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Still-life photography. --- Transsexuals --- Gaudlitz, Frank,
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Michiko Kon: Still Lifes presents a unique artist's photographs of the impossible objects she has created in her studio. Kon skillfully creates a permanent record of impermanent objects: a garter belt fashioned from fish; a pair of melons covered with octopus tentacles; a mid-calf boot made of shrimp, among many other nondelectables.
Kon, Michiko. --- Photography, Artistic --- Still-life photography
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Still-life photography --- Staged photography --- Gordon, Daniel,
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"Atypique et surprenante, la photographe Jan Groover (1943-2012) a participé de façon déterminante à l'histoire de la photographie dès les années 1970. Figure éminente de la nature morte photographique, l'artiste d'origine américaine a créé avec ses images (qui explorent également les thématiques du paysage, du corps et du portrait) un monde en soi, véritable 'laboratoire des formes'. À travers une large sélection de photographies enrichie de documents d'archives, cet ouvrage pose un regard inédit sur les chefs-d'oeuvre oubliés du fonds Jan Groover, conservé au Musée de l'Elysée"--Page 4 of cover.
Still-life photography --- Photography, Artistic --- Groover, Jan,
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'Hiroshi Sugimoto: Still Life' includes 'Polar Bear' (1976), his first photograph from the Diorama series, exhibited along with later works from the 1980s, 1990s, and, most recently 2012. Where many of the earlier silver gelatin prints present animals, a number of the 2012 photographs including Mixed Deciduous Forest and Olympic Rain Forest focus on natural landscapes. He has likened the record created by photography to a process of fossilization - the evidence of a moment suspended in time. Hiroshi Sugimoto began to photograph his Dioramas series, a body of work that spans almost four decades, when he moved to New York City from Japan in 1974. While looking at the galleries in the American Museum of Natural History, he noticed that if he looked at the dioramas with one eye closed, the artificial scenes--prehistoric humans, dinosaurs, and taxidermied wild animals set in elaborately painted backgrounds--looked utterly convincing. This visual trick launched his conceptual exploration of the photographic medium, which continues today. Through his career, Sugimoto has addressed the photograph's power to create a history. He has said, "photography functions as a fossilization of time." In the Dioramas series, Sugimoto persuades the viewer that the photographer has captured a lived moment in time, although each scene is an elaborately crafted fiction. Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to homo sapiens' destruction of the planet--and then to a renewal of the earth, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist's creation myth.
Still-life photography --- Diorama. --- Diorama --- Photographers --- Photographers --- Still-life photography --- Sugimoto, Hiroshi, - 1948 --- -Sugimoto, Hiroshi, - 1948-
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Staged photography --- Still-life photography --- Performance art --- Photographers
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