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Mieris, Frans van (I) --- Mieris, van, Frans [Elder] --- Mieris, Frans van (de Oude) --- Mieris, Frans van, the Elder, --- Van Mieris (Frans). --- van Mieris, Frans (de Oude) --- van Mieris, Frans (de Oude).

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Painting --- Dou, Gerard --- Mieris, van, Frans [Elder] --- Schalcken, Godfried --- Neer, van der, Eglon --- Vois, de, Arie --- Mieris, van, Jan --- Netscher, Caspar --- Mieris, van, Willem --- Slingelandt, van, Pieter Cornelisz. --- Werff, van der, Adriaen --- anno 1700-1799 --- anno 1600-1699 --- Netherlands --- fijnschilders --- Dou, Gerrit --- Mieris, Frans van (de Oude) --- Mieris, Jan van --- Mieris, Willem van --- Neer, Eglon van der --- Slingeland, Pieter Cornelisz. van --- Vois, Arie de --- Werff, Adriaen van der --- 17de eeuw --- Nederlanden --- Painting, Dutch --- Painting, Modern --- Exhibitions. --- painting [image-making] --- van Mieris, Frans (de Oude) --- van der Neer, Eglon --- CDL --- 75.034 --- Modern painting --- Paintings, Modern --- Dutch painting --- Painting, Dutch - Netherlands - Exhibitions. --- Painting, Modern - 17th-18th centuries - Netherlands - Exhibitions --- fijnschilder --- Hollandse school --- fijnschilders. --- Dou, Gerrit. --- van Mieris, Frans (de Oude). --- Mieris, Jan van. --- van Mieris, Willem. --- Netscher, Caspar. --- van der Neer, Eglon. --- Schalcken, Godfried. --- Slingeland, Pieter Cornelisz. van. --- Vois, Arie de. --- van der Werff, Adriaen. --- 17de eeuw. --- Nederlanden. --- van Mieris, Willem --- van der Werff, Adriaen

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Taste is a well known but largely underestimated phenomenon. Yet it is one of the factors that has shaped our knowledge and view of art. Why is Rembrandt van Rijn today considered to be one of the greatest painters in European art while Gerard de Lairesse, Rembrandt's younger contemporary and one of the best-selling painters of his day, is now forgotten? This book is a systematic and quantitative study of taste. More specifically it focuses on the painters of the seventeenth-century Low Countries and follows the changes in consumer evaluation of them from the seventeenth century up to 2008. Proceeding from the same starting point as Gerald Reitlinger in his monumental The Economics of Taste, it uses the prices paintings have fetched at auction as a basis for tracing trends in the taste of the art-buying public. Whereas Reitlinger's approach was rather intuitive, this study develops a sound methodological basis for researching taste and auction prices. It is not only quantitative methods and properties of auction prices that require a specific approach: in historical research quantitative data and analyses are only reliable when they can also be tested against qualitative or historical sources. Based on a statistical analysis, various "universal" painters, such as Rubens and Rembrandt, are defined. In addition, however, specific genres such as landscape, portrait, history painting, and so on are analysed. In the case of eighty-three painters there is sufficient information to allow the profiling of individual price trends. But other quantitative data drawn from the examination of collections or catalogues raisonnés prove an additional source of information when compared with auction prices. This book shows what big data and statistics can mean to our understanding of art.

taste [aesthetics] --- Art auctions --- Painting, Flemish --- Painting, Netherlandish --- Data processing --- Prices --- golden age [mythology] --- Painting --- History --- prices --- art market --- auctions --- Netherlands --- Flanders --- 7.078 --- 351.852 --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- economische geschiedenis --- genres --- kunsthandel --- veilingen --- Bakhuizen, Ludolf --- Berchem, Nicolaes Pietersz --- Brouwer, Adriaen --- Brueghel, Jan (de Oude) --- Brueghel, Pieter (de Jonge) --- Craesbeeck, Joos van --- De Lairesse, Gérard --- Dou, Gerrit --- Jordaens, Jacob --- Laer, Pieter van --- Miel, Jan --- Mieris, Frans van (de Oude) --- Ostade, Adriaen van --- Palamedesz., Palamedes (I) --- Rembrandt van Rijn --- Rijckaert, David (III) --- Rubens, Peter Paul --- Snayers, Peter --- Teniers, David (II) --- Van Dyck, Anthony --- Van Poelenburgh, Cornelis --- Wouwerman, Philips --- 17de eeuw --- Noordelijke Nederlanden --- Vlaanderen --- Zuidelijke Nederlanden --- van Dyck, Anthony --- van Poelenburgh, Cornelis --- de Lairesse, Gérard --- van Craesbeeck, Joos --- van Ostade, Adriaen --- van Mieris, Frans (de Oude) --- Rembrandt --- Brueghel, Jan I --- Brueghel, Pieter II --- kunsthandel. --- economische geschiedenis. --- veilingen. --- genres. --- Rubens, Peter Paul. --- Rembrandt. --- van Dyck, Anthony. --- Teniers, David II. --- Bakhuizen, Ludolf. --- Berchem, Nicolaes. --- Wouwerman, Philips. --- van Poelenburgh, Cornelis. --- Brueghel, Jan I. --- Jordaens, Jacob. --- de Lairesse, Gérard. --- Brouwer, Adriaen. --- van Craesbeeck, Joos. --- Brueghel, Pieter II. --- Rijckaert, David (III). --- van Ostade, Adriaen. --- Dou, Gerrit. --- van Mieris, Frans (de Oude). --- Snayers, Peter. --- Palamedesz., Palamedes (I). --- Laer, Pieter van. --- Miel, Jan. --- 17de eeuw. --- Noordelijke Nederlanden. --- Vlaanderen. --- Zuidelijke Nederlanden. --- auctions [sales events] --- Hollandse school --- receptiegeschiedenis --- Vlaamse school --- schilderkunst, Nederlanden --- Teniers, David II --- Berchem, Nicolaes --- Dou, Gerard