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An intimate look at the 1949 Asian Women's Conference, the movements it drew from, and its influence on feminist anticolonialism around the world. In 1949, revolutionary activists from Asia hosted a conference in Beijing that gathered together their comrades from around the world. The Asian Women's Conference developed a new political strategy, demanding that women from occupying colonial nations contest imperialism with the same dedication as women whose countries were occupied. Bury the Corpse of Colonialism shows how activists and movements create a revolutionary theory over time and through struggle--in this case, by launching a strategy for anti-imperialist feminist internationalism. At the heart of this book are two stories. The first describes how the 1949 conference came to be, how it was experienced, and what it produced. The second follows the delegates home. What movements did they represent? Whose voices did they carry? How did their struggles hone their praxis? By examining the lives of more than a dozen AWC participants, Bury the Corpse of Colonialism traces the vital differences at the heart of internationalist solidarity for women's emancipation in a world structured through militarism, capitalism, patriarchy, and the seeming impossibility of justice.
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Muslim South Asia is widely characterized as a culture that idealizes female anonymity: women's bodies are veiled and their voices silenced. Challenging these perceptions, Siobhan Lambert-Hurley highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood. In Elusive Lives, she locates the voices of Muslim women who rejected taboos against women speaking out, by telling their life stories in written autobiography. To chart patterns across time and space, materials dated from the sixteenth century to the present are drawn from across South Asia – including present-day India, Pakistan and Bangladesh. Lambert-Hurley uses many rare autobiographical texts in a wide array of languages, including Urdu, English, Hindi, Bengali, Gujarati, Marathi, Punjabi and Malayalam to elaborate a theoretical model for gender, autobiography, and the self beyond the usual Euro-American frame. In doing so, she works toward a new, globalized history of the field. Ultimately, Elusive Lives points to the sheer diversity of Muslim women's lives and life stories, offering a unique window into a history of the everyday against a backdrop of imperialism, reformism, nationalism and feminism.
Autobiography --- Muslim women authors --- South Asian literature --- Women authors, South Asian --- Women in literature. --- Self in literature. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- South Asian women authors --- Muslim authors --- Women authors --- Autobiographies --- Egodocuments --- Memoirs --- Biography as a literary form --- Autobiography of women --- Women's autobiography --- Women authors. --- Muslim authors. --- History and criticism. --- History and criticism --- Technique
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"In 1949, revolutionary women from Asia who fought colonial occupation and patriarchal oppression gathered in Beijing for the Asian Women's Conference. Together, they drew from their experiences to develop a political strategy for women's internationalism that sought to end imperialism and build socialism. Connected with the Women's International Democratic Federation, women from Latin America, the Caribbean, and North, West, and Southern Africa also joined the conversation before the rise of Afro-Asian solidarity movements gained the name. Their strategy for internationalism demanded that women from occupying colonial nations contest imperialism with the same dedication as women whose countries were occupied"--
Anti-imperialist movements --- Asian Women's Conference --- Ya Zhou fu nü dai biao hui yi --- 亚洲妇女代表会议 --- Ya Zhou fu nü dai biao da hui --- 亞洲婦女代表大会 --- Anti-colonialism --- Antiimperialist movements --- Social movements --- Imperialism --- National liberation movements --- Feminism --- History --- Capitalism --- Colonialism --- Patriarchy --- Radical feminism --- Revolutions --- Socialist feminism --- Feminist struggle --- Book --- Decolonization
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"When Susan Oki Mollway became a federal judge in the United States District Court for the District of Hawaii in 1998, she was surprised that she was the first Asian American woman to be appointed on the federal bench in the United States. She would remain an exclusive member of Asian American women who are federal judges until a decade later when Kiyo A. Matsumoto was appointed to the federal bench for the Eastern District of New York. Since then, membership of this small group began to grow in number and in diversity. The First Fifteen recounts the experiences of how the first fifteen Asian American women became federal judges, such as Jacqueline Nguyen who fled Vietnam as a child and Pamela Chen, an openly gay Asian woman, and how they succeeded. The women were interviewed by Mollway herself and the book was written by her as well which offers a unique perspective into these women's lives. Mollway discusses their upbringing, their backgrounds, and their attitudes which contributed to their successful navigation through the appointment process"--
Women judges --- Asian American Studies, Asian women, federal judges, judge, Japanese Americans, lifetime appointments, lifetime judges, nomination, American justice, judicial system, adversity, American dream, internment camps, World War II, Vietnamese refugees, Indian immigrants, diversity, biography, female judges, gender inequality, workplace inequality, discrimination, discrimination in the workplace, immigrant.
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Illuminating how international marriages are negotiated, arranged, and experienced, Cross-Border Marriages is the first book to chart marital migrations involving women and men of diverse national, ethnic, and class backgrounds. The migrations studied here cross geographical borders of provinces, rural-urban borders within nation-states, and international boundaries, including those of China, Japan, South Korea, India, Vietnam, the Philippines, the United States, and Canada. Looking at assumptions about the connection between international marriages and poverty, opportunism, and women's mobility, the book draws attention to ideas about global patterns of inequality that are thought to pressure poor women to emigrate to richer countries, while simultaneously suggesting the limitations of such views.Breaking from studies that regard the international bride as a victim of circumstance and the mechanisms of international marriage as traffic in commodified women, these essays challenge any simple idea of global hypergamy and present a nuanced understanding where a variety of factors, not the least of which is desire, come into play. Indeed, most contemporary marriage-scapes involve women who relocate in order to marry; rarely is it the men. But Nicole Constable and the volume contributors demonstrate that, contrary to popular belief, these brides are not necessarily poor, nor do they categorically marry men who are above them on the socioeconomic ladder.Although often women may appear to be moving "up" from a less developed country to a more developed one, they do not necessarily move higher on the chain of economic resources. Complicating these and other assumptions about international marriages, the essays in this volume draw from interviews and rich ethnographic materials to examine women's and men's agency, their motivations for marriage, and the importance of familial pressures and obligations, cultural imaginings, fantasies, and desires, in addition to personal and economic factors.Border-crossing marriages are significant for what they reveal about the intersection of local and global processes in the everyday lives of women and men whose marital opportunities variably yield both rich possibilities and bitter disappointments.
Intercountry marriage --- Asian women --- Asians --- Intercountry marriage. --- Social mobility. --- Mobilité sociale --- Sociology of the family. Sociology of sexuality --- Asia --- Women --- Social mobility --- Binational marriage --- International marriage --- Marriages, International --- Marriage --- Foreign spouses --- Mobility, Social --- Sociology --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Orientals --- Ethnology --- Anthropology. --- Folklore. --- Linguistics. --- Mariage international --- Femmes --- Mobilité sociale --- Emigration et immigration --- Transferts de population --- Asie --- Émigration et immigration --- Population
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This collection of essays examines how Southeast Asian women writers engage with the grand narratives of nationalism and the modern nation-state by exploring the representations of gender, identity and nation in the postcolonial literatures of Brunei Darussalam, Malaysia, Singapore, Indonesia, and the Philippines. Bringing to light the selected works of overlooked local women writers and providing new analyses of those produced by internationally-known women authors and artists, the essays situate regional literary developments within historicized geopolitical landscapes to offer incisive analyses and readings on how women and the feminine are imagined, represented, and positioned in relation to the Southeast Asian nation.The book, which features both cross-country comparative analyses and country-specific investigations, also considers the ideas of the nation and the state by investigating related ideologies, rhetoric, apparatuses, and discourses, and the ways in which they affect women’s bodies, subjectivities, and lived realities in both historical and contemporary Southeast Asian contexts. By considering how these literary expressions critique, contest, or are complicit in nationalist projects and state-mandated agendas, the collection contributes to the overall regional and comparative discourses on gender, identity and nation in Southeast Asian studies.
Social sciences. --- Culture --- Comparative literature. --- Sociology. --- Cultural studies. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Social Sciences. --- Gender Studies. --- Comparative Literature. --- Regional and Cultural Studies. --- Cultural Studies. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Comparative literature --- Literature, Comparative --- Philology --- Cultural studies --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Study and teaching. --- Psychological aspects --- History and criticism --- Women authors, South Asian --- South Asian literature --- Women authors --- History and criticism. --- South Asian women authors --- Culture-Study and teaching. --- Culture—Study and teaching. --- Southeast Asian literature
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By the year 2000 more than 350 Internet agencies were plying the email-order marriage trade, and the business of matching up mostly Western men with women from Asia, Eastern Europe, and Latin America had become an example of globalization writ large. This provocative work opens a window onto the complex motivations and experiences of the people behind the stereotypes and misconceptions that have exploded along with the practice of transnational courtship and marriage. Combining extensive Internet ethnography and face-to-face fieldwork, Romance on a Global Stage looks at the intimate realities of Filipinas, Chinese women, and U.S. men corresponding in hopes of finding a suitable marriage partner. Through the experiences of those engaged in pen pal relationships-their stories of love, romance, migration, and long-distance dating-this book conveys the richness and dignity of women's and men's choices without reducing these correspondents to calculating opportunists or naive romantics. Attentive to the structural, cultural, and personal factors that prompt women and men to seek marriage partners abroad, Romance on a Global Stage questions the dichotomies so frequently drawn between structure and agency, and between global and local levels of analysis.
Intercountry marriage --- Marriage brokerage --- Mail order brides --- Asians --- International correspondence --- Correspondence, International --- Friendship letters --- Letter writing --- Pen pals --- Picture brides --- Brides --- Foreign spouses --- Brokage, Marriage --- Brokerage, Marriage --- Brokers, Marriage --- Arranged marriage --- Mate selection --- Binational marriage --- International marriage --- Marriages, International --- Marriage --- Social aspects. --- Social aspects --- Sociology of the family. Sociology of sexuality --- Asia --- America --- american men. --- asian women. --- chinese women. --- cultural perspective. --- eastern european women. --- email order spouses. --- ethnographers. --- fieldwork. --- filipinas. --- globalization. --- internet ethnography. --- internet. --- latin american women. --- life partners. --- long distance dating. --- love and romance. --- mail order marriages. --- matching up. --- matchmaking. --- migration. --- misconceptions. --- nonfiction. --- online courtship. --- pen pals. --- stereotypes. --- transnational marriage. --- virtual ethnography. --- western men.
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This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history.
Queer theory. --- Homosexuality and art. --- Art --- Art and race. --- Art. --- Art and homosexuality --- Gender identity --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Race and art --- Ethnopsychology --- Historiography. --- History. --- South Asia. --- Asia, South --- Asia, Southern --- Indian Sub-continent --- Indian Subcontinent --- Southern Asia --- Orient --- Art, Primitive --- Art, Daghestan --- Asia --- Adrian Margaret Smith Piper. --- Anish Kapoor. --- Curry Mile. --- Cy Twombly. --- Kehinde Wiley. --- Mario Pfeifer. --- Natvar Bhavsar. --- South Asian art histories. --- South Asian women. --- Stephen Dean. --- belongingness. --- productive failure. --- queer feminism. --- queer zen. --- transnational art histories.
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This indispensable guide for students of both Chinese and women's history synthesizes recent research on women in twentieth-century China. Written by a leading historian of China, it surveys more than 650 scholarly works, discussing Chinese women in the context of marriage, family, sexuality, labor, and national modernity. In the process, Hershatter offers keen analytic insights and judgments about the works themselves and the evolution of related academic fields. The result is both a practical bibliographic tool and a thoughtful reflection on how we approach the past.
Feminism --- Women and communism --- Sex role --- Women --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Communism and women --- Communism --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Employment --- Social conditions --- S11/0710 --- S11/0730 --- China: Social sciences--Women: general and before 1949 --- China: Social sciences--Women: since 1949 --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles --- asian women. --- china. --- chinese history. --- chinese literature. --- chinese women. --- communism. --- communist. --- cultural revolution. --- domesticity. --- employment. --- factory workers. --- factory. --- family. --- female infanticide. --- femininity. --- feminism. --- gender roles. --- gender studies. --- gender. --- gendered labor. --- historiography. --- history. --- household labor. --- labor. --- marriage. --- nonfiction. --- peoples republic. --- republic. --- rural women. --- sex roles. --- sexuality. --- urban women. --- women and labor. --- women in the workforce. --- womens history. --- womens studies.
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Two women, virtual strangers, sit hand-in-hand across a narrow table, both intent on the same thing-achieving the perfect manicure. Encounters like this occur thousands of times across the United States in nail salons increasingly owned and operated by Asian immigrants. This study looks closely for the first time at these intimate encounters, focusing on New York City, where such nail salons have become ubiquitous. Drawing from rich and compelling interviews, Miliann Kang takes us inside the nail industry, asking such questions as: Why have nail salons become so popular? Why do so many Asian women, and Korean women in particular, provide these services? Kang discovers multiple motivations for the manicure-from the pampering of white middle class women to the artistic self-expression of working class African American women to the mass consumption of body-related services. Contrary to notions of beauty service establishments as spaces for building community among women, The Managed Hand finds that while tentative and fragile solidarities can emerge across the manicure table, they generally give way to even more powerful divisions of race, class, and immigration.
Asian Americans - Social conditions. --- Asian Americans -- Social conditions. --- Beauty culture - Social aspects - United States. --- Beauty culture -- Social aspects -- United States. --- Beauty shops - Social aspects - United States. --- Beauty, Personal - Social aspects - United States. --- Korean American women - Employment - United States. --- Korean American women -- Employment -- United States. --- Manicuring - Social aspects - United States. --- United States - Race relations. --- United States -- Race relations. --- Women immigrants - Employment - United States. --- Women immigrants -- Employment -- United States. --- Beauty culture --- Korean American women --- Women immigrants --- Asian Americans --- Art, Architecture & Applied Arts --- Arts & Crafts --- Social aspects --- Employment --- Social conditions --- Immigrant women --- Immigrants --- Women, Korean American --- Women --- Cosmetology --- Beauty, Personal --- Beauty shops --- Cosmetics --- Nail art (Manicuring) --- Manicuring --- Body art --- Nail designs (Manicuring) --- Nails (Anatomy) --- Care and hygiene --- african american women. --- art. --- asian american. --- asian immigrants. --- asian women. --- beauty service work. --- body services. --- body. --- class differences. --- consumption. --- divisions of race. --- ethnography. --- gender issues. --- gender. --- immigrant workers. --- interviews. --- korean women. --- manicures. --- nail industry. --- nail salons. --- new york city. --- nonfiction. --- pampering. --- race issues. --- self care. --- self expression. --- service careers. --- social science. --- united states. --- white middle class women. --- women. --- working class.
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