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Jazz --- Jazz. --- History and criticism --- jazz studies --- technical analysis of jazz --- jazz history
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Pop weiter denken versammelt Aufsätze, die sich diesem Motto auf zwei Weisen nähern: Zum einen wollen sie populäre Musik weiter denken, den Begriff also öffnen und einen stilistisch breiteren und historisch umfassenderen Zugang abbilden. Zum anderen will der Band Ansätze der Popforschung weiterdenken, also wieder aufgreifen und fortspinnen, die einst selbstverständliche Bestandteile des Denkens über Musik waren, in den letzten Jahren aber aus unserem Blickfeld geraten sind: die aktuelle Jazzforschung und die Musikphilosophie. In diesem Kontext werden auch musiktheoretische Zugänge zu populärer Musik weiter gedacht, die in den USA seit vielen Jahren selbstverständlich und fruchtbar, hierzulande indes kaum gebräuchlich sind. »Das Buch [kann] spannende Impulse für an Popularmusikforschung interessierte Musiker*innen und Musikwissenschaftler*innen sowie für popularmusikalisch ambitionierte Laien anbieten. Dass diese Impulse sowohl aus der Praxis als auch aus der Theorie gespeist werden, ist unbedingt ein Pluspunkt dieses Sammelbandes.« Heiderose Gerberding, Forum Musikbibliothek, 41/3 (2020) »Eine alles in allem sehr lohnende Lektüre.« Michael Rüsenberg, Jazz City, 12.03.2019 Besprochen in: Jazz Podium 2 (2019), Rainer Bratfisch
Popmusik; Musiktheorie; Jazz; Jazzforschung; Musikphilosophie; Musikwissenschaft; Popularmusik; Musik; Popkultur; Kulturwissenschaft; Pop Music; Theory of Music; Jazz Studies; Philosophy of Music; Musicology; Popular Music; Music; Popular Culture; Cultural Studies --- Cultural Studies. --- Jazz Studies. --- Jazz. --- Music. --- Musicology. --- Philosophy of Music. --- Popular Culture. --- Popular Music. --- Theory of Music.
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What is jazz? What is gained-and what is lost-when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today. More than just a history of jazz and its performers, this collections seeks out those people and pieces missing from the established narratives to explore what they can tell us about the way jazz has been defined and its history has been told.
Jazz - History and criticism. --- Jazz -- History and criticism. --- Jazz --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Popular - Jazz, Rock, etc. --- History and criticism --- 20th century america. --- 20th century music. --- african american history. --- african american jazz. --- afro-latin jazz. --- american music history. --- american music. --- asian american jazz. --- black music. --- books for music lovers. --- caribbean jazz. --- evolution of jazz. --- history of jazz. --- history of music. --- intercultural music. --- jazz and blues. --- jazz icons. --- jazz literature. --- jazz lovers. --- jazz music. --- jazz performers. --- jazz studies. --- jazz tradition. --- latin jazz. --- louis armstrong. --- music and culture. --- music history majors. --- music studies. --- musicians. --- History and criticism.
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What, where, and when is jazz? To most of us jazz means small combos, made up mostly of men, performing improvisationally in urban club venues. But jazz has been through many changes in the decades since World War II, emerging in unexpected places and incorporating a wide range of new styles. In this engrossing new book, David Ake expands on the discussion he began in Jazz Cultures, lending his engaging, thoughtful, and stimulating perspective to post-1940's jazz. Ake investigates such issues as improvisational analysis, pedagogy, American exceptionalism, and sense of place in jazz. He uses provocative case studies to illustrate how some of the values ascribed to the postwar jazz culture are reflected in and fundamentally shaped by aspects of sound, location, and time.
Jazz --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- Social aspects. --- History and criticism. --- History and criticism --- Social aspects --- Coltrane, John --- Davis, Miles Dewey --- Jarrett, Keith --- Metheny, Pat[rick] --- Sex Mob (Jazz band) --- 20th century. --- american exceptionalism. --- artists. --- bebop. --- historical. --- improvisational music. --- jazz age. --- jazz culture. --- jazz historians. --- jazz music. --- jazz musicians. --- jazz scholars. --- jazz scholarship. --- jazz studies. --- jazz styles. --- jazz. --- music and culture. --- music historians. --- music history. --- music movements. --- music pedagogy. --- music venues. --- music. --- musicians. --- musicology. --- nonfiction. --- postwar america. --- retrospective. --- united states. --- urban clubs. --- world war ii. --- wwii.
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At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent "authentic" jazz and created spaces for shifting racial and national identities-what Braggs terms "jazz diasporas."
African American authors --- Jazz --- African American musicians --- Jazz musicians --- Afro-American authors --- Authors, African American --- Negro authors --- Authors, American --- Accordion and piano music (Jazz) --- Clarinet and piano music (Jazz) --- Cornet and piano music (Jazz) --- Double bass and piano music (Jazz) --- Jazz duets --- Jazz ensembles --- Jazz music --- Jazz nonets --- Jazz octets --- Jazz quartets --- Jazz quintets --- Jazz septets --- Jazz sextets --- Jazz trios --- Jive (Music) --- Saxophone and piano music (Jazz) --- Vibraphone and piano music (Jazz) --- Wind instrument and piano music (Jazz) --- Xylophone and piano music (Jazz) --- African Americans --- Music --- Third stream (Music) --- Washboard band music --- Afro-American musicians --- Musicians, African American --- Negro musicians --- Musicians --- History and criticism. --- Paris (France) --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Париж (France) --- Parigi (France) --- Bārīs (France) --- باريس (France) --- Lutetia (France) --- Paryż (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Παρίσι (France) --- Parys (France) --- Parij (France) --- Parĩ (France) --- Bali (France) --- Pa-lí (France) --- 巴黎 (France) --- Horad Paryz︠h︡ (France) --- Горад Парыж (France) --- Paryz︠h︡ (France) --- Парыж (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Lutèce (France) --- Paris --- Seine (France) --- Race relations --- City of Paris --- 20th century music. --- african american artists. --- african american musicians. --- african american performance. --- african americans in paris. --- black identity in postwar france. --- cultural conflict paris. --- inez cavanaugh. --- james baldwin. --- jazz and race. --- jazz diasporas. --- jazz history. --- jazz music. --- jazz studies. --- kenny clarke. --- music history. --- paris jazz scene. --- paris race relations during algerian war. --- performance of race. --- postwar musical migration. --- sidney bechet.
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