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Art --- outsider art --- private collections [object groupings] --- self-taught artists --- art collections --- United States of America
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Vekemans, Bruno --- 75.07 --- Schilderkunst ; 1980-2009 ; Bruno Vekemans --- Vekemans, Bruno °1952 (°Antwerpen, België) --- Belgische kunstenaars --- Schilderkunst ; schilders --- Exhibitions --- painters [artists] --- self-taught artists --- Criticism and interpretation --- Vekemans, Bruno, --- anno 1900-1999 --- anno 2000-2099 --- Flanders --- Belgium --- Painting --- schilderkunst
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Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.
art history --- avant-garde --- outsider art --- folk art [traditional art] --- self-taught artists --- outsider artists --- Edmondson, William --- Lankton, Greer --- Morgan, Sister Gertrude --- Pippin, Horace --- Ramírez, Martín --- Saar, Betye --- Scott, Judith --- Sobel, Janet --- Traylor, Bill --- Yoakum, Joseph --- Ramberg, Christina --- Sherman, Cindy --- Mullican, Matt --- Walker, Kara --- Darger, Henry --- Sheeler, Charles --- United States of America
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