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Site-specific installations are created for a specific location and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums. Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. This book provides an in-depth account of the paradoxical situation when site-specific installations are being preserved and put on display in a museum context. Tatja Scholte offers a conceptual framework for scholars and professionals in order to better understand the transformative nature of site-specific installation art and to support decision-making in museums as to conserving and presenting these artworks over time. The case studies provide insight into the diversity of artistic production over the last forty years. They explore how site-specific installations gain new meanings and forms in a museum context, and, vice versa, how these artworks become agents for change of professional routines and museum strategies.

Installations (Art). --- Site-specific art. --- ART / Collections, Catalogs, Exhibitions / Permanent Collections. --- Site-specific installation, museum, conservation, exhibition, spatial theory. --- Installation art --- Art, Modern --- Environment (Art) --- Site art --- Site-specific arts --- Arts, Modern

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Installations (Art) --- Site-specific art --- Performance art --- 7.07 --- 791.43.07 --- 741.5.07 --- Collages --- Performing arts ; dans ; theater --- Beeldende kunst ; 21ste eeuw ; 2002-2010 ; M. Dzama --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Site art --- Site-specific arts --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Exhibitions --- Art --- installations [visual works] --- drawing [image-making] --- performance art --- site-specific works --- Dzama, Marcel

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Where and how an artwork is presented can enhance it or detract from it, or even alter its meaning. Depending on the display, painting and sculpture can denote a religious, political, decorative, or educational significance, as well as aesthetic and commercial value. Just how powerful the effect of placement can be is demonstrated in this book by in-depth case studies and comparisons of art installations around the world and from antiquity to the present, all richly illustrated. Not limited to museums, Newhouse branches out to explore noteworthy displays of art in commercial galleries and in private homes and gardens, as well as in a number of unusual venues. She concludes with some guidelines for display that apply as much to the hanging of a picture in a private interior as to the installation of a museum show.--From publisher description.

Museology --- Art --- museumkunde --- architectuur --- tentoonstellingen --- Kunsttheorie ; over de presentatie van kunst --- Museologie ; museumpresentatie --- Tentoonstellen ; inrichting ; technieken --- 7.01 --- 069.4 --- Kunst ; theorie, filosofie, esthetica --- Museologie ; werkwijzen mbt het opzetten van tentoonstellingen --- Aesthetics --- Museum techniques --- Site-specific art --- Site art --- Site-specific arts --- Arts, Modern --- Museums --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Exhibition techniques --- Technique --- Display techniques --- Psychology --- Applied museology --- Museography --- Museum practices --- Museum studies --- Aesthetics. --- Museum techniques. --- Site-specific art. --- Exhibition techniques. --- Radio broadcasting Aesthetics --- museumkunde. --- architectuur. --- tentoonstellingen.

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Nature (Aesthetics) --- Site-specific art --- (069) --- 73.07 --- Beeldhouwkunst ; installaties ; projecten ; in en met de natuur --- Land Art ; Richard Long --- Long, Richard °1945 (°Bristol, Groot-Brittannië) --- Tentoonstellingscatalogi ; Tate St Ives --- Thema's in de fotografie ; landschappen tijdens natuurwandelingen --- Thema's in de kunst ; het wandelen door het landschap --- Site art --- Site-specific arts --- Arts, Modern --- (Musea. Collecties) --- Beeldhouwkunst ; beeldhouwers A - Z --- Long, Richard, --- Art styles --- Iconography --- Art --- Sculpture --- Painting --- earthworks [sculpture] --- art [fine art] --- painting [image-making] --- photography [process] --- Nature --- scripts [writing] --- sculpting --- Long, Richard --- anno 1900-1999 --- anno 2000-2099 --- Great Britain --- art [discipline]

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"This world is changing rapidly. Established ways of thinking and forms of life are under pressure. What does the future hold? The Bruges Triennial invited international artists and architects to think about these questions. Many of them sought inspiration for their work in the role of liquidity in the city that is literally criss-crossed and surrounded by water. The waterways that once earned Bruges its international renown, become a metaphor for Liquid City. Fifteen works of art, installations and meeting places have been put up in the city centre. They form a hospitable route that brings people together in unexpected spots. That is indeed one of the objectives of the Bruges Triennial 2018: generating encounters, challenging people not only to view the artworks but also to experience them and to become part of the creative process"--Festival website.

Art --- sculpture [visual works] --- installations [visual works] --- architecture [discipline] --- public art --- site-specific works --- Saraceno, Tomás --- Kozakiewicz, Jarosław --- Nicolodi, Renato --- Paine, Roxy --- Shahroudy Farmanfarmaian, Monir --- Powers, John --- selgascano --- Driessche, Van, Peter --- Meuris, Wesley --- Rotor [Brussels] --- NLÉ --- OBBA [Seoul] --- Ruimteveldwerk --- StudioKCA [New York, N.Y.] --- raumlaborberlin --- Bruges --- Site-specific art --- Public art --- Art, Modern --- 7.039 --- Kunst in de stad ; Brugge ; Triënnale ; 2018 --- Sculptuur en natuur ; kunst en water --- Installaties ; met simulatie van vloeibaarheid, beweeglijkheid --- Kunst in de openbare ruimte --- Beeldende kunst ; participatie van de toeschouwer --- Triënnale van Brugge --- Van dDiessche Peter --- Studiokca --- Shahroudy Farmanfarmaian Monir --- Selgascano --- Saraceno Tomás --- Rotor --- Powers John --- Paine Roxy --- OBBA --- Adeyemi Kunlé --- Nlé --- Nicolodi Renato --- Meuris Wesley --- Kosakiewivz Jaroslaw --- kunst --- Brugge --- kunst en architectuur --- stedenbouw --- raumlabor --- architectuur --- BelgIë --- kunst en openbare ruimte --- stedelijkheid --- Civic art --- Site art --- Site-specific arts --- Arts, Modern --- Kunstgeschiedenis ; 2000 - 2050 --- Exhibitions --- Triennale Brugge --- 72.078 --- Architectuurtentoonstellingen --- Hedendaagse kunst