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Chinese drama -- History and criticism. --- Theater -- China -- History.

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"This book examines male dan, a male actor who performs female roles in Chinese theatre. Through the rise, fall and tenuous survival of male dan in Chinese history, Guo Chao reflects the transformations in the social zeitgeist in China, especially the politics of gender and sexuality. The breadth of this study reflects a diversified set of sources, ranging from classical to contemporary texts (texts of jingju plays, memoirs, collections of notation books) and other commentaries and critical evaluations of dan actors (in both English and Chinese languages), to video and audio materials, films, and personal interviews. This book will be of great interest to students and scholars of East Asian/Chinese studies across the fields of theatre, history, culture, and literature"--

Theater - China - History --- Sex role in the theater --- Chinese drama - History and criticism

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Theater --- History --- S06/0436 --- S16/0300 --- S16/0320 --- -#SML: Joseph Spae --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- China: Politics and government--Policy towards literature and art --- China: Literature and theatrical art--Traditional theatre: studies --- China: Literature and theatrical art--Modern theatre: studies --- #SML: Joseph Spae --- Theater - China - History

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Shakespeare in China provides English language readers with a comprehensive sense of China's past and on-going encounter with Shakespeare. It offers a detailed history of twentieth-century Sino-Shakespeare from the beginnings to 1949, followed by more recent accounts of the playwright in the People's Republic, Hong Kong and Taiwan. The study pays particular attention to translation, criticism and theatrical productions and highlights Shakespeare's fate during the turbulent political times of modern China. Chapters on Shakespeare and Confucius and The Paradox of Shakespeare in the New China con

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