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Roman d'homme ou de femme ? Telle est de nos jours l'une des premières questions que se pose le lecteur d'une oeuvre de fiction. La réponse qu'il y donne modèlera son regard sur le texte. Les différences gestuelles et orales jouent un rôle dans la spécification des rapports interpersonnels. Comment peut-on repérer et interpréter ces différences dans les textes littéraires ? Quelle place faut-il accorder aux débats sur la domination du masculin, à l'hypothèse d'une crise des identités de genre ? Curieusement, dans les textes littéraires, l'étude sémiologique des gestes et de la parole a, jusqu'à présent, fait l'impasse sur la sociologie du genre. Le présent ouvrage vient à point pour analyser le rapport masculin/féminin à partir d'une représentation du corps et de ses activités : "Des hommes et des femmes se côtoient dans l'espace textuel : chacun se comporte dans cette situation spécifique en fonction de son sexe et de son ethnie. Toute cette étude autour de la corporéité (oralité et gestualité) se décline à partir de ce concept."
French fiction --- Sex differences in literature. --- History and criticism.
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This book-length study reconstructs the experiences of the abandoned heroines of the 'Heroides', which have been largely ignored by past criticism. Dr Spentzou seeks ways to isolate, characterize and release the female voice and experience within Ovid's male-authored text.
Heroines in literature. --- Sex differences in literature. --- Ovid,
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German prose literature --- Sex differences in literature --- Mythology in literature --- History and criticism
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This collection responds to recent developments in Gender Medicine and the literary and cultural history of medicine. Bringing together scholars from Medical and Humanities departments, it uses case studies to investigate the gendered construction of disease from medieval times until today. The influence of gender on the creation of medical knowledge is now recognized within various branches of the medical field: genetic research, therapy, and investigations into biologically versus life style induced types of disease. In British and American literary and cultural studies, the narrative, drama
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Die Untersuchung leistet einen Beitrag zur Aufhellung der Wechselwirkung zwischen Theorie und Praxis der Geschlechterordnung um 1800. Der Briefwechsel der Schriftstellerin Therese Huber (1764-1829) mit ihrem Schwiegersohn Emil von Herder (1783-1855) gewährt minutiöse Einblicke in das Leben um 1800. Hier treffen theoretischer Diskurs und Realität spannungsreich aufeinander. Welche Wirkungsmacht entfalteten Frauen- und Männerbilder? Wie reagierte darauf eine Frau wie Huber, die diesem Frauenbild nicht entsprach: mit Unterwerfung oder Emanzipation? Wie definierte sie sich innerhalb der Geschlechterordnung? Um diese Fragen zu beantworten, werden einzelne Themen, die in den Briefen verhandelt werden (Freundschaft, Machtverhältnisse zwischen Mann und Frau, Männerbilder, Mädchenbildung, Mutterliebe), vor dem Hintergrund der theoretischen Texte (z.B. Rousseaus »Emile«) analysiert. Dadurch werden Hubers und Herders Positionen innerhalb des Diskurses erkennbar. Es zeigt sich: Selbst kleinste Details des Diskurses wurden Teil des realen Miteinanders von Mann und Frau, entwickelten also eine starke Wirkung; Hubers Diskussion dieser Details lässt Widersprüche innerhalb des Geschlechterdiskurses deutlich werden; ordnungskonformes und emanzipatorisches Denken und Handeln liegen dichter beieinander als erwartet; typisch sind Ambivalenzen und die Entwicklung einer Eigendynamik der Argumente.
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Deutsch. --- German literature --- German literature. --- Geschlechtsunterschied (Motiv). --- Literatur. --- Sex differences in literature. --- History and criticism. --- 1900-1999. --- Geschichte 1800-2000.
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In the work he considered his masterpiece, Persiles and Sigismunda, Cervantes finally explores the reality of woman--an abstraction largely idealized in his earlier writing. Traditional critics have perpetuated this disembodied ideal woman: "Every Man," claimed the translators of the 1706 Don Quixote, has "some darling Dulcinea of his Thoughts." As Diana de Armas Wilson shows, however, Cervantes himself envisioned the radical embodiment of "Dulcinea" in the later Persiles, a pan-European Renaissance allegory. Wilson illuminates Cervantes's strategic use of the ancient genre of Greek romance to contest various chivalric fictions about women, love, and marriage--fictions collapsing under the constraints of an emerging bourgeois culture. Taking as her subject Cervantes's erotic imperative--to leave behind "barbaric" notions of love in quest of a new conceptual space--Wilson demonstrates how the heroes of the Persiles, unlike Don Quixote, learn to cross the borders of difference. Their journey toward marriage is illustrated by thirteen inset "exemplary novels," perhaps the most exploratory of Cervantes's writings. Allegories of Love not only examines the fundamental importance of sexual and cultural difference in Cervantes's last romance, but also reveals the historical conditions of representation itself during the late Renaissance.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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