncan, John --- Feitelson, Lorser --- Fisher, Morgan --- Fiskin, Judy --- Foulkes, Llyn --- Gerima, Haile --- Hammersley, Frederick --- Harrington, Curtis --- Heinecken, Robert --- Henderson, Victor --- Herms, George --- Hernandez, Anthony --- Isermann, Jim --- Jackson, Richard --- Jarvinen, Arthur --- Johnson, Larry --- Jones, Kim --- Jost, Jon --- Kauffman, Craig --- Kerr, Mary --- Knight, John --- Kubo, Duane --- Leavitt, William --- Maddow, Ben --- Mason, John --- Mays, Peter --- McMillan, Jerry --- McMillen, Michael --- Mogul, Susan --- Moses, Edward --- Nakamura, Robert --- Noriega, Ramses --- O'Neill, Pat --- Outterbridge, John --- Owen, Tim --- Perkoff, Stuart --- Francis, Sam --- Losey, Joseph --- Rubins, Nancy --- Saar, Betye --- Sakoguchi, Ben --- Schapiro, Miriam --- Schoonhoven, Terry --- Shelton, Peter --- Smith, Alexis --- Smith, Barbara T. --- Strand, Chick --- Talbert, Ben --- Teske, Edmund --- Torres, Salvador Roberto --- Valentine, DeWain --- Vallance, Jeffrey --- Wagner, Gordon --- Went, Johann --- Wheeler, Douglas --- Whitney, James --- Wilding, Faith --- Williams, Robert --- Yonemoto, Bruce --- Yonemoto, Norman --- McLaughlin, John --- Kent, Corita --- Chicago, Judy --- Deren, Maya --- Pettibon, Raymond --- McCarthy, Paul --- Ray, Charles --- Viola, Bill --- Kelley, Mike --- Ruscha, Ed --- Turrell, James --- Celmins, Vija --- Diebenkorn, Richard --- Kruger, Barbara --- McCollum, Allan --- Mullican, Matt --- Nauman, Bruce --- Rosler, Martha --- Montano, Linda --- Askevold, David --- Baldessari, John --- Borofsky, Jonathan --- Burden, Chris --- Davis, Ron --- Hammons, David --- Huebler, Douglas --- Lamelas, David --- Miller, John --- Nordman, Maria --- Orr, Eric --- Pittman, Lari --- Prina, Stephen --- Wegman, William --- Goldstein, Jack --- Anger, Kenneth --- Therrien, Robert --- McCracken, John Harvey --- Goode, Joe --- Price, Kenneth --- Hopper, Dennis --- Ader, Bas Jan --- Lynch, David --- Rosenthal, Rachel --- Ruppersberg, Allen --- Sekula, Allan --- Kaprow, Allan --- Williams, Christopher --- Asher, Michael --- Gamboa Harry Jr --- McMillen Michael C --- Smith Barbara T
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Art's recent “educational turn” is viewed within a wider-ranging narrative of alternative ideas of education through art. This book will be an original and indispensable resource for all who believe in the importance of art in the wider educational realm. Framing the recent “educational turn” in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and—as Michael Hardt and Antonio Negri describe it—the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of “indiscipline” in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
art theory --- kunstonderwijs --- art education --- art appreciation --- Art --- art [fine art] --- Higher education --- onderzoek in de kunsten --- research [function] --- Pujol, Ernesto --- Levine, Les --- Helguera, Pablo --- Oldenborgh, van, Wendelien --- Rooney, Paul --- Althamer, Paweł --- Clark, Lygia --- Frei, Luca --- Young, Carey --- Albers, Josef --- Kelley, Mike --- Durham, Jimmie --- Hullfish Bailey, Dave --- Schmitz, Edgar --- Gillick, Liam --- Heron, Patrick --- Thubron, Harry --- Pask, Maria --- Camnitzer, Luis --- Sekula, Allan --- Siekmann, Andreas --- Fletcher, Harrell --- Basbaum, Ricardo --- Beuys, Joseph --- Stark, Frances --- Brook, Julie --- Ascott, Roy --- Bruguera, Tania --- Shapiro, Miriam --- Scott, Judith --- Lacy, Suzanne --- Żmijewski, Artur --- Riley, Bridget --- Kaprow, Allan --- Kelly, Mary --- Krikorian, Tamara --- Rosler, Martha --- Fraser, Andrea --- Hirschhorn, Thomas --- Albers, Anni --- Perjovschi, Lia --- Lange, Darcy --- Group Material [New York, N.Y.] --- Art and society --- Study and teaching --- History --- 82:7 --- kunst --- kunsttheorie --- onderwijs --- pedagogie --- kunstpedagogie --- twintigste eeuw --- eenentwintigste eeuw --- Albers Anni --- Albers Josef --- Althamer Pawel --- Basbaum Ricardo --- Beuys Joseph --- Bruguera Tania --- Clark Lygia --- Frei Luca --- Gillick Liam --- Group Material --- Hirschhorn Thomas --- Hullfish Bailey Dave --- Kelley Mike --- Lange Darcy --- Pask Maria --- Perjovschi Lia --- Riley Bridget --- Rooney Paul --- Rosler Martha --- Schmitz Edgar --- Scott Judith --- Siekmann Andreas --- van Oldenburgh Wendelien --- Zmijewski Artur --- Young Carey --- 373.67 --- 373.67.01 --- Literatuur en kunst --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- 82:7 Literatuur en kunst --- 7.01 --- Kunstonderwijs ; relatie kunst en onderwijs --- Kunst ; theorie, filosofie, esthetica --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Bailey, David Hullfish --- Art, Primitive --- art [discipline] --- Iconographie --- Art contemporain --- Processus de création --- Psychologie --- Création artistique --- Sociologie de l'art --- Education --- Pédagogie --- Sciences humaines --- Féminisme --- École d'art --- Économie politique --- Schapiro, Miriam
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