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741.5.07 --- Cartoons ; striptekeningen ; 1969-2006 ; R. Crumb --- Crumb, Robert °1943 (°Philadelphia, Verenigde Staten) --- Illustraties --- Stripverhalen ; comics ; Verenigde Staten --- Underground comix --- 799.95 --- Crumb, Robert --- striptekenen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- United States --- Drawing --- Literature --- Graphic artists --- United States of America --- beeldverhalen

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Vol. 1 (24 x 30 cm.) contains essays, 1000+ images, and an interview with Panter. Vol. 2 (30 x 24 cm.) contains a selection of Panter's sketchbooks.

Drawing, American --- 741.07 --- 741.5.07 --- 76.07 --- Tekenkunst ; schetsen ; 1970-2006 ; Gary Panter --- Underground comix --- Illustraties --- Cartoons ; comics --- Punk --- Schetsboeken ; van vormgevers, illustratoren en beeldende kunstenaars --- Affiches ; posters --- Graphic Novels --- Maquettes --- Panter, gary °1950 (°Durant, Oklahoma, Verenigde Staten) --- American drawing --- Tekenkunst ; architecten, stedenbouwkundigen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Grafische kunst ; grafische kunstenaars A-Z --- Panter, Gary --- Notebooks, sketchbooks, etc. --- Criticism and interpretation. --- United States --- Drawing --- Designers --- United States of America --- beeldverhalen

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Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.

African Americans --- Belonging (Social psychology) in art. --- Belonging (Social psychology) --- Belonging (Social psychology). --- Racism in cartoons --- Racism in cartoons. --- Caricatures and cartoons. --- United States. --- Belonging (Social psychology) in art --- Caricatures and cartoons --- African Americans - Caricatures and cartoons --- Racism in cartoons - United States --- Belonging (Social psychology) - United States --- Belongingness (Social psychology) --- Connectedness (Social psychology) --- Social belonging --- Social connectedness --- Social psychology --- Social integration --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- Aaron McGruder. --- African American Art. --- African American Soldiers. --- African American cartoonists. --- African American children. --- African Americans. --- Black Aesthetics. --- Black Body. --- Black Panther. --- Black superheroes. --- Brumsic Brandon Jr. --- Captain America. --- Civil Rights Movement. --- Comics. --- Hermeneutic. --- Ho Che Anderson. --- Icon. --- Jennifer Cruté. --- Kyle Baker. --- Larry Fuller. --- Martin Luther King Jr. --- Nat Turner. --- Ollie Harrington. --- R Crumb. --- Richard Grass Green. --- Thomas Nast. --- U.S. comics. --- Violence. --- World War II. --- black liberation. --- black masculinity. --- citizenship. --- editorial cartoons. --- equal opportunity humor. --- infantile citizenship. --- offensive humor. --- racial melancholia. --- slavery. --- stereotype. --- underground comix. --- visual culture.