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Sun Ra said he came from Saturn. Known on earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra.” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers a spirited introduction to the life and work of this legendary but underappreciated musician, composer, and poet. Paul Youngquist explores and assesses Sun Ra’s wide-ranging creative output—music, public preaching, graphic design, film and stage performance, and poetry—and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, Youngquist masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.
Jazz musicians --- Jazz --- History and criticism. --- Sun Ra.
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In Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future.A century after Ellington’s birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has—even if inadvertently—incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work.Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
Jazz --- History and criticism. --- Sun Ra --- Ellington, Duke, --- Braxton, Anthony --- Duke, Obie, --- Ėllington, Di︠u︡k, --- Ellington, Edward Kennedy, --- Ellington, Obie Duke, --- Greer, Sonny, --- Turner, Joe, --- Blount, Herman --- Ra, Sun --- Le Sun Ra --- Ra, Le Sun --- Le Sony'r Ra --- Ra, Le Sony'r --- Blount, Sonny --- Bourke, Sonny --- Lee, Herman --- Criticism and interpretation. --- MUSIC --- SUN RA --- ELLINGTON (DUKE), 1899-1974 --- BRAXTON (ANTHONY) --- JAZZ
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Lady Gaga, Jilet Ayşe, Müslüm, Andy Warhol and Sun Ra are nationally and internationally known artistic characters. This publication deals with artistically designed identities at the intersections of visual art, performance, theatre, film, cabaret, stand-up comedy and music, analysing the currently widespread but as yet rarely explored nature of such artistic characters’ representation. These are fictional identities that artists create for themselves, with which they appear in various contexts and media. The contributions focus on aesthetic strategies and performative practices as well as the field of tension between the performing artist and the artistic character performed. Who are Maria Marshal, Jilet Ay¸se, Müslüm, and Soya the Cow? The representational form of artistic characters is investigated scientifically for the first time Lady Gaga, Jilet Ayşe, Müslüm, Andy Warhol und Sun Ra sind Kunstfiguren, die national und international bekannt sind. Diese Publikation befasst sich mit künstlerisch gestalteten Identitäten an den Schnittstellen von Bildender Kunst, Performance, Theater, Film, Kabarett, Stand-Up Comedy und Musik und analysiert die gegenwärtig medial verbreitete, aber noch kaum erforschte Darstellungsform der Kunstfiguren. Dabei handelt es sich um fiktive Identitäten, welche Künstler*innen selbst kreieren und mit denen sie in verschiedenen Kontexten auftreten. Im Zentrum der Beiträge stehen ästhetische Strategien und performative Praktiken sowie das Spannungsfeld von darstellenden Künstler*innen und dargestellter Kunstfigur. Mit Beiträgen von: Vivian Braga dos Santos, Simon Dickel, Sibylle Heim (Hochschule der Künste Bern), Daniel Inäbnit, Mira Kandathil, Katarina Kleinschmidt, Grit Köppen, Stefan Krankenhagen, Fabiana Senkpiel und mit einem Künstler*innen-Gespräch mit Idil Baydar (Berlin) und Semih Yavsaner (Bern). Wer sind Maria Marshal, Jilet Ay¸se, Müslüm oder Soya the Cow? Die Darstellungsform der Kunstfiguren erstmals wissenschaftlich untersucht
ART / History / Contemporary (1945-). --- Andy Warhol. --- Jilet Ayşe. --- Lady Gaga. --- Müslüm. --- Sun Ra. --- contemporary art. --- performance art. --- popular culture. --- self-portrayal.
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Aranda, Julieta ; Barbarella ; Martinson, Harry ; Dahlem, Björn ; Gallagher, Ellen ; Cleijne, Edgar ; Granö, Veli ; Ylänen, Jarmo ; Horn, Adolph Denis ; Kabakov, Ilya ; Kelley, Mike ; Kvie, Jone ; Marshall, Kerry James ; McBride, Jimmy ; McCracken, John ; McDonald, Daniel ; Melikian, Nathalie ; Plavcak, Karin ; Schweizer, Maya ; Wedemeyer, Clemens von ; Storsveen, Elise ; Ra, Sun ; Saethre, Borre ; VanDerBeek, Stan
science fiction --- Art --- art [fine art] --- Marshall, Kerry James --- McCracken, John Harvey --- Horn, Adolph Denis --- Cleijne, Edgar --- Blomdahl, Karl-Birger --- Sæthre, Børre --- Kelley, Mike --- Kvie, Jone --- Schweizer, Maya --- Aranda, Julieta --- McDonald, Daniel --- Kabakov, Ilija Iosefovich --- Sun Ra --- Granö, Veli --- Plavčak, Katrin --- Gallagher, Ellen --- Dahlem, Björn --- Giger, Hansruedi --- Ylänen, Jarmo --- Wedemeyer, von, Clemens --- McBride, Jimmy --- VanDerBeek, Stan --- Ride 1 --- art [discipline]
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Jazz musicians --- Jazz --- 811 --- Musicians --- History and criticism --- Jazz en lichte muziek - Encyclopedieën en naslagwerken --- Muziekgeschiedenis --- Amerika --- Verenigde Staten van Amerika --- Free jazz --- Coltrane, John --- Mingus, Charles --- Coleman --- Taylor, Cecil --- Shepp, Archie --- Ayler, Albert --- Cherry, Don --- Abrams, Richard --- Jarman, Joseph --- Mitchell, Roscoe --- Bowie, Lester --- Braxton, Anthony --- Sun Ra
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Cage, John ; Callanan, Martin John ; Campbell, Jim ; Cleijne, Edgar & Gallagher, Ellen ; Collishaw, Mat ; Ewan, Ruth ; Hsieh, Tehching ; Kawara, On ; Lumière, Louis ; Marker, Chris ; Martin, Kris ; Méliès, Georges ; Mohr, Manfred ; Moti, Melvin ; Nam June Paik ; Paterson, Katie ; Price, Elizabeth ; Sun Ra ; Raqs Media Collective ; Shin, Meekyoung ; Smrekar, Maja ; The Otolith Group ; Thomson & Craighead ; Wallinger, Mark ; Yass, Catherine
Art --- art [fine art] --- time --- Modern [style or period] --- Marker, Chris --- Wallinger, Mark --- Martin, Kris --- Méliès, Georges --- Paik, Nam June --- Moti, Melvin --- Lumière, Louis --- Cleijne, Edgar --- Ewan, Ruth --- Hsieh, Tehching --- Kawara, On --- Meekyoung, Shin --- Paterson, Katie --- Callanan, Martin John --- Price, Elizabeth --- Sun Ra --- Smrekar, Maja --- Thomson & Craighead --- Cage, John --- Campbell, Jim --- Collishaw, Mat --- Gallagher, Ellen --- Mohr, Manfred --- Yass, Catherine --- Raqs Media Collective [New Delhi] --- Otolith Group [London] --- Smith, Marquard --- art [discipline]
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From its inception, African American literature has taken shape in relation to music. Black writing is informed by the conviction that music is the privileged archival medium of black communal experience--that music provides a "tone parallel" (in Duke Ellington's phrase) to African American history. Throughout the tradition, this conviction has compelled African American writers to discover models of literary form in the medium of musical performance. Black music, in other words, has long been taken to suggest strategies for writerly experimentation, for pressing against and extending the boundaries of articulate expression. Epistrophies seeks to come to terms with this foundational interface by considering the full variety of "jazz literature"--Both writing informed by the music and the surprisingly large body of writing by jazz musicians themselves.
Music and literature --- American literature --- Jazz in literature. --- Jazz --- African American aesthetics. --- Aesthetics, African American --- Afro-American aesthetics --- Aesthetics, American --- Literature and music --- Literature --- History. --- African American authors --- History and criticism. --- Amiri Baraka. --- Duke Ellington. --- Epistrophy. --- Henry Threadgill. --- James Weldon Johnson. --- Kenny Clarke. --- Louis Armstrong. --- Nathaniel Mackey. --- Sun Ra. --- Thelonious Monk. --- jazz literature. --- Musique et littérature --- Littérature américaine --- Histoire. --- Auteurs noirs américains --- Histoire et critique. --- Dans la littérature.
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Religion and culture --- Popular culture --- Religion in literature --- Cults --- fiction --- invention --- hyper-reality --- new religions and spiritualities --- Tolkien's Legendarium --- the Elven lineage --- the Internet --- the Elven Path and the Silver Ship of the Valar --- spiritual groups --- J. R. R. Tolkien --- Tie eldalieva --- Ilsalunte Valion --- spirituality and self-realisation --- the Otherkin and Therianthropy communities --- salvation and animation --- religion --- fandom --- identity --- the romantic narratives of mystics and Soulbonders --- the development of spirituality in the Brony community --- film and television as sacred texts --- anime and religio-spiritual devotional practices --- Jediism and the Temple of the Jedi Order --- virtual knights and synthetic worlds --- Jediism in Second Life --- history of Dudeism --- Diego Maradona and the psychodynamics of football fandom in international cinema --- online mediation of invented, fiction-based and hyper-real religions --- contemporary Discordianism --- SubGenius --- The Conspiracy --- playfulness and sincerity in invented religions --- Kopimism and media devotion --- piracy --- activism --- art and critique as religious practice --- revival in virtual worlds --- countercultural personal spiritualities and religions --- African-American ufology in the music and mythos of Sun Ra --- the Church of All Worlds --- hyper-real religion
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