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muziekinstrumenten --- fluiten --- Music --- instrumentenleer --- techniek --- Fluit --- Flute --- Flûte --- 518 --- Flute music --- -Recorded accompaniments (Flute) --- Boehm flute --- Concert flute --- Transverse flute --- Woodwind instruments --- Organologie --- History and criticism --- -Organologie --- -Boehm flute --- Recorded accompaniments (Flute) --- 78.45.1
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Music --- muziekinstrumentenbouw --- blokfluiten --- Blokfluit (Muziekinstrument) --- Flûte à bec (Instrument de musique) --- 518 --- Organologie --- muziekinstrumenten --- instrumentenleer --- Recorder (Musical instrument) --- Alto recorder --- Bass recorder --- Basset recorder --- Beak flute --- Common flute --- Contrabass recorder --- Descant recorder --- Great bass recorder --- Song flute --- Sopranino recorder --- Soprano recorder --- Subcontrabass recorder --- Tenor recorder --- Treble recorder --- Flute --- Flageolet --- Flûte à bec --- 78.45.1
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Flute music --- -Vibrato --- Music --- Recorded accompaniments (Flute) --- Interpretation (Phrasing, dynamics, etc.) --- Performance --- fluiten --- fysiologie --- techniek --- 78.45.8 --- 78.45.1
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Recorder (Musical instrument) --- Alto recorder --- Bass recorder --- Basset recorder --- Beak flute --- Common flute --- Contrabass recorder --- Descant recorder --- Great bass recorder --- Song flute --- Sopranino recorder --- Soprano recorder --- Subcontrabass recorder --- Tenor recorder --- Treble recorder --- Flute --- Flageolet --- Arts and Humanities --- Literature --- Periodicals --- Music --- 78.45.1
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muziekinstrumenten --- fluiten --- instrumentenleer --- Music --- muziekinstrumentenbouw --- Flute --- Construction. --- History. --- 78.45.1
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This is an English translation of Tutor for Playing the Flute (1791) by Johann George Tromlitz. The most explicit of the eighteenth-century tutors for flute-playing, it now serves as a record of instrumental practice as well as a useful guide to the performance of German classical music. The Tutor covers all aspects of flute playing, including intonation, articulation, flute maintenance, posture and breathing, dynamics, ornaments, musical style, cadenzas, and the construction of the flute. This edition will be an indispensable manual for players of baroque and modern flutes, and the information it contains will be invaluable for all musicians, students, and specialists interested in the historically informed performance of German classical music. The text is annotated with critical notes and all of the original music examples are newly printed in modern notation. The volume also contains a fingering chart and a historical introduction.
78.45.7 --- 78.45.1 --- Didactics of the arts --- Music --- fluiten --- uitvoeringspraktijk --- fluitmuziek --- muziek --- anno 1700-1799 --- Flute --- Flute music --- Performance practice (Music) --- Interpretation (Phrasing, dynamics, etc.) --- Musical performance practice --- Performing practice (Music) --- Recorded accompaniments (Flute) --- Performance --- Fluit --- Duitsland --- Uitvoeringspraktijk --- Methodes --- 18e eeuw
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Zonder onderwerpscode: muziek --- religieuze muziek --- instrumentale muziek --- anno 1700-1799 --- anno 1800-1899 --- Spain --- Sacred music --- Concertos (Flute) --- Concertos (Oboe) --- Concertos (Bassoon) --- Sonatas (Bassoon and continuo) --- Flute and organ music --- Oboe and organ music --- Bassoon and organ music --- Trios (Flutes (2), organ) --- Trios (Oboes (2), organ) --- Trios (Bassoons (2), organ --- Sacred music - Spain - Scores. --- Concertos (Flute) - Scores. --- Concertos (Oboe) - Scores. --- Concertos (Bassoon) - Scores. --- Sonatas (Bassoon and continuo) - Scores. --- Flute and organ music - Scores. --- Oboe and organ music - Scores. --- Bassoon and organ music - Scores. --- Trios (Flutes (2), organ) - Scores. --- Trios (Oboes (2), organ) - Scores. --- Trios (Bassoons (2), organ - Scores.
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Music --- facsimile's --- muziekinstrumentenbouw --- instrumentenleer --- muziekinstrumenten --- blokfluiten --- hobo --- fluiten --- techniek --- traktaten --- Flute --- Instruction and study --- Recorder (Musical instrument) --- Early works to 1800 --- Oboe
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Pipe (Musical instrument) --- Tambourin --- 518 --- Tabour --- Tabourin --- Tambourin de Provence --- Tambourin provençal --- Snare drum --- Bamboo pipe --- Chalumeau (Pipe) --- Pastoral oboe --- Pipe, Shepherd's --- Pipes (Musical instruments) --- Shepherd's pipe --- Symphonet --- Tabor pipe --- Flute --- Flaviol --- Gaita (Flute) --- Galoubet --- History --- Organologie --- 78.34.9 --- 78.45.1 --- 78.46 --- Iconography --- Music --- musical instruments --- drums [membranophones] --- muziekgeschiedenis --- one-hand flutes --- blaasinstrumenten --- fluiten --- slagwerkinstrumenten --- Netherlands --- Belgium --- Muziek --- België --- Nederland
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Die Sonatine pour flute et piano (1946) zahlt zu den meistgespielten Werken von Pierre Boulez und nimmt in seinem OEuvre eine Schlusselstellung ein: Als "Opus 1" spiegelt sie die Auseinandersetzung mit Lehrern und Vorbildern. In der vorliegenden Studie wird Boulez' musikalische Sprachfindung anhand der Fruhfassung der Sonatine beleuchtet. Recherchen zu Lehrzeit und Studienkompositionen knupfen ein Netz von Bezugen und thematisieren die grundlegenden kompositorischen Fragen: Welche Rolle spielte die Zwoelftontechnik im Fruhwerk von Boulez? Orientierte er sich an Anton Webern oder eher an Arnold Schoenberg und Rene Leibowitz? Reduzierte sich der Einfluss von Olivier Messiaen, Igor Strawinsky und Andre Jolivet allein auf den Bereich der Rhythmik? Welche anderen Vorbilder scheinen durch? Die Werkstatt-Spuren in der Sonatine lassen Boulez' Kritik an seinen Vorgangern in neuem Licht erscheinen.
sonatines --- Music --- Boulez, Pierre --- Boulez, Pierre, --- Criticism and interpretation. --- Musical analysis --- Avant-garde (Music) --- Muziek --- Criticism and interpretation --- Boulez, Pierre, - 1925-2016. - Sonatina, - flute, piano --- Boulez, Pierre, - 1925-2016 - Criticism and interpretation --- Boulez, Pierre (1925-2016) --- Sonatines --- Etudes --- Boulez, Pierre, - 1925-2016
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