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For directors, voice and dialect coaches, Alexander teachers, medical specialists, speech pathologists, actors and singers and anyone interested in the performers voice in the theatre, this book provides an overview of basic voice and speech production, the Alexander technique and ways to integrate these principles into the rehearsal process and methods for working most effectively with voice and speech/Alexander coaches
Voice culture. --- Singing and voice culture --- Vocal culture --- Voice training --- Elocution --- Oratory --- Speech
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The Performing Life: A Singer's Guide to Survival is the first-hand account of the 35-year career of singer, music professor, and recording artist Sharon Mabry, who draws on personal experience to explore how professional singers survive in the face of personal and professional pressures, exorbitant expectations, illness, and the demands of their public. She details for readers those factors that can change the course of a particular performance or an entire career.
Singing --- Singing and voice culture --- Vocal culture --- Music --- Beatboxing --- Throat singing --- Vocational guidance. --- Performance
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Voice culture. --- Singing and voice culture --- Vocal culture --- Voice training --- Elocution --- Oratory --- Speech
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Voice culture. --- Singing and voice culture --- Vocal culture --- Voice training --- Elocution --- Oratory --- Speech
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Singing --- Singing. --- Zingen. --- Singing and voice culture --- Vocal culture --- Music --- Beatboxing --- Throat singing --- Performance
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Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and '90s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Opera --- Singing --- Opéra --- Chant --- History --- Histoire --- Opéra --- Singing and voice culture --- Vocal culture --- Music --- Beatboxing --- Throat singing --- Performance
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Voice culture --- stemgebruik --- Singing and voice culture --- Vocal culture --- Voice training --- Stem --- Logopedie --- Elocution --- Oratory --- Speech --- Onderzoek
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Singing. --- Music --- Beatboxing --- Throat singing --- Singing and voice culture --- Vocal culture --- Performance --- zangkunst --- Caruso, Enrico --- Tetrazzini, Luisa --- Chant
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In 'The Naked Voice', W. Stephen Smith invites all singers to improve their vocal technique through his renowned and time-tested wholistic method. Focusing not only on the most important technical elements his book allows readers to develop their own full and individual identities as singers.
Singing --- Voice culture. --- Singing and voice culture --- Vocal culture --- Voice training --- Elocution --- Oratory --- Speech --- Vocal technique --- Instruction and study.
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Borrowing from voice science but staying firmly centered in the studio or classroom, this book helps the reader with a raw vocal ability understand the function and care of their vocal instrument. In the second part, the book begins a carefully graduated approach to cement into place good singing habits. Three songs, comprising works in Italian, English and German, are used to produce exemplary vowels and consonants and wonderful songs.
Singing --- Voice culture. --- Singing and voice culture --- Vocal culture --- Voice training --- Elocution --- Oratory --- Speech --- Vocal technique --- Instruction and study.
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