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Love poetry, Greek --- Greek love poetry --- Greek poetry --- Sappho --- Sapfo --- Sapfo van Lesbos --- Sappho van Lesbos --- Sapho --- Safo --- Sapʻo --- Saffo --- Sapphus --- Сафо --- سيفو --- Safona --- Σαπφῶ --- Ψάπφω --- Psappho
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In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet’s writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr’s “Living as a Lesbian,” Madeleine de Scudéry’s Histoire de Sapho, John Donne’s “Sapho to Philaenis,” Todd Haynes and Patricia Highsmith’s Carol, Virginia Woolf’s Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the “country of our friendship,” a love both exceedingly strange and compellingly familiar. Just as Sappho’s coinage “bitter-sweet” describes eros as inextricably contradictory — two things at once, one thing after another, each interrupting, complicating, each other — the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg’s Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called “the very house of difference.”
Sappho --- History and criticism. --- Sapfo --- Sapfo van Lesbos --- Sappho van Lesbos --- Sapho --- Literary studies: classical, early & medieval --- lesbian poetry --- classical literature --- ancient Greece --- queer studies --- gay poetry --- sexuality
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Ancient Greek Lyrics collects Willis Barnstone's elegant translations of Greek lyric poetry -- including the most complete Sappho in English, newly translated. This volume includes a representative sampling of all the significant poets, from Archilochos, in the 7th century BCE, through Pindar and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William E. McCulloh's introduction illuminates the forms and development of the Greek lyric while Barnstone provides a brief biographical and literary sketch for each poet and adds a substantial introduction to Sappho -- revised for this edition -- complete with notes and sources. A glossary and updated bibliography are included.
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"No ancient poet has a wider following today than Sappho; her status as the most famous woman poet from Greco-Roman antiquity has, down the centuries, ensured a continuing fascination with her work. The ancient edition of her poems, which filled probably nine books and thus over 10,000 lines, did not survive; but the fragments of those poems which have been preserved, both as quotations in authors whose works did outlast antiquity, and on ancient papyrus manuscripts recovered from the sands of Egypt, offer many glimpses of her poetic brilliance"--
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Die Nordrhein-Westfälische Akademie der Wissenschaften und der Künste ist eine Vereinigung der führenden Forscherinnen und Forscher des Landes. Sie wurde 1970 als Nachfolgeeinrichtung der Arbeitsgemeinschaft für Forschung des Landes Nordrhein-Westfalen gegründet. Die Akademie ist in drei wissenschaftliche Klassen für Geisteswissenschaften, für Naturwissenschaften und Medizin sowie für Ingenieur- und Wirtschaftswissenschaften und in eine Klasse der Künste gegliedert. Mit Publikationen zu den wissenschaftlichen Vorträgen in den Klassensitzungen, zu öffentlichen Veranstaltungen und Symposien will die Akademie die Fach- und allgemeine Öffentlichkeit über die Arbeiten der Akademie und ihrer Forschungsstellen informieren.
Inscriptions grecques --- Greek poetry --- Greek literature --- Manuscripts. --- Sappho --- Sapfo --- Sapfo van Lesbos --- Sappho van Lesbos --- Sapho --- Criticism and interpretation. --- Safo --- Sapʻo --- Saffo --- Sapphus --- Сафо --- سيفو --- Safona --- Σαπφῶ --- Ψάπφω --- Psappho
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Sappho is celebrated as the supreme ancient Greek poet of love and of the personal lyric, and noted also for her vivid participation in a living paganism. Jim Powell's translation features a newly dicovered poem which joins three extant 'complete' poems of Sappho.
Love poetry, Greek --- Greek love poetry --- Greek poetry --- Sappho --- Sapfo --- Sapfo van Lesbos --- Sappho van Lesbos --- Sapho --- Safo --- Sapʻo --- Saffo --- Sapphus --- Сафо --- سيفو --- Safona --- Σαπφῶ --- Ψάπφω --- Psappho --- Translations into English.
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This book argues that Sappho's style is characteristically playful, and that this is probably the best explanation for some problematic features of her text.
Sappho -- Literary style. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Sappho --- Literary style. --- Safo --- Sapʻo --- Saffo --- Sapphus --- Sapfo --- Сафо --- سيفو --- Safona --- Sapho --- Σαπφῶ --- Ψάπφω --- Psappho --- Sapfo van Lesbos --- Sappho van Lesbos
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"Sappho has been constructed as many things: proto-feminist, lesbian icon and even - by the Victorians - chaste headmistress of a girls' finishing school. Yet ironically, as Page DuBois shows, the historical poet herself remains elusive. We know that Sappho's contemporary Alcaeus described her as 'violet, pure, honey-smiling Sappho'; and that the rhetorician and philosopher Maximus of Tyre saw her, perhaps less enthusiastically, as 'small and dark'. We also know that her 7th/6th century BCE island of Lesbos was riven by tyrannical and aristocratic factionalism and that she was probably exiled to Sicily. Much of the rest is speculative. DuBois suggests that the value of Sappho lies elsewhere: in her remarkable verse, and in the poet's reception - one of the richest of any figure from antiquity. Offering nuanced readings of the poems, written in an archaic Aeolic dialect, DuBois skillfully draws out their sharp images and rhythmic melody. She further discusses the exciting discovery of a new verse fragment in 2004, and the ways in which Sappho influenced Catullus, Horace and Ovid, as well as later writers and painters."--Bloomsbury Publishing.
Poets, Greek. --- Literary studies: classical, early & medieval. --- Sappho --- Criticism and interpretation. --- Greek poets --- Sapfo --- Sapfo van Lesbos --- Sappho van Lesbos --- Sapho --- Safo --- Sapʻo --- Saffo --- Sapphus --- Сафо --- سيفو --- Safona --- Σαπφῶ --- Ψάπφω --- Psappho
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Greek poetry --- Poésie grecque --- Sappho --- Alcaeus --- Criticism and interpretation. --- History and criticism --- Criticism and interpretation --- Poésie grecque --- Greek literature --- Sapfo --- Sapfo van Lesbos --- Sappho van Lesbos --- Sapho --- Alcée --- Alkaios --- Alkaios van Mytilene --- Alcaeus van Mytilene --- Safo --- Sapʻo --- Saffo --- Sapphus --- Сафо --- سيفو --- Safona --- Σαπφῶ --- Ψάπφω --- Psappho --- Greek poetry - Greece - Lesbos Island - History and criticism --- Sappho - Criticism and interpretation --- Alcaeus - Criticism and interpretation
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