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Live and Die as Eva Braun and Other Intimate Stories is a bilingual edition of short writings by Roee Rosen. At the heart of this collection are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism. Live and Die as Eva Braun (1995-97) leads the viewer through a virtual-reality scenario in the role of Hitler's lover. The project stirred a public and political controversy when first shown in Israel. It was later recognized by many as a watershed work concerning the representation of trauma, Nazism, and the Holocaust. When the work was presented in New York, Linda Nochlin wrote, "The experience of Live and Die, both textual and visual, is unforgettable, like nothing else." The film The Confessions of Roee Rosen (2008) offers yet another uncomfortable doubling of identity, in which three illegal female migrant workers serve as surrogates for the character "Roee Rosen." As a text, these highly condensed monologues reveal themselves to be disorienting subversions of the tradition of literary confession. Finally, the script of Hilarious (2010) offers a torturously bad attempt at dysfunctional comedy, set in the Twin Towers as they collapse.
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Roee Rosen's film Kafka for Kids is set as the pilot episode for a TV series that perversely aims to make Kafka's tale "Metamorphosis" palpable for toddlers. In its title, the film Kafka for Kids implies that the intellectual great of modern literature will finally be presented in a way that is generally understandable. Roee Rosen wants to present Franz Kafka, of all people, with his contorted thought constructions, in a way that is even accessible to kids! But unfortunately, that's not how things turn out: the star writer of the educated middle class is not simplified, but his story becomes much more complex, corresponding to reality, for reality is more complicated than we like to represent using biaxial graphs. Featuring the original script of the movie, readers are invited to dive into a magical story, followed by essays that give a deeper insight in the literary aspects of Roee Rosen's oeuvre. A stowaway on the journey, Rosen playfully and with wonderful self-irony, does not negate the complexity of the present, but takes it to the next level by exploring how all things are interlinked. Rosen neither doubts the complexity of our reality, nor does he oversimplify to a fault.
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Graphics industry --- Iconography --- Drawing --- Graphic arts --- prints [visual works] --- typography --- kunst en politiek --- Rosen, Roee --- anno 1900-1999 --- Israel
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kunst --- fictieve kunstenaars --- judaïsme --- Israel --- sadisme --- 7.071 ROSEN --- 82 --- 7.071 FRANK --- surrealisme --- Verenigde Staten --- Frank Justine --- Rosen Roee --- gender studies --- feminisme --- seksualiteit --- erotiek --- pornografie --- België --- eenentwintigste eeuw --- literatuur --- kunst en literatuur --- twintigste eeuw --- Exhibitions
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Iconography --- terrorism --- violence --- kunstsociologie --- Azzarella, Josh --- Bejar, Daniel --- Betts, William --- Cherkassky, Zoya --- Diehl, Teresa --- Doyle, Jeanette --- Henricksen, Kent --- Livneh, Yitzhak --- Moller, Claude --- Netzhammer, Yves --- Palma, Miguel --- Pogacean, Cristian --- Reeb, David --- Rosen, Roee --- Shaburov, Aleksandr --- Shanabrook, Stephen J. --- Spinelli, Ivana --- Ter-Oganyan, Avdey --- Tichy, Jan --- Waked, Sharif --- Mosse, Richard --- Holzer, Jenny --- Chapman, Jake --- Rosler, Martha --- Grimonprez, Johan --- Kessler, Jon --- Killaars, Fransje --- Yass, Catherine --- Farocki, Harun --- The Blue Noses Group --- anno 2000-2099
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