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French literature --- Women writers, 1848-1978 Anthologies --- Women authors
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Writers, publishers, readers and scholars have stopped apologising for the short story: the genre is no longer a bad investment, a trial-exercise for a novel or a minor entertainment, as demonstrated by exceptional writers with an almost exclusive dedication to it, such as Jorge Luis Borges, Alice Munro, Quim Monzó or Cristina Fernández Cubas. With deep roots in classic and medieval literatures, and great achievements in the nineteenth- and twentieth-centuries, the genre of the short story, which benefits from the linguistic tightness of poetry and the narrative comforts of the novel, has finally been recognised as having a (hybrid) identity of its own. This volume re-edits and expands a previous bilingual collection published in 1997. The first edition included stories by twelve writers: Pilar Cibreiro, Cristina Fernández Cubas, Paloma Díaz-Mas, Adelaida García Morales, Lourdes Ortiz, Laura Freixas, Marina Mayoral, Mercedes Abad, Rosa Montero, Maruja Torres, Soledad Puértolas and María Eugenia Salaverri. The present edition adds another four: Nuria Amat, Juana Salabert, Luisa Castro and Berta Marsé. The stories gathered in this second edition were written between 1980 and 2010, and testify to the richness and vitality of women's writing in contemporary Spain. With the original texts in Spanish as well as facing-page English translations, an Introduction, notes, and bio-bibliographical information on each author, this volume is a useful tool for students of the Spanish language and culture at all levels. It includes a selection of secondary reading on Spanish women writers and a selection of anthologies of Spanish short stories since 1997.
Short stories, Spanish --- Women writers --- Short Stories --- Contemporary Spain
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The body, touch and its sensations are present, sometimes viewed in contradictory ways, both expressed, visualized, and rejected, in early modern art and literature. In seven essays moving from the 16th to the mid-18th century, and from Italy and Spain to France and Sweden, this volume explores strategies used by early modern women poets, philosophers, and artists in order to create subversive expressions of the body, gender and the senses. Showing how body and soul, the carnal and the divine, the senses and the mind, could be represented as intertwined and dependent on each other in various ways, it gives due attention to European women writers and artists that in unconventional ways responded to the period's two main intellectual and philosophical attitudes - Epicurean and Stoic - towards the body and its senses. These attitudes not only intersect in the period's discussions of virtue and other moral phenomena, but are central to critical assessment of the relations between emotions, perception, and reason. By following this topic from a gender perspective, the book highlights other forms of subjectivity than the ones usually related to the early modern period's dominating subjectivation of female bodies, thinking and desires.
LITERARY CRITICISM / Subjects & Themes / Women . --- Women writers. --- epicureanism. --- stoicism. --- subjectivity.
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With this newly translated version of The Running Boy, the fiction of Megumu Sagisawa makes its long-overdue first appearance in English. Lovingly rendered with a critical introduction by the translator, this collection of three stories, written in 1989, sits on the thinnest part of Japan's economic bubble and provides and cautionary glimpse into the malaise of its impending collapse.From the aging regulars of a shabby snack bar in "Galactic City" to the mental breakdowns of "A Slender Back," and the family secrets lurking within the title story between them, Sagisawa offers a trilogy of laser-focused character studies. Exploring dichotomies of past versus present, young versus old, life versus death, and countless shades of meaning beyond, she elicits vibrant commonalities of the human condition from some of its most ennui-laden examples. A curious form of affirmation awaits her readers, who may just come out of her monochromatic word paintings with more colorful realizations about themselves and the world at large. Such insight is rare in a writer so young, and this book is a fitting testament to her premature death, the legacy of which is sure to inspire a new generation of readers in the post-truth era.
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gender studies --- cultural studies --- literature --- women's studies --- ginocritiques --- women writers
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In this intensely personal recitation on identity and ethnicity, Younsi takes the reader on a surreal odyssey through a liminal world of belonging and unbelonging, absence and presence, mind and body. Her visionary work is unsettling, riveting and guaranteed to leave readers contemplating the existential mysteries of "self.".
Poetry --- Surrealism, dark, canlit, women writers, womens literature, grotesque, absurd, gothic, Algeria, Montreal, Quebec --- Poetry. --- Poems --- Verses (Poetry) --- Literature --- Philosophy --- Surrealism, dark, canlit, women writers, womens literature, grotesque, absurd, gothic, Algeria, Montreal, Quebec.
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Dieser Band präsentiert die 14 Autorinnen, die bislang mit dem Nobelpreis für Literatur ausgezeichnet wurden. Dass Produktion wie Rezeption von Kunst und Literatur keine geschlechtsneutralen Tätigkeiten sind, ist keine neue Einsicht der Gender Studies. Doch der Umstand, dass diesen 14 ausgezeichneten Frauen 100 männliche Nobelpreisträger gegenüberstehen, macht deutlich, dass die Eroberung der Autorposition durch Frauen weiterhin ein schwieriger und vielschichtiger Prozess ist. So fokussiert der Band nicht nur literarische Traditionen von Frauen, sondern auch Fragen nach weiblichem Schreiben und einer erweiterten Kanonbildung. Im Mittelpunkt der Beiträge stehen exemplarische Lektüren des Werks und das intellektuelle Profil der jeweiligen Autorin. Dabei wird in Anschluss an die von Virginia Woolf in ihrem Essay "A Room of One's Own" schon 1929 beschriebenen Herausforderungen für das literarische Schreiben von Frauen auch die Frage nach Bedingungen und Widersprüchen künstlerischer Kreativität gestellt. Mit Beiträgen zu Selma Lagerlöf (1909), Grazia Deledda (1926), Sigrid Undset (1928), Pearl S. Buck (1938), Gabriela Mistral (1945), Nelly Sachs (1966), Nadine Gordimer (1991), Toni Morrison (1993), Wisława Szymborska (1996), Elfriede Jelinek (2004), Doris Lessing (2007), Herta Müller (2009), Alice Munro (2013), Swetlana Alexijewitsch (2015) This volume presents the 14 female winners of the Nobel Prize in Literature, e.g. Lagerlöf, Sachs, Jelinek, Müller, Munro. Contributions offers exemplary readings of chosen works, while outlining the intellectual profile of each author. They also tackle the questions of female writing and canon formation, and interrogate the conditions and contradictions of artistic creativity.
Canon Formation. --- Gender. --- Kanonisierungsprozess. --- Literary History. --- Literaturgeschichte. --- Nobel Prize. --- Nobelpreis. --- Women Writers. --- LITERARY CRITICISM / Women Authors. --- Szymborska, Wisława.
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The Location of Experience argues that, through manipulating the psychological dimensions of fiction's formal features, Victorian women novelists produced a philosophical account of experience that rivaled and complemented that of the male philosophers of the period.
English fiction --- Experience in literature. --- Women authors --- History and criticism. --- Victorian novel. --- experience. --- literary theory. --- novel theory. --- women writers.
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La "création" est une affaire d'hommes ; les femmes sont lectrices, spectatrices, animatrices, mais non point créatrices. Les conditions historiques seules n'expliquent pas les obstacles rencontrés par les femmes, leur absence dans certains arts ou le manque de postérité de leurs oeuvres. Voici un éclairage sur ces questions de légitimité pour les femmes écrivains et les femmes artistes, des pionnières des Beaux-Arts au cinéma de l'après-guerre.
Feminism and the arts --- Women artists --- Women artists. --- Women writers. --- Feminism and the arts. --- Femmes artistes --- Féminisme et arts --- Women authors --- Ecrivaines --- Féminisme et arts
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This volume offers a critical study of a representative selection of Latin American women writers who have made major contributions to all literary genres and represent a wide range of literary perspectives and styles. Many of these women have attained the highest literary honours: Gabriela Mistral won the Nobel Prize in 1945; Clarice Lispector attracted the critical attention of theorists working mainly outside the Hispanic area; others have made such telling contributions to particular strands of literature that their names are immediately evocative of specific currents or styles. Elena Poniatowska is associated with testimonial writing; Isabel Allende and Laura Esquivel are known for the magical realism of their texts; others, such as Juana de Ibarbourou and Laura Restrepo remain relatively unknown despite their contributions to erotic poetry and to postcolonial prose fiction respectively. The distinctiveness of this volume lies in its attention to writers from widely differing historical and social contexts and to the diverse theoretical approaches adopted by the authors. Brígida M. Pastor teaches Latin American literature and film at the University of Glasgow . Her publications include 'Fashioning Cuban Feminism and Beyond', 'El discurso de Gertrudis Gómez de Avellaneda: Identidad Femenina y Otredad'; and 'Discursos Caribenhos: Historia, Literatura e Cinema'. Lloyd Hughes Davies teaches Spanish American Literature at Swansea University. His publications include 'Isabel Allende, La casa de los espíritus' and 'Projections of Peronism in Argentine Autobiography, Biography and Fiction'.
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