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Suicide --- Suicide dans la litterature --- Suicide --- Suicide dans la litterature
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Suizidale Handlungen und Absichten sind dominierende Themen im erzählerischen Werk Thomas Bernhards. Als Wortführer treten ausnahmslos selbstzerstörerische Akteure auf. Was von ihnen mündlich oder schriftlich als Text überliefert ist, ist ihr tatbegründender und subversiv nachwirkender »Vernichtungsnachlass«. Das Buch zeigt Variantenreichtum, Motive und Merkmale dieser selbstdestruktiven Prozesse und des fiktionalisierten »rationalen Suizids« auf. Eine detaillierte und umfassende Analyse des Gesamtwerks verdeutlicht Bernhards originäre Bewertung und Ausgestaltung der Suizidthematik in Metaphorik, Textstruktur und Figurencharakteristik. Christian Katzschmann legt die philosophischen, medizin-, kultur- und kunstgeschichtlichen Verweise und Theoreme offen, insbesondere die ideellen und allegorischen Anleihen aus der Melancholietheorie und ideenkritische und bildtheoretische Diskurse, anhand derer Bernhard seinen literarischen Typus des destruktiven Charakters ausprägt.
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LITTERATURE ANGLAISE --- SUICIDE DANS LA LITTERATURE --- 19E SIECLE --- HISTOIRE ET CRITIQUE --- THEMES, MOTIFS
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Death --- Mort --- Morand, Paul, --- Mort. --- Suicide. --- Suicide dans la littérature --- Suicide in literature. --- Psychological aspects. --- Seneca, Lucius Annaeus
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Covering the writing of most major Latin authors between Lucretius and Lucan, this book argues that the significance of the 'noble death' in Roman culture cannot be understood if the phenomenon is viewed in the context of modern ideas of the self.
Suicide --- Killing oneself --- Self-killing --- Death --- Right to die --- Causes --- Suicide dans la littérature. --- Suicide in literature. --- Suicide. --- Rome (Empire).
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Thematology --- anno 1900-1999 --- Dutch fiction --- Suicide in literature --- Roman néerlandais --- Suicide dans la littérature --- History and criticism --- Histoire et critique --- Literature, Modern --- Suicide in literature. --- History and criticism. --- -Suicide in literature --- Modern literature --- Arts, Modern --- Roman néerlandais --- Suicide dans la littérature --- Literature, Modern - 20th century - History and criticism. --- Suicide dans la litterature
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When Viscount Castlereagh, leader of the House of Commons and architect of the Grand Alliance, committed suicide in 1822, the coroner's inquest could consider only two legal verdicts: insanity or self-murder. Public outrage greeted his burial in Westminster Abbey; the tradition lingered that a suicide's burial place be at a crossroads, with a stake through the heart to keep the lost soul from wandering. Probing a remarkable variety of sources and individual cases, Barbara Gates shows how attitudes toward suicide changed between Castlereagh's death and the end of the century. By 1900 the Victorians' moral censure of suicide and the accompanying denial that it was a widespread problem had been replaced by a more compassionate response--and also by an unfounded belief in a "suicide epidemic," which Thomas Hardy described as a "coming universal wish not to live.".Exposing a rich area of interaction between history and literature, and utilizing the methodology of the new historicism, Gates discusses topics ranging from the plot for Wuthering Heights to Victorian shilling shockers. Among other findings she includes evidence that Victorian middle-class men, particularly, tended to make suicide the province of other selves--of men belonging to other times or places, of "monsters," or of women.Originally published in 1988.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Suicide dans la littérature --- Suicide in literature --- Zelfmoord in de literatuur --- Suicide in literature. --- Suicide --- History --- Great Britain --- 19th century --- Suicide - Great Britain - History - 19th century. --- Killing oneself --- Self-killing --- Death --- Right to die --- Causes
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Theatrical science --- Europe --- Suicide in literature. --- European drama --- Suicide dans la littérature --- Théâtre européen --- History and criticism. --- Histoire et critique --- Suicide dans la littérature --- Théâtre européen
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SUICIDE DANS LA LITTERATURE --- DOSTOIEVSKI, FIODOR MIKHAILOVITCH (1821-1881) --- CAMUS (ALBERT), 1913-1960 --- COETZEE (JOHN MAXWELL), 1940 --- -GIDE (ANDRE), ECRIVAIN FRANCAIS, 1869-1951 --- CRITIQUE ET INTERPRETATION --- CRITIQUE ET INTERPRETATION --- CRITIQUE ET INTERPRETATION --- CRITIQUE ET INTERPRETATION --- SUICIDE DANS LA LITTERATURE --- DOSTOIEVSKI, FIODOR MIKHAILOVITCH (1821-1881) --- CAMUS (ALBERT), 1913-1960 --- COETZEE (JOHN MAXWELL), 1940 --- -GIDE (ANDRE), ECRIVAIN FRANCAIS, 1869-1951 --- CRITIQUE ET INTERPRETATION --- CRITIQUE ET INTERPRETATION --- CRITIQUE ET INTERPRETATION --- CRITIQUE ET INTERPRETATION
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