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The images published here are from the almost complete manuscript of the Mushaf as-suwar, one of the oldest available manuscripts of perhaps the first Greek alchemist.In different places, Zosimos advises the female student Theosebeia to ponder the meaning of his symbolic explanations, through which he answers her questions. His images complement the dialogue and clarify the meaning of his teaching.We have here a highly interesting transmission of knowledge in the form of image and word.

Alchemy

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Volume I of CALA presents the first edition of Hall ar-Rumuz (Explanation of the Symbols). It was written by Muhammad Ibn Umail (10th century), one of the most important representatives of the symbolic branch of alchemy. In later Latin alchemy he is known under the name, Senior.Ibn Umail’s description of the alchemical work is a symbolic rendering of his experience of an inner-psychic process of transformation that he considered as being the highest goal in human life. Due to his extremely introverted lifestyle and his devoted focus toward the inner world, Ibn Umail was able to observe and describe this mysterious process with the “substantial symbols”, emerging out of the depth of his psyche.Ibn Umail’s symbolic attitude facilitates a kind of inter-confessionalism: he states in Hall ar-Rumuz that “the result of the alchemical work can be produced by a person from any religion”. The psychic transformation achieved by the work leads to the stone, a symbol for the solidified divine kernel of an individual. This center also has a collective dimension. Thus Ibn Umail also names the stone “mosque” or “temple”.His work connects and bridges the Ancient Egyptian quest for immortality directly with later Latin alchemy and the modern depth psychology of C.G. Jung with its aim of creating spiritual gold: consciousness. Ibn Umail’s work thus constitutes an important cultural link in the history of the spiritual aspect of alchemy.

Alchemy

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Alchemy.

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Alchemy

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Alchemy.