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First Cut 2: More Conversations with Film Editors presents a new collection of twelve interviews with award-winning film editors who discuss the art and craft of editing in the twenty-first century. As a follow-up to the successful First Cut: Conversations with Film Editors (now celebrating its 20th anniversary), this new volume explores the transition of editing from the age of celluloid to the digital age. These extraordinarily articulate editors share their passion about film, offer detailed practical examples from their films to explain their process as well as their challenges, and imbue each interview with unique personality, humor, and cinematic insights. First Cut 2 continues the tradition of the first volume by interviewing both fiction and documentary editors, contributing to a rich, holistic appreciation of editing. It also introduces a significant interview with an independent filmmaker/editor to emphasize today's multiple opportunities for aspiring filmmakers to make their own "small films" and achieve success. Together with the first volume, First Cut 2 offers a panoramic survey of film editing and preserves its history through the voices of its practitioners. The stories told will engage students, inform general filmgoers, and even enlighten industry professionals.

Motion pictures --- Motion picture editors --- Film editors --- Moving-picture editors --- Editors --- Film editing (Cinematography) --- Motion picture editing --- Motion picture film editing --- Editing --- Editing. --- Montage --- 21st century. --- aspiring filmmakers. --- award winners. --- cinema and film. --- cinematic insights. --- digital age. --- documentary film. --- editing. --- editorial process. --- film buffs. --- film editing. --- film editors. --- film historians. --- film history. --- film industry. --- film production. --- film scholars. --- film students. --- film studies. --- film theory. --- filmmaking process. --- independent filmmakers. --- interviews. --- media studies. --- modern film. --- movie buffs. --- nonfiction. --- psychology. --- theatrical productions.

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When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity-national, political, personal, and sexual-music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference-including that embodied in Germany's difficult history-rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.

Motion picture music --- Motion pictures --- History and criticism. --- Background music for motion pictures --- Film music --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Film scores --- 791.43 --- camp --- Caryl Flinn --- Duitsland --- Fassbinder Rainer Werner --- film --- film en geschiedenis --- filmgeschiedenis --- kitsch --- Kluge Alexander --- Ottinger Ulrike --- Treut Monika --- twintigste eeuw --- von Praunheim Rosa --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism --- Cinéma --- Film, Musique de --- Histoire et critique --- cinema historians. --- contemporary germany. --- famous films. --- film buffs. --- film students. --- film styles. --- film textbooks. --- german cinema. --- german cinematic style. --- german culture. --- german directors. --- german music. --- germany. --- historical contexts. --- historical review. --- kitsch. --- music styles. --- music. --- national identity. --- new german cinema. --- nonfiction. --- personal identity. --- political identity. --- r w fassbinder. --- sexual identity. --- transnational contexts. --- ulrike ottinger. --- werner schroeter.