Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Comparative literature --- Darwin, Charles --- Jacobsen, Jens P. --- Norris, Frank --- Shimazaki Tóson
Choose an application
A critical rethinking of theories of national imagination, The Dawn That Never Comes offers the most detailed reading to date in English of one of modern Japan's most influential poets and novelists, Shimazaki Toson (1872-1943). It also reveals how Toson's works influenced the production of a fluid, shifting form of national imagination that has characterized twentieth-century Japan. Analyzing Toson's major works, Michael K. Bourdaghs demonstrates that the construction of national imagination requires a complex interweaving of varied-and sometimes contradictory-figures for imagining the national community. Many scholars have shown, for example, that modern hygiene has functioned in nationalist thought as a method of excluding foreign others as diseased. This study explores the multiple images of illness appearing in Toson's fiction to demonstrate that hygiene employs more than one model of pathology, and it reveals how this multiplicity functioned to produce the combinations of exclusion and assimilation required to sustain a sense of national community. Others have argued that nationalism is inherently ambivalent and self-contradictory; Bourdaghs shows more concretely both how this is so and why it is necessary and provides, in the process, a new way of thinking about national imagination. Individual chapters take up such issues as modern medicine and the discourses of national health; ideologies of the family and its representation in modern literary works; the gendering of the canon of national literature; and the multiple forms of space and time that narratives of national history require.
J5931 --- J5500.70 --- J4122 --- J2284.70 --- Japan: Literature -- modern fiction and prose (1868- ) -- criticism --- Japan: Literature -- history and criticism -- modern, Kindai (1850s- ), bakumatsu, Meiji, Taishō --- Japan: Sociology and anthropology -- nationalism --- Japan: Genealogy and biography -- biographies -- kindai (1850s- ), bakumatsu, meiji, taishō --- Nationalism in literature. --- Shimazaki, Tōson, --- Criticism and interpretation. --- Nationalism in literature --- Shimazaki, Tōson, --- Shimazaki, Haruki, --- Simadzaki-Toson, --- Tōson, --- Simadzaki, Toson, --- Tao-chʻi, Tʻeng-tsʻun, --- 岛崎藤村, --- 島埼藤村, --- 島崎籐村, --- 島崎藤村, --- 島琦藤村, --- Shimazaki, Tōson
Choose an application
In Complicit Fictions, James Fujii challenges traditional approaches to the study of Japanese narratives and Japanese culture in general. He employs current Western literary-critical theory to reveal the social and political contest inherent in modern Japanese literature and also confronts recent breakthroughs in literary studies coming out of Japan. The result is a major work that explicitly questions the eurocentric dimensions of our conception of modernity. Modern Japanese literature has long been judged by Western and Japanese critics alike according to its ability to measure up to Western realist standards--standards that assume the centrality of an essential self, or subject. Consequently, it has been made to appear deficient, derivative, or exotically different. Fujii challenges this prevailing characterization by reconsidering the very notion of the subject. He focuses on such disparate twentieth-century writers as Natsume Soseki, Tokuda Shusei, Shimazaki Toson, and Origuchi Shinobu, and particularly on their divergent strategies to affirm subjecthood in narrative form. The author probes what has been ignored or suppressed in earlier studies--the contestation that inevitably marks the creation of subjects in a modern nation-state. He demonstrates that as writers negotiate the social imperatives of national interests (which always attempt to dictate the limits of subjecthood) they are ultimately unable to avoid complicity with the aims of the state. Fujii confronts several historical issues in ways that will enlighten historians as well as literary critics. He engages theory to highlight what prevailing criticism typically ignores: the effects of urbanization on Japanese family life; the relation of literature to an emerging empire and to popular culture; the representations of gender, family, and sexuality in Meiji society. Most important is his exposure of the relationship between state formation and cultural production. His skillful weaving of literary theory, textual interpretation, and cultural history makes this a book that students and scholars of modern Japanese culture will refer to for years to come.
Japanese fiction --- Languages & Literatures --- East Asian Languages & Literatures --- History and criticism. --- History and criticism --- 20th century japan the emergence of a world power. --- 20th century japanese literature. --- asian history. --- cultural history. --- family life. --- family. --- gender. --- japan. --- japanese culture. --- japanese empire. --- japanese literature. --- literary studies. --- meiji society. --- modern japanese culture. --- modern japanese literature. --- modernism. --- modernity. --- narrative. --- nation state. --- national interests. --- natsume soseki. --- origuchi shinobu. --- sexuality. --- shimazaki toson. --- state formation. --- subjecthood. --- subjectivity. --- tokuda shusei. --- urbanization.
Choose an application
Ethnology. Cultural anthropology --- Comparative literature --- English literature --- Asian literature --- History of civilization --- niet-westerse cultuur --- etnologie --- literatuur --- Engelse literatuur --- Shimazaki Tóson --- Linnaeus, Carolus --- Shakespeare, William --- Keats, John --- Nogami, Yaeko --- Empson, William --- Tezuka, Osama --- Xu, Zhumo --- Mu, Yang --- Sōseki, Natsume --- Tsubouchi, Shōyō --- Tagore, Rabindranath --- Wordsworth, William --- Oë, Kenzaburo --- Austen, Jane --- Shelley, Mary --- Blake, William --- Hearn, Lafcadio --- Byron [Lord] --- Great Britain --- Ireland --- East Asia --- China --- North Korea --- South Korea --- Japan --- Taiwan --- India --- Asia
Choose an application
This book examines the reception of British Romanticism in India and East Asia (including Japan, China, Korea and Taiwan). Building on recent scholarship on 'Global Romanticism', this book develops a model for a more reciprocal and cross-cultural model of scholarship, in which 'Asian Romanticism' is recognised as an important part of the Romantic literary tradition. It explores the connections between canonical British Romantic authors (including Austen, Blake, Byron, Shelley, and Wordsworth) and prominent Asian writers (including Nehru, Ōe, Sōseki, Tagore and Zhimo). In addition, this study challenges Eurocentric assumptions about literary reception and periodisation, focusing on how, from the early nineteenth century, British Romanticism was creatively adapted and transformed by writers in a number of Asian nations.
Ethnology. Cultural anthropology --- Comparative literature --- English literature --- Asian literature --- History of civilization --- niet-westerse cultuur --- etnologie --- literatuur --- Engelse literatuur --- Shimazaki Tóson --- Linnaeus, Carolus --- Shakespeare, William --- Keats, John --- Nogami, Yaeko --- Empson, William --- Tezuka, Osama --- Xu, Zhumo --- Mu, Yang --- Sōseki, Natsume --- Tsubouchi, Shōyō --- Tagore, Rabindranath --- Wordsworth, William --- Oë, Kenzaburo --- Austen, Jane --- Shelley, Mary --- Blake, William --- Hearn, Lafcadio --- Byron [Lord] --- Great Britain --- Ireland --- East Asia --- China --- North Korea --- South Korea --- Japan --- Taiwan --- India --- Asia --- Tsubouchi, Shōyō,
Listing 1 - 5 of 5 |
Sort by
|