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Abguss. --- Afgietsels. --- Geschichte 300-700. --- Grabstein. --- Grafstenen. --- Inscripties. --- Katalog. --- Römisch-Germanisches Zentralmuseum-Forschungsinstitut für Vor- und Frühgeschichte Mainz. --- Mainz --- Römisch-Germanisches Zentralmuseum. --- Mittelrheintal.

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73.02 --- Afgietsels --- Beeldhouwkunst technieken de moulage het mouleren de mal --- 73 --- afgietsels --- beeldhouwkunst --- beeldhouwtechnieken --- vormgieten --- 720.7 --- technieken --- was-uitspaar technieken --- Beeldhouwkunst technieken --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- beeldhouwkunst, techniek van de beeldhouwer - restauratie van beeldhouwwerken --- Beeldhouwkunst ; technieken ; de moulage ; het mouleren ; de mal --- Beeldhouwkunst ; technieken

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Cast materials become solid, yet they originate as fluid materials that can take on any imaginable form. This simple yet radical paradigm allows for the exploration of volumetric formations through process-oriented casting and experimentation with alternative ways of manufacturing, presenting, and shaping casting molds.Working with hardening bodies fundamentally challenges the notion of formal rigidity; conventional formwork models are reconsidered, and a new aesthetic emerges.Fluid Bodies presents a variety of objects created using alternative casting methods. The book documents experimental artistic research and showcases innovative and surprising sculptures in concrete and plaster.

Beeldhouwkunst ; technieken ; afgietsels ; gietvormen --- Industrieel design ; 21ste eeuw ; nieuwe materialen --- Industrieel design; materialen; kunststoffen --- Industrieel design ; stoelen ; experimentele variaties op --- Meubelkunst; Experimentele --- Meubelen ; industrieel design ; 21ste eeuw --- Meubelen ; van gevlochten vezels --- Meubelen ; sculpturale meubelontwerpen --- 749.02 --- Meubelkunst en design ; technieken, materialen --- Sculpture --- Plâtre --- Béton --- Textile

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Sculpture --- Iconography --- anno 1400-1499 --- anno 1500-1599 --- 7.034.1 --- 73.026 --- 73.046.1 --- -Sculpture, Classical --- -Classical sculpture --- Renaissancekunst --- Beeldhouwwerken: copieen; replica's; afgietsels --- Mythologische beeldhouwkunst --- Beeldhouwkunst van de renaissance; barok; rococo --- 73.034 Beeldhouwkunst van de renaissance; barok; rococo --- 73.046.1 Mythologische beeldhouwkunst --- 73.026 Beeldhouwwerken: copieen; replica's; afgietsels --- 7.034.1 Renaissancekunst --- -73.034 Beeldhouwkunst van de renaissance; barok; rococo --- 7.046.1 --- 73.034 --- Art, Renaissance --- Renaissance art --- 7.046.1 Iconografie: klassieke mythologie --- Iconografie: klassieke mythologie --- Classical influences --- -Catalogs --- Catalogs --- Reproduction --- Sculpture, Classical --- Classical sculpture --- Classical antiquities --- Classical influences&delete& --- Reproduction&delete& --- Catalogs. --- Sculpture [Classical ] --- Art [Renaissance ] --- Renaissance --- Sculpture, Classical - Catalogs --- Sculpture, Classical - Reproduction - Catalogs --- Art, Renaissance - Classical influences - Catalogs --- antieke beeldhouwkunst

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This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists' workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists' use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists' models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.

Antiquities --- Cultural property --- Plaster casts --- Sculpture, Ancient --- Art, Ancient --- Archaeology --- Collection and preservation --- Protection --- Conservation and restoration --- Methodology --- Sculpture --- Antiquités --- Biens culturels --- Plâtres --- Sculpture antique --- Art antique --- Archéologie --- Congresses. --- Congresses --- Collections et conservation --- Congrès --- Conservation et restauration --- Méthodologie --- Ancient sculpture --- Casting --- Casts --- Models (Clay, plaster, etc.) --- Plaster craft --- Beeldhouwkunst --- beeldhouwwerken [beeldmateriaal] --- afgietsels --- restauratie [procédé] --- milieubeheer --- tentoonstellen --- beeldhouwen --- architectural models --- gietbaar pleister --- sculpture [visual works] --- casts [sculpture] --- restoration [process] --- conservation [discipline] --- exhibiting --- sculpting --- casting plaster --- Geschichte --- Moulage. --- Plaster cast. --- Sculpture.