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Keneally, Thomas --- Walcott, Derek --- Okigbo (christopher) --- Trickster in literature
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Drawing on modern studies of rhetoric and the concept of the Trickster, the author examines Herman Melville, Mark Twain, and Nathanael West as creators of a fictive experience centered in deceptive or problematic transactions of confidence.The model of a confidence game, suggested by the writers' own thematic preoccupations, permits an analysis of the social motivations inherent in the fiction. The author concentrates on the process by which confidence is established and the ways in which deception leads to regeneration and an altered perception of authority. His approach increases our understanding of the interrelation between the writer, his reader, and the world each envisions.Warwick Wadlington examines individual texts, as well as the pattern of each writer's total work. His book distinctively combines an enlarging archetypal frame with rhetorical analysis of the writer-reader imaginative act. Treated as different forms of a coherent mode of fictive experience, the works of these important authors illuminate each other. Professor Wadlington's method results in decisively new readings of each text and contributes to a phenomenology of reading three writers whose works represent crucial "moments" in the artist-audience negotiation of mutual faith.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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In Picaresque Fiction Today Luigi Gussago examines the development of the picaresque in contemporary Anglophone and Italian fiction. Far from being an extinct narrative form, confined to the pages of its original Spanish sources or their later British imitators, the tale of roguery has been revisited through the centuries from a host of disparate angles. Throughout their wanderings, picaresque antiheroes are dragged into debates on the credibility of historical facts, gender mystifications, rational thinking, or any simplistic definition of the outcast. Referring to a corpus of eight contemporary novels, the author retraces a textual legacy linking the traditional picaresque to its recent descendants, with the main purpose of identifying the way picaresque novels offer a privileged insight into our sceptical times. Cover illustration by Eugene Ivanov 'Night Airing', 2007.
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Bedrieger in de literatuur --- Fourbe dans la litterature --- Trickster in literature --- Literature and anthropology --- Literature and folklore --- Tricksters in literature. --- History --- Shakespeare, William --- Criticism and interpretation --- Knowledge --- Folklore --- England --- Shakespeare, William, 1564-1616 - Criticism and interpretation. --- Shakespeare, William, 1564-1616 - Knowledge - Folklore. --- Literature and anthropology - England. --- Literature and folklore - England. --- Trickster in literature.
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Thematology --- West, Nathanael --- Twain, Mark --- Melville, Herman --- American fiction --- Deception in literature. --- Swindlers and swindling in literature. --- Tricksters in literature. --- History and criticism. --- Deception in literature --- Swindlers and swindling in literature --- Tricksters in literature --- Trickster in literature --- History and criticism
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If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural h
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Heroes in literature. --- Heroes --- Tricksters in literature. --- Tricksters --- Heroism --- Persons --- Antiheroes --- Apotheosis --- Courage --- Trickster in literature --- Trickster --- Folklore --- Magicians --- Swindlers and swindling --- Folklore. --- Heroes in literature --- Tricksters in literature --- 82.04 --- 82.04 Literaire thema's --- Literaire thema's
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Bedrieger in de literatuur --- Fourbe dans la litterature --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Point de vue (Littérature) --- Point of view (Literature) --- Point of view (Literatuur) --- Point-of-view (Literature) --- Trickster in literature --- Verhaal (Retoriek) --- Women and literature --- Tricksters in literature. --- History --- O'Connor, Flannery --- Technique. --- O'Connor, Flannery Mary --- Technique --- O'Connor, Flannery (1925-1964) --- Critique et interprétation --- Critique et interprétation
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Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban identity to rural origins and to Pan-African liberation politics. Contradictions emerge, however, when the ideal Ghanaian citizen is a mythic hustle
Theater --- Theater and society --- Tricksters in literature. --- #SBIB:39A5 --- #SBIB:39A73 --- Trickster in literature --- Actors --- Society and theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- History --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Social status --- Social aspects --- Tricksters in literature
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Troubling Tricksters is a collection of theoretical essays, creative pieces, and critical ruminations that provides a re-visioning of trickster criticism in light of recent backlash against it. The complaints of some Indigenous writers, the critique from Indigenous nationalist critics, and the changing of academic fashion have resulted in few new studies on the trickster. For example, The Cambridge Companion to Native American Literature (2005), includes only a brief mention of the trickster, with skeptical commentary. And, in 2007, Anishinaabe scholar Niigonwedom Sinclair (a contributor to this volume) called for a moratorium on studies of the trickster irrelevant to the specific experiences and interests of Indigenous nations. One of the objectives of this anthology is, then, to encourage scholarship that is mindful of the critic?s responsibility to communities, and to focus discussions on incarnations of tricksters in their particular national contexts. The contribution of Troubling Tricksters, therefore, is twofold: to offer a timely counterbalance to this growing critical lacuna, and to propose new approaches to trickster studies, approaches that have been clearly influenced by the nationalists? call for cultural and historical specificity.
Indiens d'Amerique --- Litterature populaire indienne d'Amerique --- Tricksters dans la litterature. --- Tricksters --- Indians of North America --- Folk literature, Indian --- Tricksters in literature. --- Trickster in literature --- Indian folk literature --- Indian literature --- Trickster --- Folklore --- Magicians --- Swindlers and swindling --- Folk-lore, Indian --- Moeurs et coutumes. --- Folklore. --- Histoire et critique. --- Social life and customs. --- History and criticism. --- Customs
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