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As part of the Göttingen-based research project "Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachraum" (Minor Transmission of Polyphonic Music Before 1550 in German-Speaking Areas), the Professor Emeritus for Historical Musicology, Martin Staehelin, has systematically indexed previously unknown late medieval sources from Germany and Switzerland. His extensive analysis of various works, including those from the collections of Basel monasteries, the Kassel University Library and the Herzog August Library in Wolfenbüttel, is prefaced by a chapter that presents the technical terms, research criteria and academic relevance of the theme. Im Zuge des Göttinger Forschungsunternehmens "Kleinüberlieferung mehrstimmiger Musik vor 1550 im deutschen Sprachraum" hat der emeritierte Professor für Historische Musikwissenschaften, Martin Staehelin, bisher unbekannte Quellen des Spätmittelalters aus Deutschland und der Schweiz systematisch erschlossen. Der ausführlichen Analyse unterschiedlicher Werke u.a. aus den baslerischen Klosterbeständen, der Universitätsbibliothek Kassel und der Herzog August Bibliothek zu Wolfenbüttel ist ein Grundlagenkapitel zu Sachbegriffen, Untersuchungskriterien und wissenschaftlicher Relevanz des Themas vorangestellt.

Music --- Germany. --- History of Music. --- Late Middle Ages. --- Sources and Literary Affiliations. --- Switzerland.

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Arts and Humanities --- Literature --- music theory --- music analysis --- musical structure --- history of music theory --- musicology --- analysis of performance

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This book analyses the emergence and growth of the creative sector in Naples between the early modern and modern eras, focusing particularly on the development of music markets in the city. From the seventeenth century, Naples became one of the most culturally enriched regions in the Italian peninsula, with internationally known music schools, theatres and opera venues attracting visitors from across Europe in a burgeoning tourist market. This book sheds light on the driving economic factors and political contexts behind this key case study for the early growth of the opera and music sector in Europe. Starting with a discussion of the value of economic history to understanding cultural industries, the chapters approach this analysis through multiple lenses: the formation of human capital as the result of Naples’ institutional urban welfare system; the role of cultural consumption as it evolved from a primarily religious activity to growing popular demand; and the role that central city authorities played in encouraging cultural activity through private investment and public policy. The book also draws on fascinating archival research to examine the contribution of Naples’ music conservatories in the local creative economy. This book is a valuable resource to a broad range of readers, including those working in economic history, tourism history, the history of music and theatre, Italian social history and more. Rossella Del Prete is an Associate Professor of Economic History in the Department of Economics at the University of Sannio, Italy. Her research interests span history and economics, including public history, the economic history of art and culture, governance of cultural heritage, the history of tourism, labour history and female entrepreneurship.

Economic history. --- Economics. --- Culture. --- Italy --- Music --- Economic History. --- Cultural Economics. --- History of Italy. --- History of Music. --- History. --- History and criticism.

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An Erinnerungsorten in der Musik kulminiert ein Ausschnitt von Musikgeschichte in einem Moment der Gegenwart und verweist als bedeutsames Zeichen in die Zukunft. Die Bedeutung manifestiert sich darin, dass die Orte eine identitätsstiftende Funktion für bestimmte Gemeinschaften haben, die so unterschiedlich sind wie die Orte selbst. Denn nicht nur reale oder begehbare, sondern auch imaginierte und metaphorische Orte dienen dem gemeinsamen, gegenwärtigen Erinnern an Musikgeschichte. Auf der Basis einer gründlichen Bestandsaufnahme zum Begriff des Erinnerungsortes widmet sich die Autorin mit historiographischer Genauigkeit und aufschlussreichen kulturgeschichtlichen Bezügen fünf höchst unterschiedlichen Erinnerungsorten in der Musik: Beethovens neunter Symphonie, der Rock and Roll Hall of Fame, Mozart und Graz, dem Genre HipHop, der Philharmonie und dem Jüdischen Museum in Berlin. Untersucht werden die Mechanismen ihrer Konstruktion, Beständigkeit und Beweglichkeit, die abhängig sind von individueller Erinnerung sowie institutionellen und gesellschaftspolitischen Kontexten. Inwiefern Musik, um nicht in Vergessenheit zu geraten, der medialen Verankerung und materiellen Verortung bedarf, wird in diesem Buch erkenntnisreich dargestellt. Why do we remember certain music from the past and attribute meaning to it, while other protagonists from the history of music slip into obscurity? Armed with this question, the author embarks upon a journey to sites of memory in music, visiting Beethoven’s Ninth Symphony, the Rock and Roll Hall of Fame, Mozart and Graz, the genre of hip hop, the philharmonic and the Jewish Museum in Berlin.

Music theory. --- SOCIAL SCIENCE / General. --- Cultural memory. --- culture of remembrance. --- history of music. --- media studies. --- Music --- Musical theory --- Theory of music --- Theory

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To date there has been no plotting of punk scholarship which speaks to ‘time’, yet there are some clear bodies of work pertaining to particular issues relevant to it, including ageing and/or the life course and punk, memory and/or nostalgia and punk, ‘punk history’, and archiving and punk. Punk, Ageing and Time is therefore a timely (pun intended) book. What this edited collection does for the first time is bring together contemporary investigations and discussions specifically around punk and ageing and/or time, covering areas such as: punk and ageing; the relationship between temporality and particular concepts relevant to punk (such as authenticity, DIY, identity, resistance, spatiality, style); and punk memory, remembering and/or forgetting. Multidisciplinary in nature, this book considers areas which have received very little to no academic attention previously. Laura Way is Senior Lecturer in Sociology at the University of Roehampton, UK. She is currently engaged in research projects with young fathers and local Travellers, and ongoing research concerning marginalised identities and punk. Laura’s monograph – Punk, Gender and Ageing: Just Typical Girls (2020) – was the first to focus solely on the experiences of older punk women. She is a qualified teacher in lifelong learning and an experienced qualitative researcher, particularly in the areas of creative and participatory methods, and collaborative, community-based work. Laura is an editor of Sociological Research Online and sits on the editorial board for Punk & Post-Punk journal. Matt Grimes is Senior Lecturer in Music Industries and Radio at Birmingham City University, UK. Matt’s doctorate explored ageing, identity and the ideological significance of anarchism in the life courses of ageing adherents of anarcho-punk. He is currently writing up this research for his forthcoming monograph with Palgrave Macmillan, Ageing, Identity, Memory and British Anarcho-Punk: 'Life We Make' (Palgrave Macmillan). He has published on the subjects of anarcho-punk, anarcho-punk ‘zines, punk pedagogy, popular music and spirituality, DIY/Underground music cultures/subcultures, counter-cultural movements, and radio for social change. He is the Punk Scholars Network’s general secretary and associate editor for Punk & Post-Punk journal. Matt is also a lifelong supporter of Millwall FC.

Aging --- Punk culture. --- Social aspects. --- Civilization --- History, Modern. --- Oral history. --- Collective memory. --- Music --- Cultural History. --- Modern History. --- Oral History. --- Memory Studies. --- History of Music. --- History. --- History and criticism.