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Television plays. --- Television plays --- Dramatiques --- Engelse drama. --- Plays, Television --- Scenarios, Television --- Television drama --- Drama --- Television programs --- Television scripts

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Drama --- 792.097 --- Television plays --- -Plays, Television --- Scenarios, Television --- Television drama --- Television programs --- Television scripts --- Televisiespelen. Televisiedrama's --- History and criticism --- -Televisiespelen. Televisiedrama's --- 792.097 Televisiespelen. Televisiedrama's --- -792.097 Televisiespelen. Televisiedrama's --- Plays, Television

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This title is an historical overview and a then-and-now comparison of performing for British television drama. By examining changing acting styles from distinct eras of television production - studio realism and location realism - it makes a unique contribution to both television and performance studies, unpacking the various determinants that have combined to influence how performers work in the medium. Comparing the original versions of The Quatermass Experiment (BBC, 1953), Doctor Who (BBC, 1963-89) and Survivors (BBC, 1975-77) with their respective modern-day re-makes, the book unpacks the developments that have resulted from the shift from multi-camera studio to single camera location production. Textual analysis is combined with extensive archive research into production process and reception, alongside interviews with numerous actors and production personnel from more than sixty years of television production.

Television acting --- Acting for television --- Acting for video --- Video acting --- Acting --- Technique --- History. --- British Broadcasting Corporation. --- BBC-TV --- B.B.C.-T.V. --- BBCTV --- BBC Television --- B.B.C. Television --- Television Studies --- Television --- PERFORMING ARTS --- General --- Acting. --- BBC television drama. --- BBC. --- Doctor Who. --- Drama training. --- Location realism. --- Performance. --- Production process. --- Rehearsal. --- Studio realism. --- Survivors. --- Technology. --- Television drama. --- The Quatermass Experiment. --- acting styles. --- live production. --- multi-camera studio. --- science fiction. --- single camera location filming. --- small screen performance. --- television acting. --- television production.

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Why are some controversial issues covered in TV soaps and dramas and not others? How are decisions really made 'behind the scenes'? How do programme makers push boundaries without losing viewers? What do audiences take away from their viewing experience? Does TV fiction have a greater impact on public understandings than TV news? This exciting new book draws on unique empirical data to examine the relationship between popular television fiction and wider society. The book gives lively and engaging insights into how and why socially sensitive story lines were taken up by different TV programmes

Television plays --- Television viewers --- Television --- Social problems in mass media. --- Mass media --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Audiences, Television --- Television audiences --- Television fans --- Television watchers --- Viewers, Television --- Plays, Television --- Scenarios, Television --- Television drama --- Drama --- Television programs --- Television scripts --- Themes, motives. --- Attitudes. --- Social aspects. --- Optical communication systems --- Audiences

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Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology—16 mm in the 1960s, digital video in the 1990s—have shaped his creative output. Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film.

Garnett, Tony. --- Realism on television --- #SBIB:309H1520 --- #SBIB:309H1512 --- Realism in television --- Television --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Radio- en/of televisie: bedrijfseconomische aspecten, productie- en distributiestructuren --- Garnett, Tony --- Criticism and interpretation. --- LITERARY COLLECTIONS --- General. --- Realism on television. --- Film and Media --- Film, TV & Radio --- ART / Film & Video --- Electronic, holographic & video art --- British television drama. --- Cathy Come Home. --- This Life. --- Tony Garnett. --- Up the Junction. --- World Productions. --- creative producer. --- drama series. --- executive producer. --- social realist aesthetic.