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This is the fourth of a four-volume collection of British heraldic arms, arranged alphabetically according to their designs and covering the period before 1530. Listed within this volume are entries from Fetterlock to Wreath, completing the collection. This book will help readers to identify the arms that were widely displayed in the Middle Ages and which can now be found not only on tombs, monuments and seals, but also on textiles, manuscripts, metalwork, glass, wall paintings, and other medieval artefacts. The index allows even those without any specialist knowledge of the subject to discover the blazons of arms recorded for particular surnames in the medieval period. Produced specifically to enable readers to identify individual coats of arms, it is an invaluable reference for historians, antiquaries, archaeologists, genealogists and those dealing in and collecting medieval objects.
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This is the third of a four-volume collection of British heraldic arms, arranged alphabetically according to their designs and covering the period before 1530. Listed in this volume are entries from Chief to Fess. This book will help readers to identify the arms that were widely displayed in the Middle Ages and which can now be found not only on tombs, monuments and seals, but also on textiles, manuscripts, metalwork, glass, wall paintings, and other medieval artefacts. The index allows even those without any specialist knowledge of the subject to discover the blazons of arms recorded for particular surnames in the medieval period. Produced specifically to enable readers to identify individual coats of arms, it is an invaluable reference for historians, antiquaries, archaeologists, genealogists and those dealing in and collecting medieval objects.
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This is the second of a four-volume collection of British heraldic arms, arranged alphabetically according to their designs and covering the period before 1530. Listed within this volume are entries from Bend to Chevron. This book will help readers to identify the arms that were widely displayed in the Middle Ages and which can now be found not only on tombs, monuments and seals, but also on textiles, manuscripts, metalwork, glass, wall paintings, and other medieval artefacts. The index allows even those without any specialist knowledge of the subject to discover the blazons of arms recorded for particular surnames in the medieval period. Produced specifically to enable readers to identify individual coats of arms, it is an invaluable reference for historians, antiquaries, archaeologists, genealogists and those dealing in and collecting medieval objects.
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This is the first of a four-volume collection of British heraldic arms, arranged alphabetically according to their designs and covering the period before 1530. Listed in this volume are entries from Anchor to Bend. This book will help readers to identify the arms that were widely displayed in the Middle Ages and which can now be found not only on tombs, monuments and seals, but also on textiles, manuscripts, metalwork, glass, wall paintings, and other medieval artefacts. The index allows even those without any specialist knowledge of the subject to discover the blazons of arms recorded for particular surnames in the medieval period. Produced specifically to enable readers to identify individual coats of arms, it is an invaluable reference for historians, antiquaries, archaeologists, genealogists and those dealing in and collecting medieval objects.
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Yaka [Kwango-Kwilu region style] --- Sculpture --- Ethnology. Cultural anthropology --- fetishes --- Teke [culture or style] --- ancestors --- Zombo --- Luba --- Congo --- Luba [culture or style] --- ancestors [family relationships]
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Van Sumatra over Java, van de Molukken tot Papoea: in heel Indonesië speelden en spelen de voorouders een vooraanstaande rol. Hun cultus en voorstellingen getuigen van een enorme diversiteit, kracht en poëzie. Een bijzondere introductie tot Indonesië, vertrekkend vanuit het erfgoed, maar met actuele vragen rond tradities en rituelen in een hedendaagse maatschappij. Nooit eerder getoonde archeologische en etnografische schatten worden samengebracht met uniek beeldmateriaal en interviews. Een samenwerking met het National Museum in Jakarta en tal van collecties uit alle uithoeken van de archipel.00Exhibition: BOZAR, Brussels, Belgium (11.10.2017-14.01.2018).
kunst --- IndonesIë --- antropologie --- etnografie --- 7.03 --- voorouders --- dood --- kunst en religie --- schilderkunst --- Europalia --- beeldhouwkunst --- Exhibitions --- Ethnology. Cultural anthropology --- Applied arts. Arts and crafts --- ethnic art --- rituals [events] --- social anthropology --- ancestors --- Indonesia --- ancestors [family relationships]
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Ethnology. Cultural anthropology --- Applied arts. Arts and crafts --- Kiwai --- Elema --- ancestors [family relationships] --- ghosts [spirits] --- Papua New Guinea
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Sculpture --- sculpture [visual works] --- worship --- protection [maintenance function] --- religious art --- ancestors [family relationships] --- gods [deities] --- bijgeloof --- Europe --- Asia --- Africa
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L’expression « nos ancêtres les Gaulois » a longtemps eu vocation à dire, sans contestation possible, les origines de la nation française. Ce roman national commençait par un lever de rideau qui présentait ces lointains ancêtres, intelligents mais bagarreurs, joyeux mais buveurs, braves mais désunis, glorieux mais vaincus. Au-delà de son illusoire évidence, l’expression pose de nombreux problèmes historiques et épistémologiques. Cette fabrique des ancêtres révèle une conception particulière de l’identité et de la nation par un usage politique, moral et éducatif de l’histoire. Le grand historien Ernest Lavisse en est un des forgerons par ses écrits universitaires et ses célèbres manuels scolaires, les Petits Lavisse. Car il s’agit bien de faire la nation, et c’est à l’école qu’elle se forge. Il faut donc s’intéresser au façonnage de « nos ancêtres les Gaulois », aux choix et aux silences des discours scientifiques et scolaires, en les replaçant au cœur des débats archéologiques, historiques et politiques du demi-siècle lavissien (1876-1922). Instituteur de la République, Ernest Lavisse a forgé de sa plume, par l’écriture historique, une conception nationale du Gaulois, l’un des personnages majeurs dont la IIIe République naissante avait besoin. Cette histoire des savoirs montre que les propos historiques sur les origines antiques de la nation se révèlent être un discours sur le présent, qui prend la voix du passé. The phrase “Our ancestors the Gauls” has long been part of the history of France to define the origins of the nation. For decades, this national novel began with the entry of these ancestors on the historical scene: smart but rowdy, joyous but heavy drinkers, brave but divided, glorious but defeated. Beyond its apparent simplicity, the expression poses many historical and epistemological problems . It is not a question of genetic but belongs to cultural history, as it conveys a particular conception of identity and nation. This is what appears when we…
Gaulois --- Manuels d'enseignement --- Historiographie. --- Histoire et critique. --- Lavisse, Ernest, --- Education --- History --- nation --- ancestors --- Gauls --- Lavisse --- primary or grade school --- ancêtre --- école
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Art --- faith --- Christianity --- Judaism --- Abstract [modern European style] --- Sufism --- ancestors [family relationships] --- Contemporary [style of art] --- Amerindian [culture] --- spiritualiteit --- African [general, continental cultures] --- Australian Aboriginal [culture and style]
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