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Creation dans la litterature --- Creation in literature --- Romanticism --- Romantiek --- Romantisme --- Schepping in de literatuur --- Literature, Modern --- Pygmalion (Greek mythology) --- Mythology in literature --- Littérature --- Pygmalion (Mythologie grecque) --- Mythologie dans la littérature --- Themes, motives --- Thèmes, motifs --- Littérature --- Mythologie dans la littérature --- Thèmes, motifs --- Literary collections --- Literature [Comparative ] --- 18th century --- 19th century --- Pygmalion --- Themes, motives.

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Creation dans la litterature --- Creation in literature --- Filosofie in de literatuur --- Philosophie dans la littérature --- Philosophy in literature --- Schepping in de literatuur --- Gyllensten, Lars --- Philosophy --- -Philosophy --- Creation in literature. --- Philosophy in literature. --- Gyllensten, Lars, --- Gyllensten, Lars Johan Wictor, --- Wictor, Jan --- Criticism and interpretation. --- Philosophy. --- Criticism and interpretation --- Gyllensten, Lars, - 1921-2006 - Philosophy --- Gyllensten, Lars, - 1921-2006 - Grottan i öknen --- Gyllensten, Lars, - 1921-2006 - Criticism and interpretation --- Gyllensten, Lars, - 1921-2006

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The meanings of the noun ‘creation’, and the verb ‘to create’, range from the traditional theological idea of God creating ex nihilo to a more recent sense of the process of artistic conception. This collection of thirteen essays, written by scholars of music, literature, the visual arts, and theology, explores the complicated relationship between medieval rituals and theology, and the development of an idea of human artistic creation, which came to the fore in the sixteenth century.The volume concentrates on the period from the Carolingians to the Counter-Reformation but also includes some twentieth-century musicians. Each essay is dedicated to a particular topic concerned with ritual or artistic beginnings, inventions, harmony and disharmony, as well as representations or celebrations of creation. Central themes include the interplay of the ideas of God as creator, of God acting and recreating in medieval liturgy, of God as artist—the deus artifex of the Pythagorean cosmology, which was occasionally referred to as recently as the early nineteenth century—and, finally, of the homo creator, a concept in which man reflected (and eventually replaced) God in his artistic creativity.This book therefore features new, significant, individual contributions from a range of scholarly disciplines, but, taken as a whole, it also constitutes a complex interdisciplinary study, with large-scale historical constructions.

Art --- Christian theology --- Religious studies --- anno 500-1499 --- Creation dans la litterature --- Creation in literature --- Schepping in de literatuur --- Creation (Literary, artistic, etc.) --- Liturgy and the arts --- Creation in art. --- Creation in literature. --- Création (Arts) --- Liturgie et arts --- Création dans l'art --- Création dans la littérature --- History --- Religious aspects --- Christianity. --- Histoire --- Aspect religieux --- Christianisme --- 930.85.42 --- Cultuurgeschiedenis: Middeleeuwen --- Creation in art --- Philosophy --- Philosophy & Religion --- Aesthetics --- Christianity --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Création (Arts) --- Création dans l'art --- Création dans la littérature --- Arts and liturgy --- Arts --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Creation --- Creation as a topic in art --- Religious aspects&delete& --- Godsdienstwetenschap --- Christelijke theologie --- Kunst --- Creation (Literary, artistic, etc.) - History - To 1500. --- Creation (Literary, artistic, etc.) - Religious aspects - Christianity. --- Liturgy and the arts - Europe - History - To 1500.