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biographies [literary works] --- vrouwelijke kunstenaar --- Teerlinc, Levina
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Painting --- History --- Clovio, Giulio --- Bruegel, Pieter [Elder] --- Teerlinc, Levina --- anno 1500-1599 --- Netherlands --- Belgium
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Painting --- History --- miniatures [paintings] --- Engelse school --- portraits --- Oliver, Isaac --- Oliver, Peter --- Hilliard, Nicholas --- Teerlinc, Levina
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A significant contribution to the understanding of sixteenth-century English art in an historical context, this study by Susan James represents an intensive rethinking and restructuring of the Tudor art world based on a broad, detailed survey of women's diverse creative roles within that world. Drawn principally from primary sources, this book presents important new research which examines the contributions of Tudor women in the formation, distribution and popularization of the visual arts, particularly portraiture and the portrait miniature. James highlights the involvement of women as patrons, consumers and creators of art in sixteenth-century England and their use of the painted image as a statement of cultural worth.
Painting --- painting [image-making] --- propaganda --- patronage --- political art --- ateliers [studios, organizations] --- vrouwenportretten --- Horenboult, Susanne --- Teerlinc, Levina --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- England
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vrouwelijke kunstenaars --- kunsttheorie --- biografieën --- van Hemessen, Catharina --- Horenbout, Susanna --- Teerlinc, Levina --- de Keysere, Clara --- Verhulst, Mayken --- Cobleger, Anna --- Smyters, Anna --- 16de eeuw --- 17de eeuw --- Vlaanderen
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